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Million Dollar Theater

May 21, 1995 | From Times Staff and Wire Reports
Lola Flores, an international symbol of fiery Latin entertainment, died Monday of lung cancer at her home on the outskirts of Madrid. Family sources told National Radio that she also had recently contracted pneumonia. She was 72. Known as "the Pharaonic One" or "Lola of Spain," Dolores Flores was born in 1923 in the southwestern town of Jerez de la Frontera. She began her singing and dancing career in Andalusian bars at the age of 10.
October 30, 2003
As a geographer and a docent who gives regular downtown tours, which include the building mentioned in "The Spirit Lives On" (Oct. 23), I would like to point out a few errors. No. 1 and foremost, the building in question is the Million Dollar Theater. There just happens to be office space above the theater, which was common practice in the construction of theaters at that time. They were originally built to be studios but were never used for that purpose. The MWD was not the first to use the offices.
September 15, 1990 | MICHAEL WILMINGTON
Following are reviews of selected screenings in the Los Angeles Festival's final weekend: The Passion According to Berenice Mexico Saturday at 6 p.m., Million Dollar Theater, 307 S. Broadway Repression, passion, seduction and betrayal are the themes of this 1976 Jaime Humberto Hermosillo film: common enough subjects in Latino literature, but rarely done on film with the mix of icy sophistication, cool eroticism and burning imagination we see here.
May 8, 1994 | JAKE DOHERTY
A Downtown gallery is giving 12 of the city's most lavish landmarks a chance to take a bow. The free exhibition, "The Final Curtain: Endangered Movie Palaces of Downtown Los Angeles," opens Friday and features more than 30 color photographs of the ornate interiors of the magnificent movie palaces. The Broadway theater district is home to the nation's largest concentration of historic movie theaters, including the Cameo, Roxie, Mayan and Los Angeles, all built between 1910 and 1931.
June 21, 2007 | Agustin Gurza, Times Staff Writer
Mexican singer and actor Antonio Aguilar, who delighted international audiences for years with wholesome musical rodeo shows that earned him a reputation as the Roy Rogers of Mexico, has died. He was 88. Aguilar had endured a protracted battle with pneumonia before he died late Tuesday at a Mexico City hospital, according to the Associated Press.
June 12, 1994 | ROBERT LEVINE
For six months in 1926, Gaylord Carter watched MGM's "Ben Hur" almost every night as he played the silent film's musical score on the Million Dollar Theater's house organ. Wednesday night at the Orpheum (another relic from the Downtown movie district), the 88-year-old organist will again get the chance to see what he describes as one of his favorite films--and he won't even have to work the show.
March 24, 2005 | Randy Lewis, Times Staff Writer
With the flush of Oscar fever still fresh, I got the urge to delve into L.A.'s cinematic past and figured there's no better way to start than with a prowl through several of our historic movie palaces. The Los Angeles Conservancy makes it fairly easy, inexpensive and extremely entertaining with its weekly walking tour of the Broadway Theater District downtown.
August 24, 1987 | From United Press International
Political leaders and entertainment figures attended a special screening of "La Bamba" Sunday to kick off a Richie Valens Music Scholarship, part of a larger effort to reinvigorate the downtown area known as the Broadway Corridor. Metropolitan Theaters Corp. chairman Bruce Corwin, which owns the Million Dollar Theater on Broadway where the screening was held, presented a $5,000 check to Felix Castro, head of the Youth Opportunities Foundation, for the scholarship.
June 17, 2009 | Reed Johnson
Films made in foreign tongues, set in distant, poorly understood lands and populated with outrageous, archetypal characters generally are a tough sell in U.S. movie houses. If those films also are historical dramas masquerading as comic farces, inflected with winking references to obscure historical events (obscure, at least, to U.S. audiences), the task is triply daunting.
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