YOU ARE HERE: LAT HomeCollectionsMichael Tippett

Michael Tippett

January 14, 1995 | TIMOTHY MANGAN
Simon Rattle achieved the near-impossible Thursday night: He made a Bruckner symphony seem less than interminable. Actually, he did better than that. With the Los Angeles Philharmonic at the Dorothy Chandler Pavilion, the 39-year-old conductor sustained the sense of wonder and tension that Bruckner evokes in his quiet, mysterious opening for the entire hour and 10 minutes of the massive, and in lesser hands meandering, Seventh Symphony.
Even with a disappointing first half--the world premiere of a tightly wound symphony by the American academic, Gerald Levinson--Simon Rattle's return to the podium of the Los Angeles Philharmonic over the weekend had to be counted a success.
May 9, 2008 | James Rainey, Times Staff Writer
Nearly a week after a cyclone ravaged Myanmar, food, medicine and fresh drinking water are not the only necessities in short supply. So are independent news accounts from the isolated and politically repressive nation. Expatriates and others have been forced to rely mostly on secondhand accounts and reports from correspondents based in neighboring nations for information about the disaster, which the government says has killed more than 22,000 people.
January 24, 2005 | Mark Swed, Times Staff Writer
He's been called naive. His awkward operas have been parodied for being muddled Jungian parables. And worse, he has been accused of amateurism. What a price poor Sir Michael has had to pay for his radiance. When Michael Tippett died in 1998, I predicted that his glowing music would finally find an adoring audience. I was wrong. The British composer wrestled with deep, dark human concerns.
March 4, 1988 | MARTIN BERNHEIMER, Times Music Critic
There were no surprises this year in the classical Grammy awards. The non-pop category received fleeting token recognition, as usual, from the rock 'n' schlock-oriented academy. The winning choices in this vaunted popularity contest have always tended to be conservative. They have been predicated, no doubt, on the visibility factor (a k a hype quotient) of the famous artists nominated.
September 4, 1988 | HERBERT GLASS
After 22 years with RCA, the only label for which it has ever recorded, the Guarneri Quartet has switched to Philips. The group's debut under these new auspices pairs (as usual) Dvorak's "American" Quartet and Smetana's "From My Life" (Philips 420 803, CD). Simultaneously, RCA has reissued in its midpriced "Gold Seal" CD series (6263) the Guarneri's "American" Quartet, initially released in 1972. The differences are considerable, but either way, the playing is magnificent.
The Los Angeles Philharmonic has picked the first woman ever to conduct a series of subscription concerts at the Dorothy Chandler Pavilion. British-born Sian Edwards, 30, who has conducted operatic performances at Covent Garden and Glyndebourne, is scheduled to appear at the Music Center the week of Nov. 25, 1991.
November 6, 1988 | HERBERT GLASS
With its initial release, Virgin Classics shows commendable interest in truly expanding the compact disc catalogue rather than merely inflating it with still more "favorites." Virgin Classics--an offshoot of Virgin Records, the giant British pop label and retailer (which also happens to own an airline)--scores a coup at the outset. It is offering the recorded debut (7 90710, two CDs) of the American folk opera "Paul Bunyan," composed in the United States by Benjamin Britten, to a text by W. H.
May 20, 1987 | RICHARD EDER, Times Book Critic
The Lamberts: George, Constant and Kit by Andrew Motion (Farrar Straus Giroux, 388 pp.: $22.50). The question "Why?" hangs over Andrew Motion's biography of the three figures whose heavy-lidded, dissatisfied glances stare out from the book jackets. George Lambert was an academic painter for whom Motion makes no claims to greatness. He was, Motion tells us, "the most famous Australian painter of his day."
Los Angeles Times Articles