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Pop Art

ENTERTAINMENT
September 11, 1997 | BOOTH MOORE, TIMES STAFF WRITER
The task of teaching children the artistic value of a gigantic cushion cheeseburger, a portrait of Mickey Mouse or a gaggle of hanging yellow rubber duckies is daunting at best. But the Children's Museum of San Diego has risen to the challenge with an exhibition exploring the recurrent themes and iconography of 1950s and 1960s Pop Art titled "POP! Goes the Museum / En el Museo."
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ENTERTAINMENT
September 23, 2007 | Geoff Boucher
"My art is not pop art," Takashi Murakami once said, correcting an interviewer. "It is a record of the struggle of the discriminated people." The Tokyo native's artwork graces the kinetic cover of Kanye West's new album, the top-selling "Graduation," which, come to think of it, also shakes and bakes social themes in its crowd-pleasing rhythms. Murakami, 36, who has a hotly anticipated show at MOCA opening Oct. 29, is a subversive hero in museums and malls everywhere.
NEWS
June 17, 1993
For some unknown reason, architect Frank Gehry has been put on a postmodern pedestal in this town and worshiped as the prince of innovation. More appropriately, he should be made to stand on one of his ungodly chain-link fences so he can experience, firsthand, their lack of integrity and function. Aaron Betsky, in his critique of Santa Monica Place (Times, June 3), praises Gehry's chain-link-wrapped parking garage as "the most beautiful" such facade in Southern California. The fact that the structure visually cuts the city in half, isolating City Hall from its downtown arteries and northern residential heritage, and was the main contributing factor to the demise of the original Third Street mall, was probably never a consideration in Mr. Gehry's planning.
CALIFORNIA | LOCAL
December 23, 2004 | Mary Rourke, Times Staff Writer
Pop artist Tom Wesselmann, known for his large-scale paintings that mix elements of fine art and advertising and for his compositions in which classically posed nudes vie for attention with household appliances and product labels, has died. He was 73. A longtime resident of New York City, Wesselmann died Friday at New York University Medical Center after complications from heart surgery, according to Emilio Steinberger of the Robert Miller Gallery, where Wesselmann recently exhibited his work.
ENTERTAINMENT
September 15, 2006 | Christopher Knight, Times Staff Writer
If a great artist loves and is inspired by some really bad paintings by another artist, are we obliged to find a way to embrace them too? No, of course not. But we would do well to consider the really bad paintings, if only in service to a fuller understanding of the great artist's work. This peculiar circumstance is central to "Enigma Variations: Philip Guston and Giorgio de Chirico," a quirky, modest yet thoughtful new exhibition at the Santa Monica Museum of Art.
ENTERTAINMENT
January 19, 1990 | CHRISTOPHER KNIGHT, TIMES STAFF WRITER
High name-recognition value certainly accompanies the show of early graphic work by the late Andy Warhol, which opens Sunday at the Newport Harbor Art Museum. For an art that grew from advertising, it's only fitting. Still, Pop art of the 1960s remains among the most widely misunderstood artistic movements of the 20th Century. It certainly has enjoyed crowd-pleasing notoriety almost from the very start.
NEWS
May 12, 1996 | MYRNA OLIVER, TIMES STAFF WRITER
William Nelson Copley, the witty and irreverent painter and collector of surrealist art who once painted Betsy Ross stripping in front of her design of the American flag and titled it "O Say Can You Sew," has died. He was 77. Copley, who signed his work "Cply," died Tuesday at his home in Sugar Loaf Key, Fla., of complications from a stroke. He had retired to Florida about five years ago.
ENTERTAINMENT
May 20, 1988 | MARLENA DONOHUE
Tim Ebner formerly made 2-by-2-foot house paint color chip panels fitted with Velcro backs for easy rearrangement into suit-the-decor, do-it-yourself grids. They were a conceptualist post-mortem on originality and painting as we traditionally define it. The same ideological current runs through his recent, pristinely elegant "paintings" made from vertical arrangements of brightly colored fiberglass bands. Each work is composed of separate stripes of glossy plastic.
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