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ENTERTAINMENT
October 2, 2011 | By David L. Ulin, Los Angeles Times Book Critic
It's early on a brisk morning in September, and Russell Banks is standing in front of the Marriott Hotel Brooklyn Bridge, smoking his first cigarette of the day. In a few hours, he'll be onstage at the Brooklyn Book Festival, across Adams Street in Borough Hall Plaza, but at the moment he's a little tired - the result of a late night with his friend, novelist Paul Auster, a longtime Brooklynite. Still, at 71, Banks looks fit, hair and beard white and close-cropped, eyes sharp behind a pair of frameless glasses that sit like windows on his face.
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CALIFORNIA | LOCAL
December 10, 2010 | Hector Tobar
Standing outside a bookstore on 8th Street a decade ago, novelist Susan Straight looked across the street and saw a vision of Los Angeles loneliness. Men clustered around a black door, surrounded by a wall of black tile. They filled the dark, narrow space inside, reeking of cheap liquor and hurt. "It was just the saddest place I'd ever seen," Straight told me as we stood outside the Golden Gopher bar this week. "There was this lingering melancholy all around this block. You could just smell the desperation of all these men. " These days the Golden Gopher is a hip hangout whose patrons include guys in suits.
ENTERTAINMENT
December 15, 2011 | By Jessica Gelt, Los Angeles Times
Life is just a long string of memories. Even our present is being pushed each second into the past. Peter Orner uses that fact to engaging effect in his new novel, "Love and Shame and Love. " The book tells the story of a young man named Alexander Popper and his family strictly through anamnesis' ethereal prism. Each chapter is a solitary memory, dusted off and glowing with latent emotional residue. It's a nontraditional storytelling device that results in a book of brief chapters, sometimes no more than a paragraph, each of which could easily stand on its own. The story jumps back and forth - like memory itself - between early family history and fairly recent recollections.
ENTERTAINMENT
October 19, 2012 | By David L. Ulin, Los Angeles Times Book Critic
Back to Blood A Novel Tom Wolfe Little, Brown: 704 pp., $30 About a quarter of the way through Tom Wolfe's new novel, "Back to Blood," pornography addiction specialist Dr. Norman Lewis waits with his nurse (and mistress) Magdelena Otero to be interviewed by a "60 Minutes" crew. Norman is delirious at the prospect of his star turn - so much so that he becomes a bit, er, overstimulated. "' Now - while they're at the door!' " he grunts at Magdalena, who responds, " 'No, Norman!
ENTERTAINMENT
April 4, 2014 | By Carolyn Kellogg
Meyer Lansky is one of the gravitational centers of Zachary Lazar's new novel, "I Pity the Poor Immigrant" (Little, Brown and Company: 256 pp., $25). Not so much the dapper, "Boardwalk Empire"-era gangster as Lansky in 1972 in Israel, seeking to retire there under the country's Law of Return. It's hardly the most celebrated era in Lansky's life, but Lazar was going for something other than the obvious. "The initial idea of this book was to put Meyer Lansky in the same room as King David from the Bible," Lazar said via Skype from his home office in New Orleans.
ENTERTAINMENT
June 6, 2013 | By David Ulin, Los Angeles Times Book Critic
When it comes to Stephen King, I'm partial to the smaller efforts: novellas, short novels, experiments, the quieter, more interior stuff. It's not that I don't like his big books - especially "The Shining," which remains the scariest thing I've ever read, and the 1996 novel "Desperation," an overarching consideration of sin and sacrifice and redemption, set in a Nevada mining town. Still, what makes King resonate for me is the detail work, the way he can get inside the most mundane situation and animate it, revealing in the process something of how we live.
ENTERTAINMENT
May 31, 2013 | By Carolyn Kellogg, Los Angeles Times
Friends are dress shopping in the novel "Americanah"; when they get to the register, the cashier asks which of two saleswomen helped them, but they're not sure. She lists numerous physical characteristics to identify the salesperson before giving up. "Why didn't she just ask 'Was it the black girl or the white girl?'" the main character, Ifemelu, exclaims after they leave. "Because this is America," her friend tells her. "You're supposed to pretend that you don't notice certain things.
ENTERTAINMENT
February 21, 2013 | By Taffy Brodesser-Akner
Janice Steinberg's latest creation isn't technically her creation at all. Rather, the protagonist in her new novel, "The Tin Horse" (Random House: 352 pp., $26 hardcover), is the fully formed version of a marginal character plucked from Raymond Chandler's "The Big Sleep," a figure Steinberg had been preoccupied with for a while. An unnamed young woman who appears for a few brief pages in Chapter 5 of Chandler's famous noir - she's in a bookstore, reading a law book, when the detective Philip Marlowe wanders in and asks her about one of the other stores on the street.
ENTERTAINMENT
September 30, 2009 | Tim Rutten
When it came to the subject of biographies, Sigmund Freud was at his most implacable: "Whoever undertakes to write a biography," he said, "binds himself to lying, to concealment, to hypocrisy, to flummery and even to hiding his own lack of understanding. . . . Truth is not accessible; mankind does not deserve it, and wasn't Prince Hamlet right when he asked who could escape a whipping if he had his deserts?" How did Freud feel about autobiographies? Don't ask. In his latest book, newspaper columnist turned novelist turned screenwriter Pete Dexter has taken the literary-psychoanalytic bull by the horns and -- with characteristic and stylish aplomb -- blown smoke in its formidable face.
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