April 29, 1985 |
Warren Beatty grimaced when he tuned in the television debut of "Bonnie and Clyde" on a September night 11 years ago. The blood and violence didn't repulse him, as it did some viewers. In fact, the star and producer of the 1967 Oscar-nominated movie felt shortchanged. Half the bullets from the film were missing from the screen, scattered instead on a cutting-room floor.
December 30, 1992 |
Before assuming that "Lorenzo's Oil," based on the true story of a couple seeking a cure for their terminally ill son, bears no relationship to George Miller's post-Apocalyptic "Mad Max" trilogy, think again. Though the movies' content and style couldn't differ more, both feature "heroic loners" whose struggle is more important than the outcome itself.
June 23, 1998 |
The mystery began with the June 11 issue of Daily Variety, which carried a full-page ad quoting the John Lennon lyric: "Everybody's hustlin' for a buck and a dime, I'll scratch your back and you knife mine." The same day, an ad ran in the Hollywood Reporter with a quote from Edmund Burke, saying: "All that is necessary for the forces of evil to win in the world is for enough good men to do nothing." Both ads were signed at the bottom of the page: Tony Kaye.
January 31, 1990 |
The ad line that Universal Pictures has been using in its Oscar campaign for Phil Alden Robinson's "Field of Dreams," a fantasy baseball-theme picture released last spring, is "Remember the feeling." Enough members of the Directors Guild of America remembered to give Robinson the feeling of being a nominee for the DGA's 1989 best-director award.
January 22, 1997 |
The 49th annual Directors Guild of America nominations were as notable for their omissions as for those who made the cut. The five nominees announced Tuesday were Anthony Minghella ("The English Patient"), Joel Coen ("Fargo"), Cameron Crowe ("Jerry Maguire"), Mike Leigh ("Secrets & Lies") and Scott Hicks ("Shine"). Left out of the field were Milos Forman, who won the Golden Globe best director award on Sunday night, and Alan Parker, whose "Evita" was selected best comedy or musical.
June 18, 1999 |
When director Barry Sonnenfeld watched his new Warner Bros. feature "Wild Wild West" last week--finally complete with visual effects and soundtrack--he was moved to plant a triumphant kiss on rerecording mixer Kevin O'Connell. "The first time that's happened to me in 21 years," the 13-time Oscar-nominated sound artist joked, rolling his eyes. Starring Will Smith and Kevin Kline, the update of CBS' fantasy-western TV series of the 1960s will be released June 30.
June 11, 1996 |
Much about Michael Bay shouts, "Caution: Hot Young Director in Motion!"--the way he takes over a room, the way he races through a story, especially the way he makes movies. In high-stakes Hollywood, where a minute's delay on a shoot can mean thousands of dollars in overruns and fines, speed can make you a bigger hero than Keanu Reeves on a booby-trapped bus.
October 23, 1998 |
The mind-jarring clash of cultures--and the traumatic birth of a new nation--is the subject of Salvador Carrasco's "The Other Conquest," a historical drama that explores the religious and political roots of Mexico through the prism of the human soul. "The Other Conquest," which is the first Spanish-language film ever to be entered in competition at the AFI Los Angeles International Film Festival, is described by its 31-year-old director as "a parable about cultural tolerance."
January 18, 1995 |
Jerry Lewis called him Teacher, and Porky Pig might have done the same. Filmmakers as different as Jean-Luc Godard, Joe Dante, Wim Wenders, Robert Zemeckis and Eric Rohmer learned from him. His films defined the '50s in all their crassness and exuberance. Yet director Frank Tashlin is virtually forgotten today, even in Europe, where his critical reputation was born. The tribute to Tashlin beginning Thursday at UCLA's Melnitz Hall heralds a long-overdue revival.
January 25, 1996 |
Todd Solondz has turned the myth of Sundance inside out and upside down. His "Welcome to the Dollhouse," a biting and funny look at the miseries of childhood that manages to be scathing, sensitive and original, is one of the most admired films in the dramatic competition, and, according to the festival cliche, a wondrous studio contract should be the reward. Except that writer-director Solondz, a wry and engaging 36-year-old New Yorker, has already had his studio experience. Ten years ago.