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Mary Poppins

ENTERTAINMENT
May 9, 2006 | From the Associated Press
Broadway has found its Mary Poppins, and it's Belle from "Beauty and the Beast." Ashley Brown, who currently stars in the long-running musical based on the Disney animated film, will portray the world's most famous nanny when "Mary Poppins" opens Nov. 16 at the New Amsterdam Theatre in New York, producers Cameron Mackintosh and Thomas Schumacher announced Monday.
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CALIFORNIA | LOCAL
March 9, 2000 | Jennifer Kho, (949) 574-4209
The musical "Mary Poppins" will be staged at 7 p.m. Friday and Saturday and at 2 p.m. Saturday and Sunday at St. John's Episcopal School, 30382 Via Con Dios. Tickets are $6 for evening performances and $5 for matinees. Information: (949) 858-5144.
ENTERTAINMENT
November 11, 2005 | Chris Pasles, Times Staff Writer
"Mary Poppins," the musical that won rave reviews from British critics when it opened in 2004 in London, is coming to Broadway. The production, a joint venture between the Walt Disney Co. and British producer Cameron Mackintosh ("Cats," "Les Miserables," "Phantom of the Opera"), will open on Nov. 16, 2006, at the New Amsterdam Theatre. To make room for the show, Disney's "The Lion King" will move in June from the New Amsterdam, its home since 1997, to the nearby Minskoff Theatre.
ENTERTAINMENT
December 19, 2004 | Susan King
Rodgers & Hammerstein's Cinderella Image, $20 Mary Poppins -- 40th Anniversary Edition Disney, $30 You could call these crown Julies. The 1957 live CBS musical and the 1964 Walt Disney musical classic were two of Julie Andrews' watershed projects early in her career. "Cinderella" was the only original musical Richard Rodgers and Oscar Hammerstein II wrote for television, and more than 100 million people watched Andrews and her costars perform it live on March 31, 1957.
ENTERTAINMENT
August 24, 2012 | By Jamie Wetherbe
Sony Pictures Entertainment has announced it has signed a five-year deal with Tony-winning Broadway producer Scott Sanders to adapt the studio's films for the stage. First up in the studio's extensive catalog? The 1982 comedy "Tootsie," which starred Dustin Hoffman in drag. As part of the deal, Sony has purchased a 20% equity stake in the 5-year-old Scott Sanders Theatrical Productions, multiple news outlets have reported. A dollar amount was not disclosed. Sanders' prior screen-to-stage credits include "The Color Purple" and "The Pee-wee Herman Show.
BOOKS
June 16, 1996 | Jerry Griswold, A portion of Jerry Griswold's interview with P. L. Travers appeared in the Paris Review (winter, 1982). Griswold teaches literature at San Diego State and UCSD; his "The One American Childhood Story" is due in paperback later this year
P. L. Travers died recently, at the age of 90. Perhaps it was wrong for me to think that she would always be here for us, for me. She was the wisest woman I ever met. Travers wrote the "Mary Poppins" books. They are brilliant and profound works, but few people seem willing to overcome their prejudices and entertain that possibility.
NEWS
November 22, 1992
Miles Corwin has a much greater problem differentiating between movies and real life than the actors he attacks in his article. If everyone held his opinion, then Anthony Hopkins should not have played Hannibal Lector because he never murdered anyone and Julie Andrews should be censured for playing Mary Poppins because she can't fly. An actor's only responsibility is to bring life to the part he plays convincingly and believably. John Wayne, Clint Eastwood and Sylvester Stallone have been entertaining and inspiring audiences for years.
ENTERTAINMENT
November 17, 2009 | CHARLES McNULTY, THEATER CRITIC
Mary Poppins wafted into the Ahmanson Theatre on her magic umbrella Sunday evening, and even those who think they've outgrown her carpetbag of enchantment will have to admit that her timing is, to use one of her pet phrases, "practically perfect." The show, while not intended as a holiday entertainment, takes on a special glow as the days get dark early and merriment is placed on family to-do lists. (Sure, Mary can be a bit of a martinet, but wouldn't you rather jump into a painting with her than clock more overtime with Scrooge?
ENTERTAINMENT
December 23, 2013 | By Kelly Marcel
Every writer who sits down and begins a screenplay thinks they know why they're doing it. Knowing why is essential to the process. But sometimes - maybe all of the time - we're fooling ourselves. We don't truly understand why we've written something until long after we're done. From the moment Alison Owen, our British producer, came to me with a preexisting script of P.L. Travers' story (by Sue Smith) and shared her ideas for how it could become the movie that's in theaters as we speak, I was enthralled.
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