ENTERTAINMENT
June 19, 2011 | Rebecca Keegan
"Honnnnnk! Honnnnnk!" John Lasseter had explicit instructions about how the Galloping Goose, an antique steam train character in "Cars 2," should look and sound, and he was delivering them with brio. It was January and the animation czar was making the hourlong commute from his home in Sonoma County to his Pixar office here on the outskirts of Oakland in the passenger seat of a town car. On his lap, he balanced an iPad loaded with shots to review while he recorded voice memos for the movie's crew: "Like a diesel horn.
ENTERTAINMENT
May 25, 2011 | Nicole Sperling
Jennifer Yuh Nelson, the director of the new animated film "Kung Fu Panda 2," might have been destined for a career in pictures. After immigrating to the United States from South Korea with her parents and two sisters when she was 4, Nelson spent her childhood in Lakewood watching martial arts movies, playing with cars and drawing. As a young girl, she would sit at the kitchen table for hours and watch her mother draw, copying her every stroke. Nelson traces the lineage of her career to those formative family experiences.
BUSINESS
December 28, 2010 | By John Horn, Los Angeles Times
2010 provided valuable lessons about what works -- and, more important, what doesn't work -- when it comes to the box-office performance of movies. Studios, in planning the kinds of films to make this year and next, might want to take note: Be careful what you pay for Reese Witherspoon ("How Do You Know"), Johnny Depp ("The Tourist"), Russell Crowe ("The Next Three Days") and Tom Cruise ("Knight and Day") may still command fat paychecks, but what's good for their agents isn't necessarily good for the box office: Each of the actors' last movies faltered.
BUSINESS
July 20, 2010 | By Claudia Eller, Los Angeles Times
For Universal Pictures, all it took was some puny yellow minions to tackle the giants of animation. The studio's movie "Despicable Me," about a villain who enlists an army of yapping subordinates to assist in his nefarious deeds, has racked up $118.4 million in 10 days at the box office, granting Universal something that has long eluded it: a family-friendly animated blockbuster. Such a windfall represents a turning point for the General Electric Co.-owned studio, which has lagged behind rivals Pixar Animation Studios, DreamWorks Animation and 20th Century Fox's Blue Sky Studios in establishing a foothold in the increasingly popular genre of digitally animated movies.
BUSINESS
July 2, 2010 | By Ben Fritz, Los Angeles Times
Russians love Shrek. And Russians love the acorn-obsessed squirrel Scrat from "Ice Age." But Russians aren't showing a lot of love for Buzz and Woody. "Toy Story 3," released June 18, has been a blockbuster success in the U.S. and most of the other countries where it has opened, racking up $244 million in ticket sales domestically and more than $100 million in foreign nations, including more than $34 million in Mexico. But the Pixar Animation Studios sequel has posted surprisingly frigid box-office results in Russia, one of the hottest international markets for movies, especially for animated films.
BUSINESS
June 18, 2010 | By Ben Fritz, Los Angeles Times
The soft summer box office is poised to get a big boost from "Toy Story 3" this weekend. People who have seen pre-release surveys say that "Toy Story 3" is certain to have the biggest opening for a movie from Pixar Animation Studios, beating 2004's "The Incredibles," which started with $70.4 million in the U.S. and Canada. Thanks to strong interest among all audience segments, as well as 3-D premium ticket prices, the movie could provide Pixar's first $100-million-plus opening if pre-release tracking is on target.