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Maria Schneider

November 4, 2005 | Carina Chocano, Times Staff Writer
Michelangelo Antonioni's "The Passenger" doesn't tell the story of David Locke (Jack Nicholson), a reporter who exchanges identities with a gun runner after finding him dead in his Chadian hotel room (with Algeria doing the honors), so much as it gazes impassively as it unfolds. Disillusioned with his job and isolated (we later learn) in his marriage, Locke sheds his work, personal life and identity to begin a new life to which he has no emotional connection.
A Gato Barbieri performance is not so much a jazz concert as it is a geothermal incident. The Argentine tenor saxophonist certainly has his jazz credentials, having worked with a range spanning Lalo Schifrin and avant garde trumpeter Don Cherry before taking off on his own in 1969. But the sound pouring from his instrument's bell at the Coach House Friday evening was nothing short of a volcanic eruption. The U.S.
September 9, 1993
It's school time again, and even those without children are reminded of that by the big yellow buses back on the street and the increase in traffic. It's all part of the excitement--and anxiety--that a new school year in Los Angeles brings. Los Angeles Unified School District, still feeling the effects of crippling budget problems and a bitter labor dispute, has openings for 650 teachers. Many teachers left the district after a 10% pay cut.
It was business as usual at the Monterey Festival over the weekend. The venerable event celebrated its 38th installment with a characteristic array of music that included everything from Dixieland and be-bop to mainstream and acid jazz. What was missing was any real sense of innovation.
September 9, 1993 | MARK CHALON SMITH, Mark Chalon Smith regularly writes about film for the Times Orange County Edition.
Movie critic Pauline Kael is not known for gushing, but when "Last Tango in Paris" came out in 1972, she went into an uncustomary swoon. In a long piece in the New Yorker that was as much essay as critique, she wrote that Bernardo Bertolucci's film "has made the strongest impression on me in almost 20 years of reviewing." The picture caused more than a sensation with the formidable Ms. Kael.
November 17, 1994 | MARK CHALON SMITH, Mark Chalon Smith is a free-lance writer who regularly covers theater for the Times Orange County Edition. and
Much of the interest in "Loulou," Maurice Pialat's 1980 movie about hard-nosed romance, comes from watching French stars Gerard Depardieu and Isabelle Huppert at earlier, less commercial plateaus in their careers. Pialat, a former painter known for the earnest realism of his films, tells the story of Nelly (Huppert) and Loulou (Depardieu), a pair of lovers who connect despite the disadvantage of having little in common besides a flash point of sexual attraction.
January 6, 1995
(More than five nominations in a category are as a result of ties.) General Categories Record of the Year: "I'll Make Love to You," Boyz II Men (Babyface, producer); "He Thinks He'll Keep Her," Mary Chapin Carpenter (Mary Chapin Carpenter and John Jennings, producers); "All I Wanna Do," Sheryl Crow (Bill Bottrell, producer); "Love Sneakin' Up on You," Bonnie Raitt (Bonnie Raitt and Don Was, producers); "Streets of Philadelphia," Bruce Springsteen (Chuck Plotkin and Bruce Springsteen, producers).
February 10, 2008 | Don Heckman, Special to The Times
You say it's not possible to win a jazz Grammy with an album that isn't out in stores, at the listening posts or available on Amazon? Think again. Composer and bandleader Maria Schneider did it in 2005 with "Concert in the Garden," as did Billy Childs in 2006 and Brian Lynch and Eddie Palmieri in 2007 -- all on the ArtistShare label. And Schneider has two more nominations this year for "Sky Blue," also on ArtistShare. "I was the first artist on ArtistShare," says the New York-based musician.
November 13, 2013 | By Susan King
Legendary Italian filmmaker Bernardo Bertolucci is a commanding figure at the age of 73 as his wheelchair rolls into a private dining room at a Beverly Hills hotel. He's wearing a wide-brim hat and aviator sunglasses, but over an espresso, he proves to be far more charming than imposing. The Academy Award-winning director is making his first visit to Los Angeles in more than a decade. He's been using a wheelchair since then following repeated back surgery. For a while he went into a deep depression and became a recluse in his home in Rome.
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