YOU ARE HERE: LAT HomeCollectionsMillion Dollar Theater

Million Dollar Theater

September 15, 1990 | MICHAEL WILMINGTON
Following are reviews of selected screenings in the Los Angeles Festival's final weekend: The Passion According to Berenice Mexico Saturday at 6 p.m., Million Dollar Theater, 307 S. Broadway Repression, passion, seduction and betrayal are the themes of this 1976 Jaime Humberto Hermosillo film: common enough subjects in Latino literature, but rarely done on film with the mix of icy sophistication, cool eroticism and burning imagination we see here.
May 8, 1994 | JAKE DOHERTY
A Downtown gallery is giving 12 of the city's most lavish landmarks a chance to take a bow. The free exhibition, "The Final Curtain: Endangered Movie Palaces of Downtown Los Angeles," opens Friday and features more than 30 color photographs of the ornate interiors of the magnificent movie palaces. The Broadway theater district is home to the nation's largest concentration of historic movie theaters, including the Cameo, Roxie, Mayan and Los Angeles, all built between 1910 and 1931.
October 30, 2003
As a geographer and a docent who gives regular downtown tours, which include the building mentioned in "The Spirit Lives On" (Oct. 23), I would like to point out a few errors. No. 1 and foremost, the building in question is the Million Dollar Theater. There just happens to be office space above the theater, which was common practice in the construction of theaters at that time. They were originally built to be studios but were never used for that purpose. The MWD was not the first to use the offices.
Amalia Mendoza, one of Mexico's best-known singers of mariachi and ranchera music, popular for her recordings and concerts on both sides of the border, has died. She was 78. Mendoza, known for the tears in her voice that brought sweet sadness to listeners' hearts, died Monday in Mexico City of a disease that caused progressive paralysis of her lungs.
June 12, 1994 | ROBERT LEVINE
For six months in 1926, Gaylord Carter watched MGM's "Ben Hur" almost every night as he played the silent film's musical score on the Million Dollar Theater's house organ. Wednesday night at the Orpheum (another relic from the Downtown movie district), the 88-year-old organist will again get the chance to see what he describes as one of his favorite films--and he won't even have to work the show.
March 24, 2005 | Randy Lewis, Times Staff Writer
With the flush of Oscar fever still fresh, I got the urge to delve into L.A.'s cinematic past and figured there's no better way to start than with a prowl through several of our historic movie palaces. The Los Angeles Conservancy makes it fairly easy, inexpensive and extremely entertaining with its weekly walking tour of the Broadway Theater District downtown.
August 24, 1987 | From United Press International
Political leaders and entertainment figures attended a special screening of "La Bamba" Sunday to kick off a Richie Valens Music Scholarship, part of a larger effort to reinvigorate the downtown area known as the Broadway Corridor. Metropolitan Theaters Corp. chairman Bruce Corwin, which owns the Million Dollar Theater on Broadway where the screening was held, presented a $5,000 check to Felix Castro, head of the Youth Opportunities Foundation, for the scholarship.
November 26, 2004 | Jon Thurber, Times Staff Writer
J. Edward Martin, a structural engineer who helped shape the face of downtown Los Angeles as a partner in one of the city's historic architectural firms, has died. He was 88. Martin died Monday of old age at his home in Bradbury, according to a statement from his family's architectural firm, AC Martin Partners. Since it was founded in 1906 by Martin's father, Albert C. Martin Sr.
October 24, 2011 | By Hector Becerra, Los Angeles Times
The moment Carmen Fought laid eyes on the man in the hallway of a Pomona courthouse, she was certain he was white. Then his lips parted, and Fought did an about-face. Now she was sure he was Mexican American, probably from East Los Angeles or Boyle Heights. The tell-tale signs: the drawn-out vowels in the first syllables of his words. "Together" became "TWO-gether" instead of "tuh-GE-ther. " "Going" sounded like "GO-ween. " Fought, a linguistics professor at Pitzer College, sidled up to the man for some detective work.
Los Angeles Times Articles