October 8, 2005 |
The Walt Disney Concert Hall has proved an inspirer of lasting, invigorating music. Steven Stucky's Second Concerto for Orchestra received a Pulitzer Prize. Steve Reich's "You Are (Variations)" was a Pulitzer finalist and has just been released on a winning Nonesuch disc. Esa-Pekka Salonen's "Wing on Wing" highlights a high-profile Deutsche Grammophon recording. John Adams' "Dharma at Big Sur" has lots more performances lined up and a recording comes out next year.
April 6, 2002 |
Magnus Lindberg's "Parada" begins with a slow parade of chords. They are somber but colorful. They move with solemn grace, like ghostly visions floating through a fog. And when you have resonant chords like these--complex and new, yet somehow familiar-sounding, cloaked in beautiful sonorities, awash in mystery--you have a pretty good sense that something special is about to follow in their wake. That chordal parade opened the Los Angeles Philharmonic program Thursday night by a fluke.
November 25, 2001
Mark Swed opens his CD review ("From Finland, Compelling Compositions," Nov. 11) with an interesting statement: That a small, out-of-the way country has been able to produce so many world-class musicians is often called the Finnish miracle. And it is all the more amazing when it comes to composers of the generation of Esa-Pekka Salonen, Kaija Saariaho and Magnus Lindberg, who are between 40 and 50 and are lately making a very strong impression just about everywhere. Finland has one of the best musical education systems in the world.
June 8, 1999 |
Magnus Lindberg's "Kraft," which concluded the 1999 Ojai Festival Sunday, is an orchestral blowout that asks for just about everything except the kitchen sink. At least, I didn't see a sink, but it was hard to tell; one might have been hidden behind the rack of junked automobile parts that the composer whacked on from time to amazing time.
March 14, 1998 |
Magnus Lindberg, speaking before the premiere of his imposing new work for the Los Angeles Philharmonic Thursday night, told us not to put too much stock in the title, "Fresco." This is a big piece--its structure and granitic masses of sound might suggest grandeur similar to the great Italian wall paintings.
March 8, 1998 |
The Finnish composer Magnus Lindberg is 39, but like his conservatory comrade Esa-Pekka Salonen, he has the look of a perpetual boy, with sandy Nordic hair grazing a smooth forehead and traces of baby fat still clinging to his cheeks. Time and jet lag have left a delicate webbing around his eyes, but even so, it is easy to imagine him some 35 years ago, sitting on the floor of his family's Helsinki home, playing with the broken computer parts his father, a systems analyst at I.B.M.