Advertisement
YOU ARE HERE: LAT HomeCollectionsMaria Schneider
IN THE NEWS

Maria Schneider

ENTERTAINMENT
January 8, 1997
More or fewer than five nominations in a category is a result of ties. General Categories Record of the Year: "Give Me One Reason," Tracy Chapman (Chapman and Don Gehman, producers); "Change the World," Eric Clapton (Babyface, producer); "Because You Loved Me (Theme From 'Up Close and Personal')," Celine Dion (David Foster, producer); "Ironic," Alanis Morissette (Glen Ballard, producer); "1979," the Smashing Pumpkins (Billy Corgan, Flood and Alan Moulder, producers).
Advertisement
ENTERTAINMENT
August 26, 1991 | JIM WASHBURN, SPECIAL TO THE TIMES
A Gato Barbieri performance is not so much a jazz concert as it is a geothermal incident. The Argentine tenor saxophonist certainly has his jazz credentials, having worked with a range spanning Lalo Schifrin and avant garde trumpeter Don Cherry before taking off on his own in 1969. But the sound pouring from his instrument's bell at the Coach House Friday evening was nothing short of a volcanic eruption. The U.S.
CALIFORNIA | LOCAL
September 9, 1993
It's school time again, and even those without children are reminded of that by the big yellow buses back on the street and the increase in traffic. It's all part of the excitement--and anxiety--that a new school year in Los Angeles brings. Los Angeles Unified School District, still feeling the effects of crippling budget problems and a bitter labor dispute, has openings for 650 teachers. Many teachers left the district after a 10% pay cut.
ENTERTAINMENT
September 19, 1995 | DON HECKMAN, SPECIAL TO THE TIMES
It was business as usual at the Monterey Festival over the weekend. The venerable event celebrated its 38th installment with a characteristic array of music that included everything from Dixieland and be-bop to mainstream and acid jazz. What was missing was any real sense of innovation.
NEWS
September 9, 1993 | MARK CHALON SMITH, Mark Chalon Smith regularly writes about film for the Times Orange County Edition.
Movie critic Pauline Kael is not known for gushing, but when "Last Tango in Paris" came out in 1972, she went into an uncustomary swoon. In a long piece in the New Yorker that was as much essay as critique, she wrote that Bernardo Bertolucci's film "has made the strongest impression on me in almost 20 years of reviewing." The picture caused more than a sensation with the formidable Ms. Kael.
NEWS
November 17, 1994 | MARK CHALON SMITH, Mark Chalon Smith is a free-lance writer who regularly covers theater for the Times Orange County Edition. and
Much of the interest in "Loulou," Maurice Pialat's 1980 movie about hard-nosed romance, comes from watching French stars Gerard Depardieu and Isabelle Huppert at earlier, less commercial plateaus in their careers. Pialat, a former painter known for the earnest realism of his films, tells the story of Nelly (Huppert) and Loulou (Depardieu), a pair of lovers who connect despite the disadvantage of having little in common besides a flash point of sexual attraction.
ENTERTAINMENT
January 23, 2000 | PAUL BROWNFIELD, Paul Brownfield is a Times staff writer who covers comedy and television
In exchange for great pay, TV comedy writers face one giant occupational hazard--the inability to say whatever they want. Go ahead and bemoan how cruddy sitcoms are, but you try writing something genuinely funny with the network notes and the advertisers and the star egos to contend with.
CALIFORNIA | LOCAL
December 19, 2011 | Don Heckman, Special to The Times
Bob Brookmeyer, a jazz trombonist, composer, arranger and educator whose multifaceted career reached from cutting-edge performances with Gerry Mulligan and Stan Getz to innovative big band compositions and highly regarded classes at the New England Conservatory, has died. He was 81. Brookmeyer died Thursday of congestive heart failure at a hospital near his home in Grantham, N.H., according to his wife, Janet. He would have been 82 today. One of the few musicians who played the valve rather than the slide trombone, Brookmeyer created a highly personal musical identity for himself as a jazz improviser.
ENTERTAINMENT
March 4, 1994 | KENNETH TURAN, TIMES FILM CRITIC
"Savage Nights," the born-to-be-controversial French film, teaches several lessons, most of them unintentional. * It shows how a sensation in one culture can turn wearing in another, that a story nominally about AIDS may be about something else entirely and, contrary to what so many movies have indicated, that having a fatal illness does not necessarily ennoble the person involved.
Los Angeles Times Articles
|