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Lady Macbeth

NEWS
August 24, 1997 | Michael Wilmington
Along with Orson Welles' three films, Akira Kurosawa's very free 1957 adaptation of "Macbeth" is the most cinematically potent Shakespearean transcription ever. Kurosawa cross-pollinates the play with Noh staging and his own hell-for-leather samurai action. It's an inspiring cultural hybrid.
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ENTERTAINMENT
December 2, 1987 | DANIEL CARIAGA
Italian soprano Mara Zampieri, scheduled to sing four performances as Lady Macbeth in Los Angeles Music Center Opera's production of Verdi's "Macbeth," Dec. 11-21, has canceled her appearance here. Zampieri's U. S. manager, Alan Green of Columbia Artists Management Inc., said the soprano hurt her leg in an accident in her apartment in Venice, Italy. Her leg is in a cast and she will be unable to travel this month. Zampieri will be replaced in the four "Macbeth" performances (Dec.
ENTERTAINMENT
October 2, 2005 | Don Shirley
THE solo musical comedy starring Amanda McBroom that opens off-Broadway tonight was called "Lady Macbeth Sings the Blues" when it premiered in June at Ventura's Rubicon Theatre. Now it's "A Woman of Will." A venerable superstition has struck again -- that it's bad luck for theater artists to utter the name "Macbeth." The same superstition is part of the premise of Lee Blessing's "The Scottish Play," a comedy about an ill-fated "Macbeth" production now at La Jolla Playhouse.
ENTERTAINMENT
February 11, 1997 | LAURIE WINER, TIMES THEATER CRITIC
Why set "Macbeth" in the Toltec empire, an Indian civilization that dominated parts of Central America from the 11th to the 13th centuries? Don't look for an answer in Will & Company's irredeemably bad version of the Scottish play, which, indeed is set there. For one thing, the actors look ridiculous. They are dressed in what is essentially adult diapers with flaps, exposing the wrinkles and folds that the flesh is heir to.
ENTERTAINMENT
April 9, 2008 | Charles McNulty, Times Theater Critic
NEW YORK -- Patrick Stewart's suave performance in the Chichester Festival Theatre production of "Macbeth," which opened Tuesday at the Lyceum Theatre on Broadway, can be scored a triumph, but it comes with a few provisos. Hardly anyone ever gets this most tempting of Shakespearean roles right. By comparison, Hamlet, Othello and King Lear -- tough as they are to pull off -- are more amenable to partial successes. When actors fail in these parts, they tend to fail upward.
ENTERTAINMENT
March 21, 2013 | By Margaret Gray
If the title of Donald Freed's new play, now at the Skylight Theatre, doesn't prompt you to quote Macbeth (“Tomorrow and tomorrow and tomorrow…”), you are probably not its intended demographic. The heart of “Tomorrow” is three actors discussing and rehearsing scenes from the Shakespeare tragedy. And, yes, it sounds dry and cerebral, like something only a dramaturge would be into. As I actually have a degree in dramaturgy, you might roll your eyes when I say I was on the edge of my seat as I watched the characters hunt Lady Macbeth's psychology through the text, history and their own pasts.
ENTERTAINMENT
November 21, 2004 | Jan Breslauer, Special to The Times
In a nearly pitch-dark room, the banquet scene from Shakespeare's "Macbeth" is coming alive. "Come, love and health to all ... ," intones the host as he crosses a stage covered with shimmering black sand and makes his way toward a bank of chairs that are suddenly -- and invisibly -- filled with feasting guests. A ghost appears as the tormented Macbeth proposes a toast: "I drink to th' general joy o' th' whole table, / And to our dear friend Banquo, whom we miss."
ENTERTAINMENT
March 6, 1991 | SYLVIE DRAKE, TIMES THEATER WRITER
The first thing it's important to remember about Charles Marowitz's "A Macbeth" is that it is this season's inaugural lab production at the Odyssey Theatre Ensemble--a place, according to a leaflet from the theater, where "plays are often more experimental, more avant-garde, more likely to balance on the edge of the unusual and unconventional." That said, let's add that "A Macbeth" fits roughly half the description.
ENTERTAINMENT
June 16, 2004 | Philip Brandes, Special to The Times
"What is it about men and cars?" muses Kate, the troubled songwriter heroine of "Lady Macbeth Sings the Blues," in the wake of her husband's phone call brimming with coded agendas. "After all these years I know when he says, 'check your oil' he means 'I love you.' But still, it doesn't quite have the ring of 'Shall I compare thee to a summer's day....'
ENTERTAINMENT
July 22, 1996 | JAN HERMAN, TIMES STAFF WRITER
Shakespeare Orange County's (SOC) handsome staging of "The Tragedy of Macbeth," which opened Friday at the Waltmar Theatre, brings a ceremonial richness to Shakespeare's stark, swift and bloody drama of evil incarnate. But that is not the only icing on this substantial cake.
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