Advertisement
YOU ARE HERE: LAT HomeCollectionsLiz Larner
IN THE NEWS

Liz Larner

OPINION
February 26, 2006 | Tyler Green, TYLER GREEN writes and edits Modern Art Notes, a blog about art at artsjournal.com/man.
WITH CHIEF executive Barry Munitz gone, the state attorney general investigating its dealings and a foundation watchdog having put it on probation, the J. Paul Getty Trust is considering reforms. In weighing what to do, the trustees must acknowledge that although the Getty Trust is a multiheaded beast -- museum, grant-making foundation, research institute and conservation institute -- art is what holds its programs together.
Advertisement
ENTERTAINMENT
January 9, 2014 | By Deborah Vankin
With the new year comes the blast of new art that hits every January. What could be called an “Artapalooza” starts Thursday night with the monthly Downtown L.A. Art Walk. Saturday brings a high concentration of citywide gallery openings. And the annual Los Angeles Art Show opens at the convention center downtown on Wednesday. “Photo L.A.” opens at the L.A. Mart downtown on Jan. 16. And a new downtown art exhibition space, the Mistake Room, which will feature contemporary artists from around the globe, opens Jan. 18 Culture Monster will be posting dispatches from next week's L.A. Art Show starting at Wednesday's artist and celeb-heavy patron party, hosted by Tim Robbins.
ENTERTAINMENT
March 13, 2007 | Holly Myers, Special to The Times
Thanks to an impressive display of trans-institutional organizing, feminist fever is sweeping the Southland this season, with female-centered exhibitions and events cropping up all over town. "Multiple Vantage Points: Southern California Women Artists, 1980-2006," at Los Angeles Municipal Art Gallery, is one of the largest, after "WACK! Art and the Feminist Revolution" at the Museum of Contemporary Art, and essential viewing for anyone inspired by what they see there. Taking up where "WACK!"
ENTERTAINMENT
October 2, 2001 | CHRISTOPHER KNIGHT, TIMES ART CRITIC
Ayear ago, the Museum of Contemporary Art, San Diego, launched a nationally touring exhibition titled "Ultrabaroque: Aspects of Post-Latin American Art." (Currently it's on view at the San Francisco Museum of Modern Art.) The thesis of this savvy and absorbing show is that established multicultural ideas about Latin American identity as represented in art no longer hold.
ENTERTAINMENT
January 28, 1992 | CHRISTOPHER KNIGHT, TIMES ART CRITIC
Aggressively titled, "Helter Skelter: L.A. Art in the '90s" exploits a proven method for getting attention. At the Museum of Contemporary Art's warehouse facility in Little Tokyo, the newly opened exhibition reaches for the spotlight simply by playing against type.
ENTERTAINMENT
August 25, 1991 | SHAUNA SNOW
A status conference will be held Wednesday in the continuing litigation surrounding the Boyle Heights mural, "Ancient Energies," which was painted in 1980 by three members of the East Los Streetscapers muralist group. The 1,200-square-foot work, commissioned by Shell Oil for a gas station at the corner of Soto and 4th Street, was bulldozed by Shell in 1988 to make way for a parking lot.
ENTERTAINMENT
May 15, 1990 | CATHY CURTIS, TIMES STAFF WRITER
Suppose you decided to visit a remote outpost in a country whose language was utterly foreign to you. If you hired a guide, you'd surely want this person to be able to communicate with you, even if only in rudimentary sign language. For most viewers, conceptual art is about as "foreign" as art gets. It's one thing for a commercial gallery exhibit to murmur inscrutably to a coterie of knowledgeable followers.
ENTERTAINMENT
August 30, 1987 | ZAN DUBIN
Dana Friis-Hansen's biggest challenge came concealed in "three huge boxes." The Massachusetts curator recently accepted an invitation to put together this year's "Annuale" exhibit for Los Angeles Contemporary Exhibitions (LACE). His initial charge was to select 25 Los Angeles County artists from among 300 who sent LACE documentation of their work.
ENTERTAINMENT
March 22, 2006 | Christopher Knight, Times Staff Writer
These days the Whitney Museum of American Art is lodged firmly between a rock and a hard place. The rock is the Whitney Biennial, the periodic survey of recent art that was launched during the depths of the Great Depression, in 1932, and grew into the museum's most prominent exhibition. The hard place is the sheer irrelevance of the show today, a fact again on painful display in the museum's Madison Avenue galleries. The need for a national art survey disappeared long ago.
ENTERTAINMENT
September 19, 1994 | WILLIAM WILSON, TIMES ART CRITIC
Art these days feels like an endangered species. The market boom of the '80s made it appear important and fashionable. Economic stagnation suffocated enthusiasm, aided and abetted by art grown so thin and preachy as to be virtually indistinguishable from the media. Even L.A.'s great quake contributed to the dirty work, causing collectors to shun art in fragile materials.
Los Angeles Times Articles
|