YOU ARE HERE: LAT HomeCollectionsMaggie


January 12, 2012 | By Mary McNamara, Los Angeles Times Television Critic
A few days into 2012, ABC's cross-dressing disaster "Work It" managed to claim Worst Comedy of the Year, but surely CBS' "Rob," which debuts Thursday, comes in a close second. Created by comedian Rob Schneider and based, apparently and tragically, on his own life, "Rob" takes a classic "Bridget Loves Bernie" setup — Anglo man marries Mexican American woman after whirlwind romance and now must meet her family — and manages to make it weirdly offensive to just about everyone, especially comedy lovers.
March 28, 1986 | KEVIN THOMAS, Times Staff Writer
"Lucas" (selected theaters) is as irresistible as its slight, brilliant, bespectacled 14-year-old hero (Corey Haim), a kid who in his spare time catches insects in a net--but only to study them, not to kill them. He's quick to explain this to Maggie, a pretty 16-year-old redhead (Kerri Green) when he comes upon her at a tennis court in their affluent suburban Chicago neighborhood to which she has just moved.
November 19, 2006 | Franz Lidz, Special to The Times
ON a sweltering evening several Ice Ages ago, my bride, Maggie, and I arrived on Isla Mujeres, a so-called virgin paradise off the coast of the northern Yucatan, Mexico. It had all the makings of a storybook honeymoon, or so Maggie's Uncle Rich, the travel agent, had said. Vast stretches of pristine sand. Rare aquatic birds known only to the enthusiasts of crossword puzzles. Exotic tropical fruits. And a cottage by the sea for pennies a day. Believing that story required a kind of gullibility of which I've always been capable.
February 17, 2014 | By Patrick Kevin Day
Last week's episode of "The Walking Dead" focused exclusively on Rick, Carl and Michonne, so it makes total sense that this week's episode, "Inmates," brings us up to speed with the rest of the surviving members of the cast. This episode wasn't full of compelling plot twists (well, maybe a couple) and it didn't do a deep dive into the psyches of the main characters. Instead, it was more of a housekeeping episode, doing the necessary taking stock of the large cast in the aftermath of the chaos of the prison's destruction.
Anyone who saw Neil Simon's "Jake's Women" on Broadway will detect little difference in the robust production that opened Thursday at the Doolittle Theatre. All but the director are present and accounted for and doing what they've been doing in New York since March, 1992. But those who only saw "Jake's Women" in San Diego in 1990 (with actor Peter Coyote in the title role) owe themselves a trip to the Doolittle to see how far that play has come.
February 9, 1992 | T. H. McCULLOH, T.H. McCulloh writes regularly about theater for Valley/Westside Calendar.
Here comes the "R" word again. Relationship! Time was when people just had one. Now they talk about relationships more than they succeed in them, and the divorce rate shows it. As young people in the '50s thought that they invented pop music, as young people in the '60s thought that they invented marijuana, young people today think that they invented the relationship. They dissect it, they examine it, they talk about it.
September 5, 2013 | By John M. Glionna
CASPER, Wyo. - One man describes finding salvation by adopting a small bird during his years in a World War II internment camp. A former highway patrolman explains his friendship with the felon who shot and nearly killed him 30 years ago. And a veteran ranch couple discuss their early years on the American prairie. The disparate stories share a single thread: They all take place in Wyoming. An effort to collect the oral histories of ordinary residents - from longtime natives to unlikely foreign transplants - is being launched in this wide-open Western state, showing that although the landscape may be flat, the depth of life and experience here is decidedly multidimensional.
Neil Simon's semi-autobiographical "Jake's Women," presented by Actors Alley at the refurbished El Portal Center for the Performing Arts' Studio Theatre, is an audacious but problematic play in a checkered production. Jake (John Hugo), a renowned writer, is so accustomed to thinking in dialogue that he's having trouble distinguishing between reality and the fantasy voices in his head.
November 7, 1988 | CAROLYN SEE
Ghost Waves by James McManus Grove Press: $18.95, 320 pages) ". . . What particle physicist and artists both do is track the transformations between physical reality and our inner experience. OK?" OK. Why not? The material thesis of this book exists as a course of undergraduate lectures (Aesthetics and Physics) given at The School of the Art Institute.
Los Angeles Times Articles