November 17, 2012 |
In 1933 America was staggering through the Great Depression, and Angelenos Jake Zeitlin and Delmer Daves organized a small group to support an artist they believed in, Paul Landacre. Each contributed $100 a year - that went a long way in those days - which awarded them a new print every month. Zeitlin ran an antiquarian book store, which included a small art gallery, and Daves was a budding Hollywood writer who would later direct the film noir classic "Dark Passage" (1947) and the original "3:10 to Yuma" (1957)
September 20, 2012
EVENTS The Pasadena Museum of California Art is turning 10 years old and to celebrate it's throwing a party for the people featuring a free beer garden, hands-on workshops, live performances, food trucks including Nom Nom, Cool Haus and Pie and Burger, and an old-fashioned birthday cake. Pasadena Museum of California Art, 490 East Union St., Pasadena. 12 p.m. to 5 p.m. Sat. Free. (626) 568-3665; http://www.pmcaonline.org.
April 10, 2011 |
A century ago, the California Art Club was launched by a handful of European émigrés and plucky Americans who decided to make creativity their calling. In those days, being an artist was not so fashionable a profession, but the founders included many now considered the greats of early California art such as Franz Bischoff, Hanson Puthuff and William Wendt. In this post-Modern era, the club's emphasis on representational style and academic subject...
March 16, 2010 |
Anyone who has driven around Los Angeles in the last 50 years knows Millard Sheets' art, even if they don't know his name. For Home Savings of America, he designed the distinctive white marble branch banks and their artistic decorations, sometimes collaborating with others, starting in 1952. (Many of those buildings became branches of Washington Mutual and now Chase bank.) The stripped classicism of the architecture is enlivened by Sheets' specialty: stylized mosaic murals and wall reliefs.
HOME & GARDEN
December 26, 2009 |
After seeing "Behold the Day: The Color Block Prints of Frances Gearhart," showing at the Pasadena Museum of California Art through Jan. 31, one may wonder why Gearhart isn't better known. Back in the 1930s, at the height of her career, she became one of the top color-block printmakers in America, displaying her work at the Smithsonian and the Brooklyn Museum, as well as at numerous shows on the West Coast. Even if her fame faded in the East, where her mountainous landscapes may not have resonated as much, one would expect her continued popularity in California, where she lived and worked until her death in 1958 at age 89. Over the course of her 30-year career, this Pasadena artist -- one of three sisters, none of them married, all of them teachers in the public school system, all of them artists and travelers -- became her own compelling, uplifting portrait of female achievement and independence.
February 3, 2009 |
"This year alone, more data will be generated than in the cumulative history of humanity," says Dan Goods. "Stuff is being collected in all sorts of interesting forms and piling up somewhere. What do we do with it?" It's an apt question for the Too Much Information Age, and to address the query, Goods and co-curator David Delgado have rounded up a collection of geek-friendly installations on display through April 12 at Pasadena Museum of California Art's "Data + Art" exhibition.