January 9, 2008 |
Carrie Dennis, principal viola of the Berlin Philharmonic, has been named principal viola of the Los Angeles Philharmonic, beginning in September. A native of Saratoga Springs, N.Y., Dennis, 30, studied at the Curtis Institute of Music in Philadelphia. She served as assistant principal viola of the Philadelphia Orchestra from 2002 to 2006, when she joined the Berlin Philharmonic. -- -- Chris Pasles
December 2, 2013 |
With numerous high-profile projects already in various stages of design, including Facebook headquarters, Los Angeles' Grand Avenue and the President Eisenhower memorial in Washington, architect Frank Gehry has signed on to create a new performance space named for conductor Gustavo Dudamel in Venezuela. Gehry, who designed Walt Disney Concert Hall, home of the Los Angeles Philharmonic, has been hired to envision a new facility that will include a concert hall, rehearsal studios and educational space, according to Dudamel's London manager.
May 10, 2008 |
Pianist Pierre-Laurent Aimard has canceled his appearances with the Los Angeles Philharmonic next Thursday through Sunday at Walt Disney Concert Hall on doctor's orders because of back strain. Peter Serkin will fill in with a slight change in program. Replacing Janacek's Capriccio for Piano Left Hand and Winds will be Messiaen's "Petites esquisses d'oiseaux" (Small Sketches of Birds) for piano solo. The remainder of the program, to be conducted by Christoph von Dohnanyi, will be the same: Messiaen's "Oiseaux exotiques" (Exotic Birds)
November 20, 1994 |
The Los Angeles Philharmonic comes to Lincoln Center's Avery Fisher Hall next week, its first visit to New York in four years and its first trip here with its music director, Esa-Pekka Salonen. Once more, the orchestra joins the great New York musical jostle for recognition. The parade of orchestras visiting New York this season has already included the Boston Symphony and the Philadelphia Orchestra (both of which offer short seasons here), the Pittsburgh Symphony, the St. Louis Symphony, the Houston Symphony, Orchestre Symphonique de Montreal, along with orchestras from St. Petersburg, London, Osaka, Weimar, Wales and Slovakia.
April 9, 1989
T here is some choice, but not much, in what violinists are asked to play on their audition tapes and at the ensuing live audition for the Los Angeles Philharmonic. In both cases, applicants get to play a portion--either all or part of the first movement--from any of the following concerti: Mendelssohn Beethoven Brahms Prokofiev No. 2 Bartok No. 2 Sibelius Tchaikovsky The rest of the format is set in stone. Each violinist must play the following music : ON TAPE: Brahms' Symphony No. 4, second movement: Play from measure 88 to 102 Schumann's Symphony No. 2, Scherzo: Play from the beginning to measure 50 Strauss' "Don Juan," play from the beginning to the 14th measure after letter C LIVE: The first and second movements of Mozart's Concerto No. 3 in G major, No. 4 in D major, or No. 5 in A major.
February 28, 2009 |
James Conlon -- whose fuel reserves have been compared to those of the Energizer Bunny -- has been locked in overdrive this week, launching Los Angeles Opera's first Wagner "Ring" while also observing the Mendelssohn bicentennial with the Los Angeles Philharmonic. He is no doubt thankful that the Dorothy Chandler Pavilion and Walt Disney Concert Hall are right across the street from each other. Actually, Mendelssohn is a great fit for Conlon right now since revisiting this composer could be considered an extension of the conductor's "Recovered Voices" project at L.A. Opera.