September 23, 2007 |
"My art is not pop art," Takashi Murakami once said, correcting an interviewer. "It is a record of the struggle of the discriminated people." The Tokyo native's artwork graces the kinetic cover of Kanye West's new album, the top-selling "Graduation," which, come to think of it, also shakes and bakes social themes in its crowd-pleasing rhythms. Murakami, 36, who has a hotly anticipated show at MOCA opening Oct. 29, is a subversive hero in museums and malls everywhere.
January 19, 1990 |
High name-recognition value certainly accompanies the show of early graphic work by the late Andy Warhol, which opens Sunday at the Newport Harbor Art Museum. For an art that grew from advertising, it's only fitting. Still, Pop art of the 1960s remains among the most widely misunderstood artistic movements of the 20th Century. It certainly has enjoyed crowd-pleasing notoriety almost from the very start.
May 12, 1996 |
William Nelson Copley, the witty and irreverent painter and collector of surrealist art who once painted Betsy Ross stripping in front of her design of the American flag and titled it "O Say Can You Sew," has died. He was 77. Copley, who signed his work "Cply," died Tuesday at his home in Sugar Loaf Key, Fla., of complications from a stroke. He had retired to Florida about five years ago.
April 4, 1995 |
Sotheby's auction house will sell about 100 artworks from the estate of Betty Asher, a Los Angeles-based collector, curator and dealer whose eye for contemporary art and cultural patronage helped to develop the local art scene.
CALIFORNIA | LOCAL
March 25, 2003 |
Bruce D. Kurtz, an influential art critic and curator who explored the complex intersection of high art and popular culture and was an early champion of video art, died Saturday in Phoenix of complications from AIDS. He was 59. Kurtz had been an outspoken activist in the fight against the disease. In 1990, he founded a Phoenix chapter of the organization ACT UP.
March 6, 2011 |
Over the last 40 years, William Leavitt has made a name for himself as an influential artist while staying so far out of fame's spotlight that his hard-to-categorize works have been all but invisible to the public. That's not how it works in Hollywood, where fame and fortune go hand in glove. Nor is it how it often goes in the art world, which has become so infatuated with market-savvy celebrity that making a name for oneself has become an art unto itself ? and not a particularly interesting one. But Leavitt is a misfit.
May 20, 1988 |
Tim Ebner formerly made 2-by-2-foot house paint color chip panels fitted with Velcro backs for easy rearrangement into suit-the-decor, do-it-yourself grids. They were a conceptualist post-mortem on originality and painting as we traditionally define it. The same ideological current runs through his recent, pristinely elegant "paintings" made from vertical arrangements of brightly colored fiberglass bands. Each work is composed of separate stripes of glossy plastic.