August 29, 2010 |
Marriage between word and music has never been simple, and is seldom stress-free. Take melodrama. I'm not sure what caused its meaning to change over the years. In the 18th century, melodrama was the genre of spoken word accompanied by — and elevated by — music. Mozart, Beethoven, Liszt and Richard Strauss were melodramatists. Now Oxford English Dictionary defines melodrama as "a crude appeal to the emotions. " But call it what you will, the genre in its original sense has never lost its effectiveness or appeal, as Aaron Copland's lasting "Lincoln Portrait," with its stirring orchestral score joined to Honest Abe's magnificent words, attests.
December 20, 2012 |
The Twelve Tribes of Hattie A novel Ayana Mathis Knopf: 256 pp., $24.95 In "The Twelve Tribes of Hattie," first-time author Ayana Mathis walks upon some of the richest thematic terrain our country's history can offer a novelist. Her protagonist, Hattie Shepherd, arrives in Philadelphia from Georgia in the mid-1920s, one of a legion of travelers in the great migration, that movement of African Americans from the Jim Crow South to the promise and relative freedom of the North.
June 5, 1989 |
As part of the ongoing Jean Cocteau Centenary Festival, choreographer Tony Clark turned to a problematic art form--the melodrama--for his "Orphee, Oedipus and the Lady With the Red Gloves," seen Friday at the Gallery Theatre in Barnsdall Park. Long associated with musical composition in Germany and France, melodrama is distinguished as a form by the use of an actor who speaks instead of sings. It runs the risk of satisfying neither those interested in dramatic recitation nor those interested in singing--or, in this case, dancing.
March 4, 2003 |
It's hard to distinguish one whiny, tattooed pop punk-emo band from the next lately, but a new crop of young rascals is infusing emotional aggression and erratic arrangements into feisty melodies to create something altogether more passionate.
April 28, 1993 |
Alfredo Ramos' "The Last Angry Brown Hat," at Plaza de la Raza, is a standard reunion-and-revelations play, staged with such conviction that it's possible to ignore its formulaic qualities, at least until you're out of the theater. Four former Chicano activists reunite 20 years later, after the funeral of a fifth. They meet in a garage stashed with memorabilia from their Brown Berets days. The set, credited to the "production staff and artists," looks homemade, in the very best sense.
September 21, 2011 |
"Revenge," a new soap-thriller from ABC, begins its life Wednesday on a beach at night, during what social power broker Victoria Grayson (Madeleine Stowe) will soon describe as "the final weekend of a remarkable summer in the Hamptons. " There's a gunshot, and a body, and just up the way an engagement party. Who's getting engaged is "the lovely and beguiling" Emily Thorne (Emily VanCamp), seen wiping sand mysteriously from her hand. Her fiance, "tragically privileged" Daniel Grayson (Joshua Bowman)