September 11, 1997 |
The task of teaching children the artistic value of a gigantic cushion cheeseburger, a portrait of Mickey Mouse or a gaggle of hanging yellow rubber duckies is daunting at best. But the Children's Museum of San Diego has risen to the challenge with an exhibition exploring the recurrent themes and iconography of 1950s and 1960s Pop Art titled "POP! Goes the Museum / En el Museo."
January 4, 1986 |
Joe Goode does not deny the psychological impact on the viewer of the shotgun blasts that have peppered some of his canvases. Violence, though, was not the point. The purpose of the pellet holes was to expose layers of painted-on colors, enabling the viewer to sense bits of color, an effect much like perceiving the color of grass in the background when looking at a tree. The shotgun was only a device that came to hand, the way an apple or a brush stroke is a device.
September 23, 2007 |
"My art is not pop art," Takashi Murakami once said, correcting an interviewer. "It is a record of the struggle of the discriminated people." The Tokyo native's artwork graces the kinetic cover of Kanye West's new album, the top-selling "Graduation," which, come to think of it, also shakes and bakes social themes in its crowd-pleasing rhythms. Murakami, 36, who has a hotly anticipated show at MOCA opening Oct. 29, is a subversive hero in museums and malls everywhere.
December 14, 2008 |
When Wendy Kaplan became curator of decorative arts at the Los Angeles County Museum of Art seven years ago, she knew that part of her job was to work with Max Palevsky. Museum staff members routinely advise and assist potential art donors, but Palevsky was a special case -- a major supporter who was building a collection of Arts and Crafts furniture and decorative arts for LACMA.
December 24, 2006 |
POP art is back. Everywhere you look, from galleries and museums to art fairs and international biennials, the intersection of art culture with popular culture is apparent. In fact, it's one big traffic jam. Typically the best art engages with the circumstances of its creation, so one might even say most art is Pop art now. The new Pop is not a style or a movement, as it was in the 1960s. It's a zeitgeist, the spirit of the 21st century.
June 17, 1993
For some unknown reason, architect Frank Gehry has been put on a postmodern pedestal in this town and worshiped as the prince of innovation. More appropriately, he should be made to stand on one of his ungodly chain-link fences so he can experience, firsthand, their lack of integrity and function. Aaron Betsky, in his critique of Santa Monica Place (Times, June 3), praises Gehry's chain-link-wrapped parking garage as "the most beautiful" such facade in Southern California. The fact that the structure visually cuts the city in half, isolating City Hall from its downtown arteries and northern residential heritage, and was the main contributing factor to the demise of the original Third Street mall, was probably never a consideration in Mr. Gehry's planning.
January 19, 1990 |
High name-recognition value certainly accompanies the show of early graphic work by the late Andy Warhol, which opens Sunday at the Newport Harbor Art Museum. For an art that grew from advertising, it's only fitting. Still, Pop art of the 1960s remains among the most widely misunderstood artistic movements of the 20th Century. It certainly has enjoyed crowd-pleasing notoriety almost from the very start.
March 21, 2003 |
Peter Voulkos, the artist who led a revolution in ceramics nearly a half-century ago in Los Angeles and who died last year at 78, is typically identified in relation to the verve and swagger of Abstract Expressionist art of the 1950s. His clay was torn, punctured and sliced. Muscular forms were built, demolished and reconstructed.
May 12, 1996 |
William Nelson Copley, the witty and irreverent painter and collector of surrealist art who once painted Betsy Ross stripping in front of her design of the American flag and titled it "O Say Can You Sew," has died. He was 77. Copley, who signed his work "Cply," died Tuesday at his home in Sugar Loaf Key, Fla., of complications from a stroke. He had retired to Florida about five years ago.