CALIFORNIA | LOCAL
December 1, 1992
Simple economics tells us that if you spend more than you receive, you will have problems, and if you keep spending more than you receive, the problems will be exacerbated. The solution to these problems cannot be more of the same. It's this line of thought that produces status barriers, making us look at one another with envy, coveting what our neighbor has, rather than making us realize that we all have the same opportunities our neighbor does. If we (the "poor" and "middle class")
March 10, 1999
INVESTMENT Author Harry S. Dent discusses investment strategies. Tonight. The Olympic Collection, L.A. (310) 789-5528. WORKSHOP Join Jerome Cleary's comedy class at Artists Studio in West Hollywood, Sunday, Tuesday through Thursday. (310) 364-4500. TOUR The Venice Historical Society conducts a Historic Walking Tour Saturday, beginning at the Venice Canals. (310) 676-0020. DESIGN Expert Carol Assa discusses feng shui and the natural order of things. Thursday, Borders Books, Torrance.
August 18, 1998 |
This is the column I never wanted to write, the story I never wanted to tell. I lost my lovely Gerry the other day. I lost the sunshine and roses, all right, the laughter in the other room. I lost the smile that lit up my life. God loved Gerry. Everybody loved Gerry. She never went 40 seconds without smiling in her life. She smiled when she was dying. She smiled at life and all the people in it. When you thought of Gerry, you smiled.
March 19, 2011 |
Entering the Downtown Independent near Little Tokyo on Thursday for the National Theatre Live's broadcast of director Danny Boyle's stage production of "Frankenstein," I found it impossible to leave behind the unfolding series of catastrophes in Japan that has the world collectively holding its breath. The current crisis follows us everywhere. With the hard-to-fathom images of flattened towns, the protracted suspense over radiation levels and the frustration of not being able to do more than donate to relief organizations, it's no wonder there's a growing hunger for deeper reflection on this multipronged calamity, in which natural disasters have set off an unnatural one. Journalism bombards us with passing information; artists call our attention to enduring truths.
October 26, 1986 |
With Primo Levi's sixth book, it seems clear by now that everything he has written, or will write, is so many stages in a journey from a dark cave--his days in Auschwitz--into the light. But Levi has a particularity; one that should win him the Nobel Prize, in the fullness of time and its erratic Nobel clockwork. His darkness is full of illuminations, and his light is shadowed. Like the chickadee, he sings in winter but not, in the way of ideological optimists, by ignoring winter.
CALIFORNIA | LOCAL
August 18, 1993 |
Students returning to Buena High School this fall will notice that a giant cover-up has taken place. Where once was a 5,000-square-foot mural of a beach scene is now a blank wall painted off-white. Running the length of the gym wall and towering over the main quad, the mural was a campus landmark for nearly a decade. But even though it was protected with anti-graffiti sealer used on New York subways, the mural fell victim to graffiti taggers and the elements.
May 5, 1990
Hats off to curator Norman Lloyd, whose intelligent curating would attempt to educate and revise the rigid images of a public that may in any event continue down the "heroic" road to cultural destitution. Board chairwoman Beverly Gunter's obtuse reading of the Lennon - Ono image is typical of those who reactively and unwisely attempt to remove from the public view anything that makes them uncomfortable or challenges their assumptions about the natural order of things. Lennon's respect for woman is profoundly heroic--that's what makes the photograph so extraordinary, and what makes him a hero.
April 29, 1988 |
Big skies, flat land and the theatrical effects of weather and time of day offer New Mexico-based painter Elen Feinberg ample room for variation. Her dry, careful technique cross-pollinates the 17th-Century Dutch trick of indicating distance with skinny bands of dark and light color and the 19th century's love of soul-inspiring atmospheric turbulence. In some scenes, Feinberg backs up to let the viewer see the ledges of the windows letting in these views.