March 21, 2013 |
Kelly Barrie's show at Marine Contemporary starts in the parking lot with a 10-foot fiberglass skate ramp, a steep comma that mimics the curve and rise of a swimming pool. Barrie built the portable ramp (which appears to be getting some use) as a homage to a humble icon of skate culture from the late '70s. His re-creation evokes a cultural moment but not much more, and the studies for it are only tangentially interesting. The show lifts off thanks to a second group of images based on another functional/sculptural form attractive to skaters: the huge concrete pipes of the Central Arizona Project, a massive water-delivery system.
October 22, 2012 |
Chris McCaw's stunning photographs start with a small act of defiance: shooting directly into the sun, a basic no-no. Other deviations follow, but the work never strays from its grounding in awe and reverence. The pictures pay homage to photography's essential nature as a record written by light, and they chronicle, with profound beauty and elemental simplicity, what it means to occupy a specific place on earth at a specific time. McCaw's third show at Duncan Miller extends the "Sunburn" series he launched, by accident, nearly a decade ago when an overnight exposure burned a hole through his negative.
April 27, 2012 |
Alex Prager's recent work at M+B has the proper look to be taken seriously these days. The photographs, in vivid color, are large, self-consciously contrived and assertively cinematic. They are displayed in groupings, mostly pairs. In each set, one big picture depicts a staged accident or disaster of some sort -- a burning or flooded house, a woman caught in power lines, a man hurt in a car crash. The smaller image, hung alongside, tightly frames a single eye, usually a woman's, elegantly made-up, theatrically lighted and generally impassive.
December 26, 2013 |
Can the eyes of photographed crime victims help authorities spot their victimizers? According to new research published Thursday in the journal PLOS One, high-resolution photographs can be "mined" for hidden information. Specifically, the authors said that photographs of faces can reveal enough visual information on bystanders to identify them. In a small sampling of 32 study participants, test subjects were able to spot familiar faces reflected in the pupils of someone who was photographed 84% of the time, researchers said.
September 26, 2012 |
Macduff Everton is a Santa Barbara-based photographer with a wide reputation for wide pictures - often-staggering landscapes he creates using a panoramic camera in locations from Patagonia to Paris. (In fact, an exhibition of his Patagonia images will hang through Oct. 27 at the PYO Gallery LA in downtown Los Angeles.) But Everton's latest project is different. It's a set of intimate black-and-white images of Maya people on Mexico's Yucatán Peninsula. It's called “ The Modern Maya : Incidents of Travel and Friendship in Yucatán” (University of Texas Press, 2012)
CALIFORNIA | LOCAL
September 2, 1997
Santa Monica College will inaugurate a show on the Holocaust Sept. 8 with a display of about 40 photographs by Alfred Benjamin. Benjamin, 81, of Santa Monica, was nearly killed for photographing the Nazi destruction of a Jewish synagogue in Hamburg. "I was interrogated by the Gestapo and told to get out of Germany within 24 hours. I left 16 hours later," he said. He moved to England and then to Santa Monica, where he teaches photography. The show, which runs through Oct.
November 5, 1991 |
No charges will be filed against Laguna Beach photographer Marilyn Lennon over photographs she took of a partially nude 12-year-old girl at a professional workshop in Santa Fe, N.M. "There's not going to be a criminal prosecution," said Caroline Bass, an assistant district attorney in Santa Fe. Bass said she made the determination after reviewing a file prepared by investigators with the Santa Fe Police Department.
February 17, 1997 |
Spread across Joe Nolte's desk are photos of scenes that never took place. An old man in South America (long dead) stands next to a grandson he's never met. In another photo, a Los Angeles woman (not an actress) in a negligee sits in Scarlett O'Hara's bed from "Gone With the Wind" and stares into Clark Gable's eyes. A third photo depicts an old man in a bomber jacket hugging a younger man (actually the old man, 50 years earlier).
March 25, 2005 |
A student who photographed his principal smoking outside a school building was allowed to return to class after initially being suspended for posting the photos on the Internet. School district officials reversed the suspension of sophomore Eliazar Velasquez and said Principal Elaine Almagno was wrong to violate a state law that prohibited smoking within 25 feet of a school building.