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September 29, 1988 | GREGG WAGER
It's an image of pathos that fits into American movies very well: A reticent teen-ager in jeans, with unkempt hair, who is constantly dropping his glasses, turns out to have the right stuff to be a talented concert pianist. In Sidney Lumet's latest movie, "Running on Empty," River Phoenix portrays Danny Pope, a. k. a. "Mike Manfield" and several other fictitious names. He is 17, in a state of emotional hibernation, and a mystery to his teachers. Yet he performs Mozart's Fantasia, K.
October 30, 1985 | MARYLOUISE OATES, Times Staff Writer
WHEN ARTS COLLIDE--What happens when the Music World meets the Art World? For one thing, it gets very crowded. As it did Monday night, when, in a benefit for the Museum of Contemporary Art, Joni Mitchell showed her paintings and several hundred music-industry types crushed into the James Corcoran Gallery. Backgrounded by Mitchell's new album, "Dog Eat Dog," Wendy Stark, who organized the event with Marcia Medavoy, chatted with Wallis Annenberg and Dr.
October 27, 1990
I felt compelled to give you some feedback to your article about the New Kids on the Block. I'm the parent of a teen-ager who dearly loves the New Kids. As a parent, I'm glad to have a group that sings, dances and entertains in a manner that I don't have to worry about the words of their songs. It is nice to have such a refreshing young group come to the forefront of the music world. LEONARD MOEDER Diamond Bar
June 12, 1990 | BRUCE BURROUGHS
The music world hasn't exactly been going out of its way to celebrate the centenary of Swiss composer Frank Martin (1890-1974). Too bad. Sunday afternoon at Pasadena Presbyterian Church, the Cambridge Singers performed Martin's Mass for Double Chorus (1929) in a manner to remind every listener of the profound substance of the composer's output, and to do the group itself and its conductor, Alexander Ruggieri, proud.
April 11, 1985 | AUGUSTIN GURZA
H ermanos del Tercer Mundo, the group of 45 Latino entertainers formed to contribute to pop music's escalating famine relief campaign, were on a break during their marathon recording session Tuesday when a surprise visitor walked into the studio: Quincy Jones. The respected producer-arranger stepped to a microphone at A&M's Studio A in Hollywood to express support for the recording of a single titled "Cantare, Cantaras," to be released next month. It was in this same studio Jan.
January 24, 1988
I am appalled that someone who claims to be as informed about the music world as Robert Hilburn would neglect to mention at all a man who since the '70s and well into the '80s has been more influential than any other figure in music--Bryan Ferry. Whether the creative drive behind Roxy Music, or as a solo artist, he consistently turns out masterpieces during an age when most of the premier artists of the '70s wallow in their creative droughts. One only has to look at two of the greatest albums in rock history, "Avalon" (1982)
July 7, 1996 | Cheo Hodari Coker, Cheo Hodari Coker is a Times staff writer
On a breezy Sunday afternoon, a young man steps from a limousine and heads for the building in Hollywood where he'll spread the word of the Lord to an eager gathering. But Kirk Franklin isn't going to church. The gospel music sensation is standing outside a Paramount Studios sound stage where he'll soon make his first appearance on "Soul Train." To church elders, it might look like enemy territory.
December 22, 1985
Robert Hilburn's fascinating record company exec survey ("The Big Deal," Dec. 15) immediately brought to mind the old saying "the music business is not the music world." Reading between the lines, one can discern an interesting undercurrent of confusion and panic among these alleged "executives." The truth is, they are utterly frozen with fear for losing their jobs over one false move. My message to those surveyed in Hilburn's piece: Give us some new sounds or dig your own grave.
April 27, 1996
I read with great interest Don Heckman's review of the Guitar Summit concert at Caltech's Beckman Auditorium ("Four Players, One Remarkable Instrument," March 9). He described Stanley Jordan's guitar-playing style as follows: ". . . he plays the guitar by tapping the strings in two-handed, piano keyboard style, [producing] sounds not quite like anything ever before heard from the instrument." Has Mr. Heckman been living in a soundproof cave for the past 20 years since Eddie Van Halen first introduced "tapping" and "hammering" to the music world?
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