March 5, 2006 |
The returned scripts were beginning to pile up. The studios wanted something edgier, more au courant, a slasher picture with Ben Affleck or Heath Ledger, a moron comedy with Cedric the Entertainer, anything with a teenager whose bare belly alone would attract the acne crowd. Who was I writing about? Humans with real problems . . . . Gimme a break, buddy. The box office is down 15% so you'd better come up with something fresh, fast-paced, hot.
January 16, 2006 |
The world has heard much about the many facets of Jack Abramoff, the disgraced Washington lobbyist currently assisting federal prosecutors in a widening bribery probe. There's his Beverly Hills upbringing, his founding of a string of right-wing political groups beginning in college, his apotheosis as an uber-lobbyist funneling cash and favors to GOP members of Congress, and his coda as an admitted felon and Justice Department songbird.
CALIFORNIA | LOCAL
August 5, 2005 |
Hollywood producer Terry M. Carr hadn't had a movie credit in six years. But friends and acquaintances said he seemed to relish his role as doting father. While noticeably older than the young moms who shuttled their children to and from Warner Avenue School in Westwood each day, the 62-year-old Carr was so close to his 9-year-old daughter, Arieka, that he proudly took up Suzuki violin lessons alongside her.
March 8, 2005 |
The way Avi Lerner makes movies, there is no room for a wasted hour of daylight or an extra cushion in the star's trailer. Maybe that's why Lerner's low-budget Nu Image film company has made 40 films in the past six years at his studio in Bulgaria, though calling it a studio is something of a stretch. When I asked how many soundstages it had, he laughed. "We don't need soundstages. It's so quiet in Bulgaria you can just shoot in a warehouse.
February 3, 2005 |
The Academy of Motion Picture Arts and Sciences on Wednesday settled disputes about the recipients of producer credit on two nominees for best picture, "The Aviator" and "Million Dollar Baby." The academy was spared a third deliberation because the filmmakers behind "Ray" had independently whittled the credited producers down to three -- the maximum allowed under new rules. The rules are part of an effort to limit the number of producers who come onstage to collect the top Oscar.
January 26, 2005 |
And the best picture nomination goes to -- well, we'll get back to you. The Academy of Motion Picture Arts and Sciences has announced the year's five best picture nominees. But it hasn't yet resolved who will be credited with producing three of them. In an effort to curtail the pileup of producers swarming the stage to collect the top Oscar, the academy now limits the number of people who can claim to have made the film to three.
November 5, 2004 |
Paramount Pictures denied as "a lie" a producer's allegations that studio chief Sherry Lansing improperly tried to steer his film project to her husband, director William Friedkin. Martin Ransohoff is seeking $2 million in a Los Angeles Superior Court lawsuit filed this week, alleging that Lansing prevented his "The Long Ride" from moving forward because Friedkin was unavailable.
January 27, 2004 |
Now that Sofia Coppola is a star director, thanks to the critical acclaim surrounding her film "Lost in Translation," it's easy to find a lot of "old friends" crowing about how long they've known her, going back to her first film, "The Virgin Suicides," or her Milk Fed fashion line. But Fred Roos can top everyone.
CALIFORNIA | LOCAL
November 7, 2003 |
A judge has reversed a state medical board ruling that revoked the license of a Westside psychiatrist for overprescribing addictive drugs to Hollywood producer Don Simpson, who died nearly eight years ago of an overdose. In a 42-page decision made public Thursday, Los Angeles Superior Court Judge Lloyd G. Connelly rejected the board's grounds for disciplining Dr. Nomi J. Fredrick -- and paved the way for the psychiatrist to practice medicine again. Fredrick lost her license Oct.
August 20, 2003 |
To hear Chris Moore tell it, part of the proof that "Project Greenlight" -- the HBO series he's producing -- tells it like it is about making "The Battle of Shaker Heights" -- the Miramax film he's producing -- is the day a chair collapsed under him during a script meeting, a moment captured in all its comic glory by the TV crew. "Hey, I wish there hadn't been a camera there," admits Moore, whose lumberjack frame can now be said to work equally well for intimidation and slapstick.