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March 28, 1986 | KEVIN THOMAS, Times Staff Writer
"Lucas" (selected theaters) is as irresistible as its slight, brilliant, bespectacled 14-year-old hero (Corey Haim), a kid who in his spare time catches insects in a net--but only to study them, not to kill them. He's quick to explain this to Maggie, a pretty 16-year-old redhead (Kerri Green) when he comes upon her at a tennis court in their affluent suburban Chicago neighborhood to which she has just moved.
November 19, 2006 | Franz Lidz, Special to The Times
ON a sweltering evening several Ice Ages ago, my bride, Maggie, and I arrived on Isla Mujeres, a so-called virgin paradise off the coast of the northern Yucatan, Mexico. It had all the makings of a storybook honeymoon, or so Maggie's Uncle Rich, the travel agent, had said. Vast stretches of pristine sand. Rare aquatic birds known only to the enthusiasts of crossword puzzles. Exotic tropical fruits. And a cottage by the sea for pennies a day. Believing that story required a kind of gullibility of which I've always been capable.
December 2, 2012 | By Margaret Eby
Season three of "The Walking Dead" has had a decidedly John Wayne bent to it. The bad guys are evil, the good guys are complicated, and the elements are constantly threatening. What is a post-apocalyptic zombie landscape but another frontier, after all? This week's mid-season finale followed familiar Western logic: Rick and his team of prison misfits would finally face a showdown with the Governor over Glenn and Maggie. Though "The Walking Dead" is a show that's ostensibly about zombies, it's at its best when it balances the constant heart-in-your-throat horror with the brutality of the survivors, what part of humanity the characters are forced to sacrifice in order to stay alive.
Anyone who saw Neil Simon's "Jake's Women" on Broadway will detect little difference in the robust production that opened Thursday at the Doolittle Theatre. All but the director are present and accounted for and doing what they've been doing in New York since March, 1992. But those who only saw "Jake's Women" in San Diego in 1990 (with actor Peter Coyote in the title role) owe themselves a trip to the Doolittle to see how far that play has come.
February 9, 1992 | T. H. McCULLOH, T.H. McCulloh writes regularly about theater for Valley/Westside Calendar.
Here comes the "R" word again. Relationship! Time was when people just had one. Now they talk about relationships more than they succeed in them, and the divorce rate shows it. As young people in the '50s thought that they invented pop music, as young people in the '60s thought that they invented marijuana, young people today think that they invented the relationship. They dissect it, they examine it, they talk about it.
Neil Simon's semi-autobiographical "Jake's Women," presented by Actors Alley at the refurbished El Portal Center for the Performing Arts' Studio Theatre, is an audacious but problematic play in a checkered production. Jake (John Hugo), a renowned writer, is so accustomed to thinking in dialogue that he's having trouble distinguishing between reality and the fantasy voices in his head.
April 4, 2012 | By Valerie J. Nelson, Los Angeles Times
Playwright Anne Commire wrote about subjects certain to make her audience squirm, repeatedly confronting what she called "the breaking points of women. " "The idea of someone who's continuously being pushed to the edge is what fascinates me," she once said. When she invariably intertwined comedy and pathos, critics noted that Commire's sense of humor was a strength. Her play "Shay," presented in 1983 at the Coronet Theatre in Los Angeles, featured an acutely shy woman who purposely slashes her mouth after an agonizing social occasion.
November 7, 1988 | CAROLYN SEE
Ghost Waves by James McManus Grove Press: $18.95, 320 pages) ". . . What particle physicist and artists both do is track the transformations between physical reality and our inner experience. OK?" OK. Why not? The material thesis of this book exists as a course of undergraduate lectures (Aesthetics and Physics) given at The School of the Art Institute.
November 14, 1985 | HERB HAIN
Mrs. R. M. Enevoldsen of Woodland Hills has a problem with her baby--a baby squirrel that is rapidly outgrowing a borrowed hamster cage. She would like to find a cylindrical cage two feet in diameter and about seven or eight feet high, perhaps even higher; some specialty store, she is sure, must have one squirreled away. Can you help before Enevoldsen goes completely nuts, or will she--and her baby pet--have to keep running around in circles?
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