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ENTERTAINMENT
November 25, 2013 | By Mark Swed, Los Angeles Times Music Critic
With its show-business staging of Mozart's "The Magic Flute" as a cheekily animated silent movie, Los Angeles Opera on Saturday night got what it very much needs. That this will be a hit goes without saying. But what this once pioneering company really needs right now is a reason to be talked about again. So let's talk about Barrie Kosky, one of the hot directors on the international scene and, like most hot directors on the international scene, ignored in America. Not too many American opera companies dare hire directors who put buckets of excrement onstage, as Kosky did in a recent German production of Janácek's "From the House of the Dead.
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ENTERTAINMENT
July 9, 2012 | By David Ng
In his latest movie "To Rome With Love," Woody Allen plays Jerry, a retired music executive and former opera director who travels to Italy to meet his daughter's fiancé. Upon his arrival in the Eternal City, Jerry encounters his future son-in-law's father, an undertaker who happens to have a perfect operatic voice - but only when he's singing in the shower. The chance discovery precipitates a series of comic set pieces, and prompts Jerry to rediscover his passion for the operatic art form.
ENTERTAINMENT
June 4, 2000
Mark Swed's May 21 articles on Peter Hemmings and Los Angeles Opera provided well-merited coverage of a man and an institution that have changed the cultural landscape of Southern California. One aspect that Swed touched on but did not praise sufficiently is the company's commitment to developing young local artists. This is a mission Los Angeles Opera shares with the Opera Buffs Inc., which provides scholarships and performance opportunity to young singers in Southern California. Swed suggests that other companies have "stronger personalities" than Los Angeles Opera.
ENTERTAINMENT
May 3, 2008 | Chris Pasles
Gregory Henkel, planning manager for Los Angeles Opera, will move to San Francisco Opera as director of artistic administration beginning June 1. Henkel, who worked at LA Opera for three years, will team with San Francisco Opera general director David Gockley, music director Donald Runnicles and incoming music director Nicola Luisotti to determine casting and contracting, identifying new singers and choice of repertoire. -- -- Chris Pasles
ENTERTAINMENT
August 18, 2002
"Artists and repertoire subject to change. No refunds or exchanges" reads the fine print on the Los Angeles Opera advertisement on Page 49 in the Aug. 11 Calendar. I ask you, would you put down money on next year's car knowing that the make, model and options would be subject to change, no refunds or exchanges? I do not think so. So why buy tickets in advance to the Los Angeles Opera? You have no choice of seating by phone or mail order, so best seat is not an option. Indeed, because they never really sell out, some of the best tickets are at the box office the night of performance.
ENTERTAINMENT
June 20, 2010 | By Scott Timberg, Special to the Los Angeles Times
At one time, Los Angeles was Weimar on the Pacific: Numerous German-speaking émigrés put their stamp on the city to which they'd fled. What with directors such as Billy Wilder and Ernst Lubitsch, writers such as Thomas Mann and Bertolt Brecht, and assorted film composers and actors — many of whom gathered to express their love of German high culture and their hatred of fascism — it seemed at times that the Southland's intellectual life...
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