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June 18, 1992 | DANIEL CERONE, TIMES STAFF WRITER
Inside a Studio City sound stage, which had been colorfully outfitted to look like a 1950s network TV studio belonging to the fictional Zoblotnick Broadcasting Corp., a random pattern of absurd activities was taking place. "I need a weird sound! Can anyone make a weird sound for me?" shouted the director preparing to shoot the next scene. Seconds later a synthesized gurgling erupted from loudspeakers overhead. "Thank you!"
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ENTERTAINMENT
June 18, 1992 | DANIEL CERONE, TIMES STAFF WRITER
Inside a Studio City sound stage, which had been colorfully outfitted to look like a 1950s network TV studio belonging to the fictional Zoblotnick Broadcasting Corp., a random pattern of absurd activities was taking place. "I need a weird sound! Can anyone make a weird sound for me?" shouted the director preparing to shoot the next scene. Seconds later a synthesized gurgling erupted from loudspeakers overhead. "Thank you!"
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