February 29, 2000 |
The Museum of Latin American Art is out to educate its audience about modern art in the Southern Hemisphere. An entirely praiseworthy crusade, it does have some curious side effects. Take this latest exhibition. "Szyszlo: In His Labyrinth" represents the California museum debut of a Peruvian artist the Encyclopedia Britannica counts among that country's leading lights. Fernando de Szyszlo was born in Lima in 1925; his father was a Polish scientist, his mother a Peruvian national.
May 30, 2008 |
Rufino Tamayo's "Troubadour" set a world auction record for Latin American art, fetching $7.2 million. The 1945 painting, which depicts a musician strumming his guitar as two women watch, was acquired by an anonymous buyer, Christie's spokeswoman Sung-Hee Park said. The $7.2-million bid on Wednesday easily eclipsed the previous record for a Tamayo painting of $2.59 million and topped Frida Kahlo's "Roots," which sold in May 2006 for $5.6 million. "Troubadour" was the first of four paintings to be sold by Randolph College in Lynchburg, Va., to raise money.
November 9, 2006
I read with interest your substantial feature on the growing cultural community of Long Beach ["L.B., as in Lively Bash," Oct. 19] and was astonished that the single most significant cultural institution, the Museum of Latin American Art, which anchors the northeast corner of the East Village Arts District, was not even mentioned. MoLAA has been a jewel in the crown of Long Beach and a major destination for art lovers, collectors and the Latin American community. MoLAA is the only museum in the U.S. devoted exclusively to contemporary Latin American fine art, showing the likes of Tamayo, Botero and the most important living Latin American artists.
July 7, 1999 |
Time was when people looked at art mainly as a porthole to the artist's soul. Recent emphasis on ethnic heritage, however, encourages audiences to expect a sense of the artist's culture as well. This drift is particularly germane to "Gerardo Chavez: Rhythms of the Fantastic," on view at the Museum of Latin American Art in Long Beach. After somewhat uncertain beginnings, the Museum of Latin American Art has expanded, improved and is now a small museum to be reckoned with.
CALIFORNIA | LOCAL
February 5, 2003 |
Bernard Lewin, a leading collector and dealer of Latin American art, died Jan. 30 at his home in Rancho Mirage. He was 96 and had suffered from heart problems for several months. Together with his late wife, Edith, he amassed a trove of close to 2,000 works, many of them by the best-known names in Mexican Modernist painting. In 1997, the couple donated their holdings to the Los Angeles County Museum of Art, a gift that made LACMA's Latin American collection among the top in the country.
April 4, 2010 |
Franklin Sirmans occupies a conspicuously neat space in a complex of glass-front offices at the Los Angeles County Museum of Art. The new head of LACMA's contemporary art department arrived in January with plenty of ideas, but it takes time to pile up the mountains of books and files that overwhelm many of his colleagues. Around the corner, Christine Y. Kim has settled in, but just barely. She joined the museum's staff last September as associate curator of contemporary art. And down the hall, another notably uncluttered office belongs to Britt Salvesen, who came aboard in October as chief of two departments: photography, and prints and drawings.
December 8, 2013 |
NEW YORK - The painting once hung in the Cleveland Museum of Art. And there was no shortage of people who wanted it in the crowded Christie's auction room. The artwork, "Women Reaching for the Moon," is a blur of a woman in a red dress. It was painted by Rufino Tamayo, the famed Mexican creator of abstract works that combine European and Latino influ- ences. Though bidding started at $500,000, it quickly reached $1 million. The standing-room-only crowd murmured as auctioneer Adrian Meyer parried with the remaining bidders, and workers wheeled in rows of extra chairs.
January 10, 2010
Olmec civilization emerged roughly 3,000 years ago in the eastern lowlands along Mexico's Gulf Coast in what is today the region of Veracruz and Tabasco. In many ways, it provided the foundation for all Mesoamerican art, much the way ancient Greek art did for subsequent European culture. Still, Olmec society today remains very much a mystery. For example, no one is quite sure what the monumental, 10-ton stone sculptures of helmeted human heads were used for -- although it is certain that anybody who came upon one at a time when the wheel was not yet in use and carving implements were rudimentary would know he was in the jaw-dropping presence of extraordinary power.