September 12, 2013 |
"Brains on Trial," Thursday and Sept. 19 on PBS, offers a two-part look at "how brains work when they become entangled with the law. " That is not the John Agar 1950s sci-fi flick it might first sound like, but a look at how recent research into neuroscience and brain mapping changes our understanding of basic questions of human reliability, memory and bias among witnesses, juries and judges. These epistemological problems, pondered by philosophers since time immemorial, are no less difficult today; if anything, they are complicated by new knowledge.
February 19, 2000
Re "Executive at CNN Taking Helm at PBS" (by Elizabeth Jensen, Feb. 7): I've watched KCET programming move progressively to the left, and with the naming of Pat Mitchell as president of PBS, that liberal bias appears likely to accelerate. The recent interview of President Clinton on the "NewsHour" exemplifies the liberal bias on PBS programs: a softball interview designed to provide a forum for Clinton to do what he does best--spin and lie. Obvious, tough follow-up questions were never asked.
July 24, 2005
Thanks to Robert Lloyd for a fun but well-written commentary about PBS ["PBS and Its Grand Ambitions," July 17]. I agree with his comments, especially regarding the "NewsHour." The only palpable left-leaning bias that existed on PBS was with Bill Moyers. Occasionally a leftward imbalance shows up on "Washington Week," but it isn't nearly as overbearing as it was until Mr. Moyers departed. However the issue I have with PBS isn't editorial as much as funding. I still don't understand why my tax dollars, which are taken by force of law, are needed to support entertainment television of any kind, especially when there is such a plethora of choices on the dial.
July 31, 2005
Reading Robert Lloyd's story about how public television ["PBS and Its Grand Ambitions," July 16] was created in 1967 as "a rebuke to free-market television" because the latter was depriving families of "a concert hall, a museum, a university, a forum," I was reminded of some of the schlock shows we peons of a certain age had to suffer through in front of our 19-inch screens when only three or four crassly commercial networks ruled. To name a few: Leonard Bernstein's "Young People's Concerts," Alistair Cooke's "Omnibus," "Playhouse 90," Rod Serling's "The Twilight Zone," David Susskind's "Open End."
October 29, 2012 |
Long before any of us had heard the words YouTube, there was Bob Ross, the soft-spoken, much-Afroed man who tried to teach a generation of Americans how to paint -- or, as he might put it, "make love to the canvas. " Ross didn't exactly have a huge platform. He aired on local PBS affiliates for 11 years starting in 1983. But thanks to his unusual appearance, soothingly square manner and wet-on-wet technique that turned a blank page into a landscape painting in less than 30 minutes, he was not only entrancing but something of a phenomenon.
July 16, 2010 |
PBS flexed its usual strength when the News and Documentary Emmy nominations were announced Thursday, racking up 37 nods for its coverage of Taliban youth, the death of Iranian protester Neda Agha-Soltan and a community battle over a mosque in West Virginia, among other topics. The public television system was followed closely by CBS, which had a particularly good showing, scoring 31 nominations, including 16 for its long-running Sunday newsmagazine " 60 Minutes." HBO placed third with 20 nominations, one of its largest hauls ever, followed by National Geographic, which earned 19. NBC had 17 and ABC got 9. For the third year in a row, the National Academy of Television Arts and Sciences is recognizing "new approaches" to news, documentary and arts programming, categories that require entrants to demonstrate some form of innovation.