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April 3, 1994
This is to express profound disappointment that the San Clemente mural, at the historical site corner of Avenida del Mar and El Camino Real, is for sale. Not only were the artists never given recognition, that mural was donated by Studio Sylvain (and Sylvain), its creator, to the city of San Clemente for all of its residents to enjoy through public viewing. The city turned it down on the basis that they had "no place to store it." If anyone should benefit financially, it should be Studio Sylvain.
February 27, 1998
Students from John Adams Middle School in South-Central Los Angeles exchanged their textbooks for paintbrushes Thursday as they created a mural in a school hallway as apart of a program run by the Los Angeles Clippers basketball team. The Clippers' TEAMup (program encourages schools to get involved with environmental and educational projects.
January 24, 1999
Re "Wall to Wall Memories," Jan. 13. I'm writing to publicly express my gratitude to the many talented volunteers who engaged in the collaborative process of creating the mural featured in this article. Long before any paint transformed the wall, our staff, summer youth workers and community intern Juan Leyva conducted extensive research and interviews on La Colonia's history. They also painstakingly prepared the surface--there were 20 layers of paint to be removed, one by one! This project to beautify our city also involved members of the community, youth workers and the city of Oxnard anti-graffiti team.
March 11, 1989 | JOSEPH N. BELL
I stopped by UC Irvine the other day to have a look at the artwork that has been causing all the fuss: a mural conceived and executed by a campus art class on about 100 yards of the zillion miles of fence surrounding campus construction sites.
November 18, 2000 | IRENE GARCIA
The Chandler Outdoor Gallery will unveil its first mural, titled "Media Monster," this afternoon. Artist Robert Spiewak, a North Hollywood resident and Cal State Northridge graduate, took about a month to paint the colorful 16- by 30-foot mural on the side of a building on Chandler Boulevard, between Vineland Avenue and Cahuenga Boulevard.
September 26, 2003 | David Pagel, Special to The Times
Cartoons have been around so long that there's no reason not to call some classics -- genre-defining high points whose beauty hasn't been surpassed by the new-and-improved versions they've inspired. But few contemporary artists who are interested in cartoons are also interested in classicism -- in the balance, restraint and simplicity that once governed art but have long been replaced by anxiety, excess and complexity.
March 22, 2011 | By Bob Pool, Los Angeles Times
Longtime artist Barbara Black didn't reach for her paintbrush when she decided a mural would brighten her Valley Village home. Instead, she contacted the art department at nearby North Hollywood High School and invited students to decorate the 50-foot alley wall next to her Otsego Street residence. Black asked the young artists to bring their ideas, and, because she is on a fixed income, to bring their own paint as well. They were happy to oblige. "It's hard to find a place to work where you're not doing it illegally," said Anthony Zapada Green, 19, who hopes to become a professional graphic artist.
April 11, 2011 | Joanna Clay
Drivers on Laguna Canyon Road may have noticed that an Orange County landmark is missing. The Laguna College of Art & Design mural that graced the side of the Laguna Canyon Winery is now a plain gray wall. The mural was painted over by the winery owner who apparently did not recognize its significance. The mural was one of six in the city that were designed and painted by art school students in 2003. It was the largest mural by the college and in Orange County, mural instructor Mia Tavonatti said.
July 27, 1985 | LORENA OROPEZA, Times Staff Writer
The 8-by-12-foot mural shows the silhouette of a woman on the Coronado Bridge. In her outstretched arms she holds a sphere with the design of a dove. To artist Cindy Paul, the woman in "Reach for Peace" is making a personal statement about the powerful stance of woman. "She is making progress . . . the progress made in the last decade put her on the bridge," Paul said.
March 12, 1989
The construction-wall mural at UC Irvine (March 3) has drawn criticism for being racist, sexist or obscene. I would criticize it on entirely different grounds: that it really has nothing to do with what a university-level art course, particularly at the junior or senior level, should be pursuing. I would expect such art classes to have two goals. They should seek to develop the young artists' technical skills, in adroitly using their instruments to execute faithfully the concepts of their imaginations.
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