December 7, 1988 |
Maxine Weldon, whose voice was in full cry Monday when she began a two-night stand at the Biltmore's Grand Avenue Bar, has long been noted for two characteristics: her personable, self-confident manner and her taste for interesting songs, some of which draw on sources outside the jazz norm. The first tendency became clear when she opened with "Your Place or Mine," a tune of C&W origin to which she brought more than a hint of the blues.
December 7, 2006 |
When Charmaine Clamor's warm, luscious contralto slips into a rhythmically seductive version of "I'm in the Mood for Love" or purrs through the tender lyrics of "The Very Thought of You," there's no doubt that a first-rate jazz talent is present.
August 8, 1994 |
Improvisation may be at the heart of jazz, but the blues is in its soul--a fact convincingly demonstrated Saturday night in the opening session of the two-day Pasadena Jazz Festival at the Ambassador Auditorium. Wisely, the program did not cast its net too far in the direction of pure blues, sticking instead with acts--Jeannie and Jimmy Cheatham, Hank Crawford, Jimmy Smith and Marlena Shaw--whose music is both blues-based and jazz-expansive.
March 7, 1997 |
There's a bargain double bill this week at the Cinegrill in the Hollywood Roosevelt Hotel. Singers Linda Hopkins and Maxine Weldon are each headliners in their own right so hearing them on the same program, two for the price of one, has to be considered one of the best musical deals in recent memory. The booking is taking place because Hopkins and Weldon have just spent a year working together in Europe with a touring company of the hit musical "Black & Blue."
November 15, 1999 |
Communication, the ability to connect and interact with an audience, is something that is often misunderstood in jazz. Players who take the easy route of repetitious riffing to generate crowd excitement run the risk of not being taken seriously as imaginative artists. Those who ignore the audience in favor of an inner-directed involvement with their personal muses often fail to connect at all.
August 19, 1995 |
The bass solo, the butt of uncountable musicians' jokes, is considered by many to be the down time of a jazz tune. After the excitement of the horns and the harmonies of the piano, the lowly bass gets a quiet chorus or two as if to say, "I exist, too, damn it!" It's the time fans often start to fidget and the bartender fires up a blender full of margaritas. If you've got something to say to your companions, the bass solo is the time to do it.
July 25, 2002 |
San Francisco singer Kitty Margolis made her Los Angeles club debut at Catalina Bar & Grill on Tuesday night. And the first thought that came to mind during her exhilarating set was to wonder why in the world it hadn't happened sooner. Yes, Margolis has previously appeared in various concert venues around the Southland, but never before, she reported, in a traditional jazz nightclub setting. Better late than never, as it turned out, even if it was only a one-nighter.
January 7, 1996 |
VAN MORRISON WITH GEORGIE FAME & FRIENDS "How Long Has This Been Going On" Verve * "Van Morrison's first jazz recording," trumpets the publicity for this new release by the veteran Irish singer-songwriter. And it's probably a pretty good marketing ploy these days when the music's return to prominence makes a connection with jazz considerably more politically correct for a pop artist than it was a decade ago. But "Van Morrison's first jazz recording?" Not this time.
May 8, 1997 |
Even after a 30-plus-year career, blues man Finis Tasby can't explain the recent resurgence in popularity of the 12-bar form. "There's just an explosion of the blues now," Tasby said. And with that popularity, many blues novices are quickly putting out records to cash in. But Tasby, who released his debut album only two years ago, doesn't resent these Johnny-come-latelies. "It really doesn't upset me," Tasby said.
February 11, 2002 |
Whiskey river take my mind, don't let her memory torture me.... Yes, Willie Nelson is on the road again, and he opened his concert Saturday at the Universal Amphitheatre with "Whiskey River," the honky-tonk lament he has used to open every concert since, well ... forever.