NEWS
September 30, 1998 | ANN M. SIMMONS, TIMES STAFF WRITER
Margaret Bassey Ene currently has one mission in life: gaining weight. The Nigerian teenager has spent every day since early June in a "fattening room" specially set aside in her father's mud-and-thatch house. Most of her waking hours are spent eating bowl after bowl of rice, yams, plantains, beans and gari, a porridge-like mixture of dried cassava and water.
CALIFORNIA | LOCAL
October 26, 1996 | MIMI KO CRUZ
When Cynthia Njemanze wanted her classmates in a black studies course at Rancho Santiago College to hear about Africa from a person who lives there, she called on a relative who happens to be one of that continent's more prominent residents. Her uncle, King Emmanuel Emenyonu Njemanze of Owerri, a region of about 26,000 in southeastern Nigeria, readily agreed.
SPORTS
October 13, 1995 | ELLIOTT ALMOND, TIMES STAFF WRITER
In what could be a precedent-setting case, the NCAA eligibility committee is considering whether USC defensive end Israel Ifeanyi broke rules by accepting money from members of his Nigerian tribe. "It's a natural thing in Nigeria," Ifeanyi said Thursday. "I really don't understand [the NCAA's concern]. I think it is a cultural bias. They are wrong to use this against me."
ENTERTAINMENT
November 8, 1991 | JIM WASHBURN, SPECIAL TO THE TIMES
Francis Awe's grandfather was named Adibulu, which means "somebody whose first opening of eyes saw drum first," according to Awe (pronounced AH-way ). It seems to run in the family. Even when he was a baby being reared in a Nigerian village, "any time the talking drum was played, I always would burst into an unusual cry, my grandmother has told me. So she, as an experiment, took me to where the drums were being played, and I would stop crying.
NEWS
May 28, 1991 | MICHAEL A. HILTZIK, TIMES STAFF WRITER
Visible five abreast in the hazy distance, the horsemen kicked their steeds into motion, as if jump-starting a car. Out of a cloud of red dust they thundered, galloping past the ancient mosque of Kano and straight for the dun walls of the emir's palace, as if trying by sheer momentum to burst through its tiny dark doorway into the labyrinthine chambers within. But at the last moment, the horses skidded to a stop and reared high on their hind legs.
NEWS
September 19, 1989 | MICHAEL A. HILTZIK, Times Staff Writer
As Art Alade took his place at the piano in the basement club known as Art's Place, the ratio of musicians to audience members gave him pause: There were three sidemen on stage behind him and four people at the tables in front. The percussionist led Alade into a jazz-accented Yoruba tune. It was the kind of thing Lagos was once famous for, a traditional rhythm blending with a piano style reminiscent of Earl (Fatha) Hines.