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Oscar Telecast

Frankly, there were some who didn't give a damn. At San Bernardino's Sturgos Center for Fine Arts, concerns whether Clint Eastwood would finally be taken seriously were eclipsed by worries over the fate of the razorback sucker. At the All-Star Lanes bowling alley in Eagle Rock, Patrick Landry was more excited about a 7-10 split than he was about the best original song.
March 5, 2010 | By Scott Collins
If Sunday's Oscar telecast ends up breaking ratings records, organizers might just want to send a thank-you in the Na'vi language to James Cameron. Cameron's "Avatar," a sci-fi fable about endangered tree-dwellers on the fictional moon Pandora, has become the highest-grossing picture of all time with more than $700 million in U.S. box office. It's also up for nine nominations including best picture. The last time a Cameron picture brought home academy hardware -- for the previous box-office champion, "Titanic," in 1998 -- the award telecast soared to new heights.
February 26, 2013 | By Scott Collins, Los Angeles Times
Seth MacFarlane may have sung about Oscar's losers, but he wasn't among them. Sunday's movie awards ceremony produced its best ratings in years, even as critics rapped the "Family Guy" producer for some off-color humor. An average of 40.3 million viewers tuned in to the live Oscar telecast on ABC, according to Nielsen. The ceremony - hosted by MacFarlane, the creator of TV's "Family Guy" and director of the movie comedy "Ted" - drew its best numbers since 2010 and were up a modest 2% over last year's show hosted by Billy Crystal.
March 31, 1992 | HOWARD ROSENBERG
When The Times awarded me the coveted assignment of reviewing Monday night's Academy Awards telecast on ABC, I was deeply moved and overwhelmed. "You like me," I cried out. "You really like me!" As I was about to accept this honor, however, reality set in. How could I handle such an important task on my first day back from vacation? I'd be rusty. I'd be unequal to the challenge.
February 2, 2010 | By Scott Collins
Maybe the world was craving an Elton John-Lady Gaga duet. Or perhaps a Cirque du Soleil-style acrobatic routine from a nearly naked Pink. Or it could be that viewers just like hearing bleeped rap songs. Whatever the case, the 35% ratings surge for Sunday's Grammy extravaganza on CBS -- nearly 26 million viewers, or about as many as for Fox's singing smash "American Idol," according to early results from the Nielsen Co. -- has the TV business asking: Are award shows staging a comeback?
August 2, 2013 | By Glenn Whipp
It's the safe choice. It's also the right choice. Tapping Ellen DeGeneres to host the 2014 Oscar ceremony won't win the Academy of Motion Picture Arts and Sciences huge headlines, set social media afire or win acclaim for outside-the-box thinking. But after last year's show, which saw first-time emcee Seth MacFarlane sing a song about boobs and take juvenile jabs at Jews, gays, native Spanish speakers, blacks and women ("For all those women who had the 'flu.' it paid off. Lookin' good!"
IF you've ever watched an Oscar telecast, you know that nothing is quite so cringe-inducing as the musical numbers that punctuate the show, numbers that end up trying too hard to be either flamboyant or hip, often falling short on both counts.
November 15, 2009 | Rachel Abramowitz
Tom Sherak never forgets that movies are for the masses. The veteran marketer turned new president of the Academy of Motion Pictures Arts and Sciences started in showbiz driving around states like Maryland and West Virginia, persuading ordinary people to book such Paramount movies as "The Godfather" and "Love Story" into their small-town movie houses. "They were all real people, postal workers or sanitation workers who also owned the one theater in town. I'd go and meet them at their lunch hour and tell them about the movies."
March 25, 1985 | JAY SHARBUTT, Times Staff Writer
Last year's nostalgia-laden Oscar telecast ran a little long. It is said that by the time the show ended, most UCLA film school seniors had graduated summa cum Mercedes, learned how to spell "remake," and become apprentice moguls. The program, aired by ABC, lasted 3 hours and 45 minutes. It provoked much thought on ways in the future to silence windy winners. Musketry, chloroform and trap doors were often mentioned.
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