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Michael Delorenzo

July 18, 2004 | Fred Alvarez, Times Staff Writer
The tale is part love letter, part wake-up call. Against a backdrop of racism and youth violence, Oxnard filmmaker Trae Briers has crafted an urban love story about his hometown, a Shakespearean-style tragedy designed to showcase the seaside city and the talents of the first-time director. He started with no money, no studio backing.
August 23, 1996 | SHAUNA SNOW
MOVIES 'Apollo 13' Tops Family Honors: Universal Pictures' astronaut drama "Apollo 13" swept three of the top categories--best dramatic film, best actor (Tom Hanks) and best director (Ron Howard)--in the first Family Film Awards broadcast on CBS Thursday. Other movie honorees included Universal's "Babe" (best comedy film) and Sandra Bullock (best actress for "While You Were Sleeping"). In the TV categories, the big winners were CBS' "Dr.
March 27, 1989 | SYLVIE DRAKE, Times Theater Writer
New problems dictate new forms and the miracle of inventive theater is its ability to create them as needed. Take Bill Cain's "Stand-Up Tragedy," which opened over the weekend at Taper, Too. How does it explore the inhospitable, graffiti-riddled growing-up years of young Hispanic boys living dangerously on Manhattan's Lower East Side? By tuning in to their frenzy, their tempo, their beat. And how does Cain do this?
June 3, 1989 | DAN SULLIVAN, Times Theater Critic
There are no new stories, but there are new ways to tell stories. These come along when we are ready for them. But we don't know we're ready for them until they come along. See Ron Link's production of Bill Cain's "Stand-Up Tragedy" at the Taper, for example, and notice what an expert you have become, after years of watching TV, at processing dramatic information. At times it's like watching a play on fast-forward. Yet the message doesn't get garbled. It is not a message play, but it is a thoughtful one. The scene is a Catholic boys' school on a bombed-out block on New York's Lower East Side, well suggested by Yael Pardess' set. Playwright Cain once taught in such a school, and can probably remember the days when he charged into class every morning determined to "turn these kids around" by "challenging" them.
June 26, 2000
It's the Clash of the Titans. Two big summer movies with massive production and marketing budgets behind them make their highly anticipated debuts this week. On Wednesday, Columbia Pictures rolls out its sprawling, $100-million Revolutionary War epic, "The Patriot," starring Mel Gibson. Then on Friday, Warner Bros. will release its $140-million men-against-the-sea thriller, "The Perfect Storm," starring George Clooney.
June 28, 2000 | HOWARD ROSENBERG
Pound for pound, Showtime's slender lineup of prime-time series remains the boldest, most ethnically diverse in television. That's reinforced tonight with the premiering "Soul Food," a rare drama series about African Americans. Yes, rare even at this late date. And Monday brought the debut of "Resurrection Blvd.," the medium's first weekly drama about Latinos, a tardiness that reflects TV's tendency to blindly roar through cultural intersections without looking either way.
Speaking Spanish is not something Giselle Fernandez, the half-Mexican, half-Jewish co-anchor of the entertainment television show "Access Hollywood," takes for granted. It's something she, like many other Latinos raised and educated in the United States, has had to work hard to master. But her English dominance doesn't mean she doesn't identify with her Latino heritage.
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