May 9, 2010 |
Three couples are negotiating a series of head-to-head moves, rapid-fire turns and daring leaps to cranked-up tango music of Astor Piazzolla. At first glance they could be contestants in a postmodern dance marathon. In reality, they are rehearsing a new piece for Los Angeles Ballet's final program of its fourth season. The beneficent task mistress calling the shots is choreographer Sonya Tayeh, the heavily tattooed 33-year-old known for her work on Fox's hit television show "So You Think You Can Dance."
March 21, 2010 |
Several major transformations are embodied within a single unusual hour of television airing on PBS Wednesday evening. A 1958 Jerome Robbins ballet, which astutely captured the essence of that moment's younger generation, has been transformed into a highly contemporary dance film shot in unexpected New York City locations. Beyond that, there is the improbable tale of two young New York City Ballet soloists who envisioned the entire project and became self-taught executive producers, fighting the odds to get the film made.
February 28, 2010 |
The After-School All-Stars — a tax-exempt group founded by Arnold Schwarzenegger in the early 1990s to provide tutoring, recreation and other programs for poor children — has now grown to provide after-school programs for 81,000 middle and high school students at 450 campuses around the country. And Schwarzenegger continues to support the organization. Speaking at the Feb. 18 "Reaching for the Stars" gala at the Beverly Hilton Hotel, he said, "I will always be part of raising the money … organizing and helping the committee and promoting it nationwide."
December 20, 2009 |
Throughout the first decade of the 21st century, impatient dancers, choreographers, critics and audience members all hoped that a new breed of innovators would appear to transform theatrical dance the way that Russian impresario Sergei Diaghilev radically renewed and updated classical ballet in the first decade of the 20th. We're still waiting. Where are the bold, young choreographers creating imperishable dances, the adventuresome composers and designers venturing off the middle of the road?
August 30, 2009 |
It is early afternoon at the Baryshnikov Arts Center. On the fourth floor, a woman in a black leotard dances in a large studio with high ceilings and great views of the Hudson River. She hardly pauses as the most famous dancer of them all stops at the door, looks pleased and moves on. Mikhail Baryshnikov is proprietor, mentor and role model to the many choreographers and dancers, musicians and actors coming to the 4-year-old center to create, rehearse or perform new work. Baryshnikov himself does his warm-ups and rehearsing in a studio upstairs.
September 15, 2008 |
Talk about bipolar! The highs were lofty and the lows, well, definitely approached a nadir at the ninth edition of the Los Angeles Dance Invitational, on Saturday at the Nate Holden Performing Arts Center. Having gone through various incarnations since its first concert in 1999 -- from celebrity-driven charity benefits to a choreographers' showcase -- the event continues to honor distinguished dance teachers and other notables in the field. And so it was the presence of Edward Villella -- the erstwhile New York City Ballet superstar who, in 1986, founded Miami City Ballet -- that seemed to bring the most cheers from Saturday's audience.
September 12, 2008 |
While visiting Orange County in February to choreograph a new ballet for Russian ballerina Diana Vishneva, Alexei Ratmansky, artistic director of the Bolshoi Ballet, told The Times that he was negotiating with New York City Ballet to become its resident choreographer -- although he became a bit testy when pressed about how close he was to making a commitment. In any case, those plans fell through. But now the choreographer, 40, has another New York gig -- with New York City Ballet's longtime rival.
June 21, 2008 |
Damian Woetzel has danced with the New York City Ballet to continual acclaim for 23 years, 19 of them as a principal. Wednesday night, at Lincoln Center's New York State Theater, the 41-year-old gave his farewell performance with the company, thus taking a decisive next step into his future. Not, however, before his colleagues and fans treated him to ovations, bouquets and a shower of confetti.
June 15, 2008 |
For HALF an hour on a late May afternoon, Damian Woetzel had the New York State Theater stage to himself. Although odd noises emerged from the wings as stagehands went about their business, Woetzel, in a T-shirt and stretch pants, focused intently on the Chopin selections being played by pianist Cameron Grant as the dancer rehearsed three solos choreographed by Jerome Robbins, two of them from 1969's "Dances at a Gathering."