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July 10, 2006 | Beth Gardiner, Associated Press
An American soprano fired by the Royal Opera House because of her weight has been rehired after undergoing stomach surgery and losing 135 pounds, her spokeswoman and the prestigious theater said Sunday. Deborah Voigt, one of the world's top opera singers, lost her part in Richard Strauss' "Ariadne auf Naxos" in 2004 because the Royal Opera House decided a slimmer singer would be better.
June 13, 1993 | HERBERT GLASS, Herbert Glass is a regular contributor to Calendar.
To judge by questions frequently asked of this column, listeners are more nervous about investing a small amount of money in an unknown recorded quantity than in plunking down in the vicinity of $15 for the products of known performers on so-called major labels. But, spending a lot hardly guarantees satisfaction when it comes to the subjective considerations involved in musical interpretation.
December 18, 2013 | By Mark Swed, Music Critic
There's always a last minute when Christmas creeps up on us. Here are six terrific sets of classical CDs or DVDs that are possibilities for the tardy shopper and for anyone wanting to leave 2013 in the right spirit and prepare for a sustenance-filled new year. "Selected Signs III-VIII": This strange title for an arty white box holding six CDs of sophisticated selections is taken from an exhibition in Munich, Germany. Musically, it consists of a compilation of selections from the ECM label that are heavily weighted toward spiritual Eastern European minimalism and spiritually minimalist Western jazz as an aural environment continuing hour after enthralling hour.
February 4, 1996 | Herbert Glass, Herbert Glass is a regular contributor to Calendar
A dozen years ago, the compact disc was a new concept, treated with considerable suspicion ("but it's so small!") by the classical-music crowd--conservative when it comes to new technology applied to the arts. At the time, it seemed certain that the new format would be employed only in conjunction with the newest recording technique, digital sound. And even then exclusively in standard repertory.
January 15, 2004 | Chris Pasles, Times Staff Writer
Richard Strauss' sumptuous "Der Rosenkavalier" and his unconventional "Ariadne auf Naxos" will be among four new productions during Los Angeles Opera's 2004-05 season, along with Samuel Barber's "Vanessa" and Charles Gounod's "Romeo and Juliet." The company announced Wednesday that the season will begin Sept. 8 with Mozart's early opera "Idomeneo," featuring company general director Placido Domingo, Anna Netrebko and Angelika Kirschlager.
July 25, 2005 | Chris Pasles, Times Staff Writer
From its opening video images of immigrants arriving at Ellis Island to the final shots of the Statue of Liberty, Peter Boyer's "Ellis Island: The Dream of America" is a work of rare authenticity and directness. The 45-minute piece, which embeds seven first-person narratives from the Ellis Island Oral History Project in a stream of evocative music, was performed movingly by Carl St.Clair and Orange County's Pacific Symphony on Saturday at Verizon Wireless Amphitheater in Irvine.
April 6, 2004 | Chris Pasles
Academy Award-winning film director William Friedkin ("The Exorcist," "The French Connection") will direct a new production of Saint-Saens' "Samson et Dalila" for the New Israeli Opera and Los Angeles Opera, the two companies jointly confirmed Monday. The production will premiere in Tel Aviv in June 2005, then receive its Los Angeles premiere in October 2005. Placido Domingo, L.A.
December 8, 2004 | Mark Swed, Times Staff Writer
Here's my Grammy prediction for the big loser of the best classical album of 2004: the Naxos disc of Elliott Carter's Symphony No. 1, Piano Concerto and "Holiday" Overture. But nominating it four days before the dean of American music turns 96 -- still vital and still widely and irresponsibly dismissed as an unreasonable complexifier -- is a responsible and maybe not even hollow gesture.
July 5, 1992 | HERBERT GLASS, Herbert Glass is a regular contributor to Calendar.
The irony is inescapable: While the major recording labels sweat out the creation of contemporary performing icons, trying to force-feed reluctant consumers with an endless succession of high-priced, overhyped turkeys, the same labels hedge their bets with superior material from their archives at mid-price (about $10) or even budget (which can translate to as little as $6).
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