September 11, 1997 |
The task of teaching children the artistic value of a gigantic cushion cheeseburger, a portrait of Mickey Mouse or a gaggle of hanging yellow rubber duckies is daunting at best. But the Children's Museum of San Diego has risen to the challenge with an exhibition exploring the recurrent themes and iconography of 1950s and 1960s Pop Art titled "POP! Goes the Museum / En el Museo."
September 25, 2011 |
So there's my name, on Page 1 of "Pacific Standard Time: Los Angeles Art, 1945-1980," the Getty's massive overview catalog for its monumental effort to get Southern California modern art into the heretofore New York-centric history of American modernism. The mention isn't so much about me as about my 1974 book, "Sunshine Muse: Contemporary Art on the West Coast" (which was reissued by the University of California Press as "Sunshine Muse: Art on the West Coast, 1945-1970" in 2000)
September 23, 2007 |
"My art is not pop art," Takashi Murakami once said, correcting an interviewer. "It is a record of the struggle of the discriminated people." The Tokyo native's artwork graces the kinetic cover of Kanye West's new album, the top-selling "Graduation," which, come to think of it, also shakes and bakes social themes in its crowd-pleasing rhythms. Murakami, 36, who has a hotly anticipated show at MOCA opening Oct. 29, is a subversive hero in museums and malls everywhere.
December 24, 2006 |
POP art is back. Everywhere you look, from galleries and museums to art fairs and international biennials, the intersection of art culture with popular culture is apparent. In fact, it's one big traffic jam. Typically the best art engages with the circumstances of its creation, so one might even say most art is Pop art now. The new Pop is not a style or a movement, as it was in the 1960s. It's a zeitgeist, the spirit of the 21st century.
January 19, 1990 |
High name-recognition value certainly accompanies the show of early graphic work by the late Andy Warhol, which opens Sunday at the Newport Harbor Art Museum. For an art that grew from advertising, it's only fitting. Still, Pop art of the 1960s remains among the most widely misunderstood artistic movements of the 20th Century. It certainly has enjoyed crowd-pleasing notoriety almost from the very start.
August 13, 2004 |
The "For Sale" sign on Burton Morris' front lawn is a testament to his success. Since his brightly colored, oversized artwork first appeared on a bottle of Absolut Vodka more than 10 years ago, Morris' art has gone global. His painting of a steaming cup of coffee became a fixture in the Central Perk coffee shop on the set of "Friends." He designed a successful Academy Awards poster. And his paintings are on exhibit at the Olympic Museum in Switzerland. Morris, 40, an official artist of the U.S.
May 12, 1996 |
William Nelson Copley, the witty and irreverent painter and collector of surrealist art who once painted Betsy Ross stripping in front of her design of the American flag and titled it "O Say Can You Sew," has died. He was 77. Copley, who signed his work "Cply," died Tuesday at his home in Sugar Loaf Key, Fla., of complications from a stroke. He had retired to Florida about five years ago.
May 20, 1988 |
Tim Ebner formerly made 2-by-2-foot house paint color chip panels fitted with Velcro backs for easy rearrangement into suit-the-decor, do-it-yourself grids. They were a conceptualist post-mortem on originality and painting as we traditionally define it. The same ideological current runs through his recent, pristinely elegant "paintings" made from vertical arrangements of brightly colored fiberglass bands. Each work is composed of separate stripes of glossy plastic.