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August 23, 2013 | By Lauren Frayer
LISBON - One clear blue morning last October, professional opera singer Ana Maria Pinto boarded a bus at 6 a.m. in her hometown in Portugal's north and made her way to an 18th century colonnaded courtyard on this capital city's riverfront. It was Republic Day, a national holiday, but President Anibal Cavaco Silva's annual speech was closed to the public for the first time. Financially beleaguered Portugal is often hit by anti-austerity protests, and Lisbon's beleaguered officials wanted to avoid confrontation.
November 18, 2010 | By Reed Johnson, Los Angeles Times
The surviving prologue of an unfinished, long-lost opera by Dmitri Shostakovich will have its world premiere in December 2011 in a semi-staged production at Walt Disney Concert Hall, capping a multi-year process of musical sleuthing and improbable discoveries that's nearly as eye-opening as the work's bizarre subject matter. Esa-Pekka Salonen will conduct the Los Angeles Philharmonic in three performances of the reconstructed prologue to the opera, "Orango," a blisteringly satirical 1932 work about the wayward doings of a grotesque half-man, half-ape creature that the Russian composer wrote in collaboration with librettists Alexei Tolstoy and Alexander Starchakov.
October 18, 1997
Bravo! L.A. Times for "A Generation of L.A. Opera Singers Comes of Age" by Jan Breslauer (Oct. 15). I am a huge fan of L.A. Opera and it's about time that the company and its artists get the exposure they deserve. L.A. Opera is truly a gem and deserves more attention than it is receiving. That is why I was pleasantly surprised when I turned to the Calendar section and saw the familiar faces of Rodney Gilfry, Suzanna Guzman, Greg Fedderly and Hector Vasquez. Opera is alive and kicking, but the general public is not aware of this.
May 7, 2004 | From Associated Press
The Santa Fe Opera plans to present an opera in Spanish for the first time in nearly three decades, general director Richard Gaddes said. Argentine Osvaldo Golijov's "Ainadamar," which opened last year at Tanglewood, will be revised for the 2005 season by Golijov and director Peter Sellars. It is based on the life of poet-playwright Federico Garcia Lorca. The Santa Fe Opera's last Spanish-language production was Manuel de Falla's "La Vida Breve" in 1975.
January 20, 2005 | From Times staff writers
If you're curious about opera but not quite ready to pop for a ticket, you can always get a taste of it at home. Some first-rate performances have been captured on celluloid and video, and they might just whet your appetite for the real thing. * Barber of Seville Rossini's enduring comedy pits two young lovers and a wily barber against a greedy older guardian who wants the girl -- and her dowry -- for himself. Cecilia Bartoli stars in this 1988 Schwetzingen Festival performance.
February 16, 1990 | BILL HIGGINS
There aren't many organizations with ardor to equal that of the Music Center Opera League. Entrusted with the task of expanding the Los Angeles Music Center Opera's audience, league members act, according to President Joan Thompson, "like missionaries going out into the community telling everyone opera is here--and it's wonderful."
October 22, 2006
IN the late 1970s and early 1980s, opera power brokers at the Music Center had no real idea where to go with this most mercurial and trying of art forms ["Holding Onto a High Note," Oct. 8]. Other people and companies did. In 1979, a feisty lady named Johanna Dordick formed a company called Los Angeles Opera Repertory Theatre (later L.A. Opera Theatre). A year later, the company unveiled its first production, Benjamin Britten's "Albert Herring," at the Wilshire Ebell Theatre, starring a then-unknown tenor named Jonathan Mack.
September 7, 2008
Thank YOU for the well-written article about L.A. Opera's season-opening operas ["Movie Magic, Please" by Diane Haithman, Aug. 31]. Her interesting delve into the challenges of using film directors on the opera stage is informative and balanced. I take exception only with your editors, who refer the reader to Page 11, not Page 6, in the headline piece, and who fail to mention Saturday's opening night production of "Il Trittico" in the classical section of The Guide. It seems as though the editors and the critics don't read the features or the paid advertising.
June 6, 2006 | From the Associated Press
A Vivaldi opera that has not been performed officially for several centuries will be featured at this summer's Festival of the Two Worlds in the Umbrian hill town of Spoleto, Italy, organizers said Monday. American conductor Alan Curtis, who said he has been working on the opera for more than 10 years, will lead the Baroque Ensemble in the first performance since 1723 of "l'Ercole su'l Termodonte."
May 14, 2006 | Chris Pasles
TRESA WAGGONER, the Bennett, Colo., elementary school teacher put on leave for showing her students a video clip of Gounod's "Faust," was honored by Opera America at its recent Opera Conference 2006 in Seattle. On May 6, Waggoner received an award of distinction "in recognition of outstanding commitment to opera education," the national service organization reported.
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