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December 10, 2010 | Hector Tobar
Standing outside a bookstore on 8th Street a decade ago, novelist Susan Straight looked across the street and saw a vision of Los Angeles loneliness. Men clustered around a black door, surrounded by a wall of black tile. They filled the dark, narrow space inside, reeking of cheap liquor and hurt. "It was just the saddest place I'd ever seen," Straight told me as we stood outside the Golden Gopher bar this week. "There was this lingering melancholy all around this block. You could just smell the desperation of all these men. " These days the Golden Gopher is a hip hangout whose patrons include guys in suits.
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ENTERTAINMENT
October 2, 2011 | By David L. Ulin, Los Angeles Times Book Critic
It's early on a brisk morning in September, and Russell Banks is standing in front of the Marriott Hotel Brooklyn Bridge, smoking his first cigarette of the day. In a few hours, he'll be onstage at the Brooklyn Book Festival, across Adams Street in Borough Hall Plaza, but at the moment he's a little tired - the result of a late night with his friend, novelist Paul Auster, a longtime Brooklynite. Still, at 71, Banks looks fit, hair and beard white and close-cropped, eyes sharp behind a pair of frameless glasses that sit like windows on his face.
ENTERTAINMENT
December 15, 2011 | By Jessica Gelt, Los Angeles Times
Life is just a long string of memories. Even our present is being pushed each second into the past. Peter Orner uses that fact to engaging effect in his new novel, "Love and Shame and Love. " The book tells the story of a young man named Alexander Popper and his family strictly through anamnesis' ethereal prism. Each chapter is a solitary memory, dusted off and glowing with latent emotional residue. It's a nontraditional storytelling device that results in a book of brief chapters, sometimes no more than a paragraph, each of which could easily stand on its own. The story jumps back and forth - like memory itself - between early family history and fairly recent recollections.
ENTERTAINMENT
October 19, 2012 | By David L. Ulin, Los Angeles Times Book Critic
Back to Blood A Novel Tom Wolfe Little, Brown: 704 pp., $30 About a quarter of the way through Tom Wolfe's new novel, "Back to Blood," pornography addiction specialist Dr. Norman Lewis waits with his nurse (and mistress) Magdelena Otero to be interviewed by a "60 Minutes" crew. Norman is delirious at the prospect of his star turn - so much so that he becomes a bit, er, overstimulated. "' Now - while they're at the door!' " he grunts at Magdalena, who responds, " 'No, Norman!
ENTERTAINMENT
April 4, 2014 | By Carolyn Kellogg
Meyer Lansky is one of the gravitational centers of Zachary Lazar's new novel, "I Pity the Poor Immigrant" (Little, Brown and Company: 256 pp., $25). Not so much the dapper, "Boardwalk Empire"-era gangster as Lansky in 1972 in Israel, seeking to retire there under the country's Law of Return. It's hardly the most celebrated era in Lansky's life, but Lazar was going for something other than the obvious. "The initial idea of this book was to put Meyer Lansky in the same room as King David from the Bible," Lazar said via Skype from his home office in New Orleans.
ENTERTAINMENT
March 15, 2011 | By Susan Salter Reynolds, Special to the Los Angeles Times
Jodi Picoult's novels do not gather dust on the bedside table. They are gobbled up quickly and the readers want more. "Sing You Home" is Picoult's 18th novel; the last six have each sold more than 5 million copies around the world. Her new novel, which takes on issues of fertility, same-sex marriage, the legal ownership of embryos, love, gender, insurance, alcoholism, faith, adultery and sibling rivalry, is already flying off the shelves. Picoult is known for her ability to shed light on the issues affecting domestic life in America: divorce, overprotective parenting, childhood depression, families struggling with medical crises ?
ENTERTAINMENT
May 31, 2013 | By Carolyn Kellogg, Los Angeles Times
Friends are dress shopping in the novel "Americanah"; when they get to the register, the cashier asks which of two saleswomen helped them, but they're not sure. She lists numerous physical characteristics to identify the salesperson before giving up. "Why didn't she just ask 'Was it the black girl or the white girl?'" the main character, Ifemelu, exclaims after they leave. "Because this is America," her friend tells her. "You're supposed to pretend that you don't notice certain things.
ENTERTAINMENT
February 21, 2013 | By Taffy Brodesser-Akner
Janice Steinberg's latest creation isn't technically her creation at all. Rather, the protagonist in her new novel, "The Tin Horse" (Random House: 352 pp., $26 hardcover), is the fully formed version of a marginal character plucked from Raymond Chandler's "The Big Sleep," a figure Steinberg had been preoccupied with for a while. An unnamed young woman who appears for a few brief pages in Chapter 5 of Chandler's famous noir - she's in a bookstore, reading a law book, when the detective Philip Marlowe wanders in and asks her about one of the other stores on the street.
ENTERTAINMENT
August 19, 2012 | By David L. Ulin, Los Angeles Times Book Critic
Hostage A Novel Elie Wiesel, translated from the French by Catherine Temerson Alfred A. Knopf: 214 pp., $25.95 It's hard to read Elie Wiesel's new novel, "Hostage," without thinking about his classic Holocaust recollection, "Night. " That's partly because both deal with captivity, and even more with questions of faith and identity and our place in the universe, at a moment when such elements appear to have been rendered moot. But even more, "Hostage," like "Night," begs the question of how we read it - of the type of document it is. In the case of the earlier book, that tension (and it is very much a tension)
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