September 17, 1995 |
In the days when we were told stories and believed in them, "once upon a time" was a reassuring invocation. Reassuring because it meant that there would be a story and that it was about to begin, but also for another reason. It promised an ending down the way that was not a shattering of the story but part of it. "Once," with its mortality, was laid neatly "upon" the bosom of "time," which existed before and during, and would exist afterward.
May 5, 1996 |
Four years ago, veteran British actor Kenneth Cranham was getting ready for the opening of his first stage play in five years--"An Inspector Calls," at the Royal National Theatre--when he happened to run into an older colleague on the street. No sooner had the two thespians caught up with each other's activities than the elder man asked Cranham the question many in the London theater were surely wondering about, though they were perhaps too polite to ask.
CALIFORNIA | LOCAL
March 2, 2002 |
In Hollywood, conventional wisdom says you can't make movies about politics because no one cares enough to watch. In San Francisco, you can't hold a political race without everyone watching every minute. This election season's most captivating race here stars the daughter of a storied San Francisco politician and the son of a Sacramento auto mechanic.
September 15, 2004 |
At a certain point in award-winning British playwright David Hare's newest political drama, based on the real characters and real events of the recent past, the audience is left aghast at the unreality of what is historically true. The United States is attacked. The chief author of those attacks escapes into the mountains. And the U.S.
August 13, 2000 |
"Angels in America" seems like a long time ago. Fueled by leftist outrage over Reagan-era social policies, Tony Kushner's Pulitzer Prize-winning play debuted at the Mark Taper Forum in 1992. Here was old-fashioned political engagement on a stage, light on its feet and ready to rumble.
May 3, 2013 |
These are heady days for the online on-demand entertainment service Netflix. The company's stock recently surged 22% after a strong earnings report and news that it signed up 2 million new subscribers in the first quarter of the year. The company's success has largely been credited to its move into original content -- particularly its political drama “House of Cards.” With David Fincher on the creative team, the show follows the political trials and travails of mercenary Democratic House whip Frank Underwood and his equally mercenary wife Claire.
June 12, 2013 |
Corey Stoll dropped by The Times' TV studio to talk about his role as Congressman Peter Russo on Netflix's political drama "House of Cards. " Stoll discussed the reception to the show's all-episodes-at-once distribution (he had a Facebook friend watch all 13 episodes the moment they dropped!) and the challenges and satisfactions of playing a character who shuttles between the gutter and glory at an amazing speed. It's a pretty spoiler-rific chat, so if you haven't finished "House of Cards" yet ( what's taking you so long?
October 1, 2012 |
CHENNAI, India - Kesavan's father and grandfather were caretakers who sold candles and performed basic rituals at their local makeshift temple attended by fellow Dalits, or members of the so-called untouchable caste. In India, these structures are omnipresent around sacred trees, on sidewalks, abutting overpasses. So when the government of southern India's Tamil Nadu state offered to train Hindus as priests regardless of their caste - a calling traditionally limited to upper-caste Brahmins - he leaped at the opportunity.
CALIFORNIA | LOCAL
August 13, 1992
Kevin Phillips' analysis (Opinion, Aug. 2) of the Clinton candidacy as a significant change for the Democratic Party is right in this respect: The Democrats have nearly mastered the repackaging of their tax-and-spend ideals. This is a milestone for the Democrats. When they used to wear the self-sacrifice ideal as a badge, now Gov. Clinton and Sen. Al Gore thinly disguise it behind quotes from the Bible, a "New Covenant" and the shameless use of personal tragedy for political drama.