December 19, 2008 |
A curator at the Louvre in Paris has stumbled upon some unknown drawings on the back of a painting by Leonardo da Vinci that look like they might be by the Italian master himself, the museum said Thursday. The extraordinary find was made by chance, when Louvre staff unhooked Leonardo's "The Virgin and Child With Saint Anne" from the museum wall as part of a broad program of study and restoration of paintings by Leonardo. "The Virgin and Child With Saint Anne" was painted in the early 1500s and no one had previously noticed the drawings -- at least not to the knowledge of the Louvre.
April 5, 2008 |
Controversy continues to swirl around the collection of paintings Georgia O'Keeffe donated to Fisk University in Nashville. In March, a judge permanently banned any sale of the 101-piece collection -- which not only includes works by O'Keefe but also Picasso, Renoir and Cezanne -- and set an October deadline for Fisk to retrieve the artwork from storage and put it on display. The Georgia O'Keeffe Museum in New Mexico had sued to gain the rights over the collection because of the school's attempts to sell paintings and because they weren't currently on display.
November 8, 2013 |
I dropped in at Regen Projects in Hollywood to see my friend Lari Pittman's new show, just installed and opening to the public on Saturday. The exhibition is very large - a whopping 92 paintings on canvas, panel and mostly paper - but the three mammoth works that anchor the main room dwarf everything. Titled as various “Flying Carpets,” each one is a boggling 10 feet high and 30 feet wide. No doubt there are many reasons for the daunting scale, which fits the work's overall theme of epic trauma - and equally epic possibility -- during what the artist has dubbed today's “Late Western Impaerium.” The spelling alone, with its Old World allusion to ancient Rome, reeks of life lived under crushing conditions of supreme power.
September 26, 2013 |
Cecily Brown seems as though she's belting it out in her large, athletically brushed paintings now at Gagosian. But instead of powerful and passionate, her voice comes across as detached. The volume is turned up, but the verve is on low. London-born and living in New York, Brown bases several of her recent paintings on a photograph of a large group of nude women that appeared on the British release of a 1968 Jimi Hendrix album. PHOTOS: Arts and culture in pictures by The Times Brown preserves the odd theatricality of the image, with all members of the ensemble facing us, seated or in semi-seductive forward leans.
May 17, 2013 |
No Entropic school of art has announced itself as such, but the concept seems to animate a good deal of drawn and painted work of the past decade or more -- images of intense and unpredictable energy, change and disorder. Julie Mehretu might be considered a chief practitioner. The speed and unwieldiness of the information age is one clear source for the vocabulary of charged, global fluidity; a post-9/11 tenor of physical and political uncertainty is likely another. The increasingly volatile collision of nature and culture, in the form of large-scale natural disasters, is yet another catalyst for this type of work.
May 24, 2013 |
NEW YORK - As 1938 came to a close, painter Edward Hopper was a man on a mission. Again and again, he would pick up his sketchbook and head for a cluster of New York City movie theaters. Sometimes it was the Republic or the Palace, other times the Strand or the Globe, places where he could study the lobby, the auditorium, the curtained area off to the side. Back at home, he'd pose his wife, Josephine, as an usherette and draw her portrait. By the time he completed his monumental painting "New York Movie" several weeks later, Hopper had drawn 54 studies for it. Those 54 studies are among the highlights of "Hopper Drawing," which opened last week at the Whitney Museum of American Art. The first major museum exhibition focusing on Hopper's drawings and creative process, the show features many of the famed artist's paintings adjacent to the rarely seen drawings that preceded them.