February 29, 2000 |
The Museum of Latin American Art is out to educate its audience about modern art in the Southern Hemisphere. An entirely praiseworthy crusade, it does have some curious side effects. Take this latest exhibition. "Szyszlo: In His Labyrinth" represents the California museum debut of a Peruvian artist the Encyclopedia Britannica counts among that country's leading lights. Fernando de Szyszlo was born in Lima in 1925; his father was a Polish scientist, his mother a Peruvian national.
May 30, 2008 |
Rufino Tamayo's "Troubadour" set a world auction record for Latin American art, fetching $7.2 million. The 1945 painting, which depicts a musician strumming his guitar as two women watch, was acquired by an anonymous buyer, Christie's spokeswoman Sung-Hee Park said. The $7.2-million bid on Wednesday easily eclipsed the previous record for a Tamayo painting of $2.59 million and topped Frida Kahlo's "Roots," which sold in May 2006 for $5.6 million. "Troubadour" was the first of four paintings to be sold by Randolph College in Lynchburg, Va., to raise money.
November 9, 2006
I read with interest your substantial feature on the growing cultural community of Long Beach ["L.B., as in Lively Bash," Oct. 19] and was astonished that the single most significant cultural institution, the Museum of Latin American Art, which anchors the northeast corner of the East Village Arts District, was not even mentioned. MoLAA has been a jewel in the crown of Long Beach and a major destination for art lovers, collectors and the Latin American community. MoLAA is the only museum in the U.S. devoted exclusively to contemporary Latin American fine art, showing the likes of Tamayo, Botero and the most important living Latin American artists.
April 27, 2012 |
BOGOTA, Colombia - Honored here on his 80th birthday last week with a congressional medal and dinner with the president, Colombia's most famous artist, Fernando Botero, says he'll keep working until he keels over with "a paintbrush in my hand. " But the politically attuned artist, whose themes have included mass murders, vicious drug capos and torture as well as his trademark "volumetric" nudes and whimsical reworkings of old masters, is skeptical that he will live to see the peace his countrymen so desperately want.
July 7, 1999 |
Time was when people looked at art mainly as a porthole to the artist's soul. Recent emphasis on ethnic heritage, however, encourages audiences to expect a sense of the artist's culture as well. This drift is particularly germane to "Gerardo Chavez: Rhythms of the Fantastic," on view at the Museum of Latin American Art in Long Beach. After somewhat uncertain beginnings, the Museum of Latin American Art has expanded, improved and is now a small museum to be reckoned with.
December 21, 2000 |
He walked in the shadows of Mexico's great painters, nurturing a dream to cement his name among their ranks. As the young protege of master painter Rufino Tamayo, Vladimir Cora is emerging as one of the premier Mexican artists working in the United States. Galleries throughout the nation carry his work, and an upscale Los Angeles restaurant is being named after Cora, who lives in Santa Ana for a couple of months of the year.
CALIFORNIA | LOCAL
June 19, 2011 |
Virginia M. Fields, a leading scholar of early Mesoamerican art and archaeology who joined the Los Angeles County Museum of Art's curatorial staff in 1989 and devoted 22 years to making the museum a vital center of Latin American culture — partly by organizing major exhibitions such as last year's "Olmec: Colossal Masterworks of Ancient Mexico" — has died. She was 58. Fields, who had suffered from diabetes since her youth, died Wednesday night of long-term complications from the disease in a hotel in Mexico City.
April 4, 2010 |
Franklin Sirmans occupies a conspicuously neat space in a complex of glass-front offices at the Los Angeles County Museum of Art. The new head of LACMA's contemporary art department arrived in January with plenty of ideas, but it takes time to pile up the mountains of books and files that overwhelm many of his colleagues. Around the corner, Christine Y. Kim has settled in, but just barely. She joined the museum's staff last September as associate curator of contemporary art. And down the hall, another notably uncluttered office belongs to Britt Salvesen, who came aboard in October as chief of two departments: photography, and prints and drawings.