July 27, 1985 |
A number of variables, including humidity, atmospheric pressure and, one supposes, air pollution, contribute to the success or distortion of sound dispersal at Hollywood Bowl. Distortion occurs regularly, and can sometimes also be exacerbated by human interference. Success happens too, but less frequently, and then apparently by chance.
February 25, 1995 |
Not counting the Ojai Festival of 1994, it's been more than six years since Michael Tilson Thomas last conducted here, the city of his birth and scene of his early conducting triumphs. The occasion for his return, Thursday night at Ambassador Auditorium in Pasadena, was a gala 40th-anniversary concert by the Debut Orchestra of the Young Musicians Foundation, an ensemble Tilson Thomas led during the late 1960s.
March 7, 2000 |
It's been some 15 years since Los Angeles has been able to take Michael Tilson Thomas for granted. And in that time, since his days in the 1980s as principal guest conductor of the Los Angeles Philharmonic, there has been the miracle of MTT.
March 14, 1989 |
On the podium, a lively imagination and an analytic intelligence have long served Michael Tilson Thomas well. But they brought him glory Sunday night, when he returned to Southern California in his latest orchestral post, that of principal conductor of the London Symphony Orchestra.
June 14, 1999 |
The point of the century, it becomes clear as we end it, is no point. No single voice stands for any endeavor, any field of thought, any art. There are simply too many of us. Still Igor Stravinsky does cast, it has also become clear by now, the longest shadow on 20th century classical music. So Michael Tilson Thomas has made the obvious choice, this century-ending year, for the annual June festival he has hosted in his four seasons as music director of the San Francisco Symphony.
June 18, 1996 |
The Deadheads returned to Davies Symphony Hall on Sunday. And they returned, this time, on the promise of actually hearing the surviving members of the Grateful Dead. On Friday and Saturday nights, the Deadheads in attendance had been the talk of the opening of the San Francisco Symphony's American Festival, since the band itself, which appeared in John Cage's "Renga," was a practically inaudible part of a vast sonic mix.
May 2, 2003 |
John Adams is inescapable these days. "On the Transmigration of Souls," which opened the New York Philharmonic season in September, has just won the Pulitzer Prize and is the first artistic work commemorating Sept. 11 that is likely to last. The Los Angeles Philharmonic recently staged the oratorio "El Nino" and took it to New York as the highlight of Lincoln Center's current Adams festival.
June 7, 1994 |
The delirious festival in the rustic sun ended in a blaze of Stravinsky. Before the grand finale on Sunday, however, Michael Tilson Thomas, the maestro in residence, repaid a few artistic debts. In the process, he reminded the adoring throng that little musical things can mean a lot. Not incidentally, he also offered a sampling of his own skill as a composer--modest, as it turned out. The diary continues. * Sunday at 11 a.m.
August 2, 2007 |
Michael Tilson Thomas walked onstage at the Hollywood Bowl on Tuesday night for the first time in 22 years and, with a twinkle in his eye, asked, "Now where were we?" Let's see. It was 1985. Hundreds of instrumentalists and singers were crammed beneath the then-intimate Bowl shell. Tilson Thomas -- he was not yet known as MTT -- was conducting the Los Angeles Philharmonic and a battery of other forces in Mahler's gargantuan Eighth Symphony.