September 11, 1997 |
The task of teaching children the artistic value of a gigantic cushion cheeseburger, a portrait of Mickey Mouse or a gaggle of hanging yellow rubber duckies is daunting at best. But the Children's Museum of San Diego has risen to the challenge with an exhibition exploring the recurrent themes and iconography of 1950s and 1960s Pop Art titled "POP! Goes the Museum / En el Museo."
CALIFORNIA | LOCAL
March 25, 2003 |
Bruce D. Kurtz, an influential art critic and curator who explored the complex intersection of high art and popular culture and was an early champion of video art, died Saturday in Phoenix of complications from AIDS. He was 59. Kurtz had been an outspoken activist in the fight against the disease. In 1990, he founded a Phoenix chapter of the organization ACT UP.
June 17, 1993
For some unknown reason, architect Frank Gehry has been put on a postmodern pedestal in this town and worshiped as the prince of innovation. More appropriately, he should be made to stand on one of his ungodly chain-link fences so he can experience, firsthand, their lack of integrity and function. Aaron Betsky, in his critique of Santa Monica Place (Times, June 3), praises Gehry's chain-link-wrapped parking garage as "the most beautiful" such facade in Southern California. The fact that the structure visually cuts the city in half, isolating City Hall from its downtown arteries and northern residential heritage, and was the main contributing factor to the demise of the original Third Street mall, was probably never a consideration in Mr. Gehry's planning.
March 7, 1991 |
What with "Dances With Wolves" fresh in everybody's mind and headed for an Oscar roundup, there's been a chic re-evaluation of the American West mythology. Cowboys and Indians--who's on the side of right? Was John Wayne all wrong? Is Kevin Costner alright? Questions burn and white guilt rears its head.
January 19, 1990 |
High name-recognition value certainly accompanies the show of early graphic work by the late Andy Warhol, which opens Sunday at the Newport Harbor Art Museum. For an art that grew from advertising, it's only fitting. Still, Pop art of the 1960s remains among the most widely misunderstood artistic movements of the 20th Century. It certainly has enjoyed crowd-pleasing notoriety almost from the very start.
August 22, 1993
Out of his corner, windmilling and punching up a storm, comes the poet, critic and gadfly of the art scene, John Yau. He is addressing the 30-year Andy Warhol phenomenon, in decline, perhaps, since a depressed art market and the inevitable leakage of hype out of a posthumous balloon cut the $600 million valuation of his estate by some two-thirds. More generally, Yau's collection of epigrams, apothegms and plain insults buzzes around the wider phenomenon of pop art and post-modernism.
May 12, 1996 |
William Nelson Copley, the witty and irreverent painter and collector of surrealist art who once painted Betsy Ross stripping in front of her design of the American flag and titled it "O Say Can You Sew," has died. He was 77. Copley, who signed his work "Cply," died Tuesday at his home in Sugar Loaf Key, Fla., of complications from a stroke. He had retired to Florida about five years ago.
May 20, 1988 |
Tim Ebner formerly made 2-by-2-foot house paint color chip panels fitted with Velcro backs for easy rearrangement into suit-the-decor, do-it-yourself grids. They were a conceptualist post-mortem on originality and painting as we traditionally define it. The same ideological current runs through his recent, pristinely elegant "paintings" made from vertical arrangements of brightly colored fiberglass bands. Each work is composed of separate stripes of glossy plastic.