August 27, 2001 |
Without much apparent fuss, one of the last great movie taboos is being tossed to the winds. Recently, in film after film from France and Scandinavia, the boundaries between hard-core pornography and regular art-house movie fare have been all but erased. In "Intimacy," a new, unreleased-in-the-U.S. British film from French director Patrice Chereau, a taxi driver's wife and a barman meet regularly for a Wednesday-afternoon rendezvous in the barman's flat.
November 17, 1994 |
Much of the interest in "Loulou," Maurice Pialat's 1980 movie about hard-nosed romance, comes from watching French stars Gerard Depardieu and Isabelle Huppert at earlier, less commercial plateaus in their careers. Pialat, a former painter known for the earnest realism of his films, tells the story of Nelly (Huppert) and Loulou (Depardieu), a pair of lovers who connect despite the disadvantage of having little in common besides a flash point of sexual attraction.
August 26, 1991 |
A Gato Barbieri performance is not so much a jazz concert as it is a geothermal incident. The Argentine tenor saxophonist certainly has his jazz credentials, having worked with a range spanning Lalo Schifrin and avant garde trumpeter Don Cherry before taking off on his own in 1969. But the sound pouring from his instrument's bell at the Coach House Friday evening was nothing short of a volcanic eruption. The U.S.
CALIFORNIA | LOCAL
September 9, 1993
It's school time again, and even those without children are reminded of that by the big yellow buses back on the street and the increase in traffic. It's all part of the excitement--and anxiety--that a new school year in Los Angeles brings. Los Angeles Unified School District, still feeling the effects of crippling budget problems and a bitter labor dispute, has openings for 650 teachers. Many teachers left the district after a 10% pay cut.
September 19, 1995 |
It was business as usual at the Monterey Festival over the weekend. The venerable event celebrated its 38th installment with a characteristic array of music that included everything from Dixieland and be-bop to mainstream and acid jazz. What was missing was any real sense of innovation.
September 9, 1993 |
Movie critic Pauline Kael is not known for gushing, but when "Last Tango in Paris" came out in 1972, she went into an uncustomary swoon. In a long piece in the New Yorker that was as much essay as critique, she wrote that Bernardo Bertolucci's film "has made the strongest impression on me in almost 20 years of reviewing." The picture caused more than a sensation with the formidable Ms. Kael.
CALIFORNIA | LOCAL
December 19, 2011 |
Bob Brookmeyer, a jazz trombonist, composer, arranger and educator whose multifaceted career reached from cutting-edge performances with Gerry Mulligan and Stan Getz to innovative big band compositions and highly regarded classes at the New England Conservatory, has died. He was 81. Brookmeyer died Thursday of congestive heart failure at a hospital near his home in Grantham, N.H., according to his wife, Janet. He would have been 82 today. One of the few musicians who played the valve rather than the slide trombone, Brookmeyer created a highly personal musical identity for himself as a jazz improviser.
February 10, 2008 |
You say it's not possible to win a jazz Grammy with an album that isn't out in stores, at the listening posts or available on Amazon? Think again. Composer and bandleader Maria Schneider did it in 2005 with "Concert in the Garden," as did Billy Childs in 2006 and Brian Lynch and Eddie Palmieri in 2007 -- all on the ArtistShare label. And Schneider has two more nominations this year for "Sky Blue," also on ArtistShare. "I was the first artist on ArtistShare," says the New York-based musician.
March 11, 1994 |
As a scenario, it's hard to beat: a handsome young French filmmaker, stricken with AIDS, struggles to complete an autobiographical movie about his experiences. Upon its release, the movie proves to be a European sensation. Its director dies just three days before the industry honors the movie with four Cesars, the French equivalent of the Oscar, including best picture.