September 25, 2011 |
So there's my name, on Page 1 of "Pacific Standard Time: Los Angeles Art, 1945-1980," the Getty's massive overview catalog for its monumental effort to get Southern California modern art into the heretofore New York-centric history of American modernism. The mention isn't so much about me as about my 1974 book, "Sunshine Muse: Contemporary Art on the West Coast" (which was reissued by the University of California Press as "Sunshine Muse: Art on the West Coast, 1945-1970" in 2000)
September 11, 1997 |
The task of teaching children the artistic value of a gigantic cushion cheeseburger, a portrait of Mickey Mouse or a gaggle of hanging yellow rubber duckies is daunting at best. But the Children's Museum of San Diego has risen to the challenge with an exhibition exploring the recurrent themes and iconography of 1950s and 1960s Pop Art titled "POP! Goes the Museum / En el Museo."
September 23, 2007 |
"My art is not pop art," Takashi Murakami once said, correcting an interviewer. "It is a record of the struggle of the discriminated people." The Tokyo native's artwork graces the kinetic cover of Kanye West's new album, the top-selling "Graduation," which, come to think of it, also shakes and bakes social themes in its crowd-pleasing rhythms. Murakami, 36, who has a hotly anticipated show at MOCA opening Oct. 29, is a subversive hero in museums and malls everywhere.
May 25, 1995 |
Art collector Tom Patchett craves American restaurant, diner and cafe memorabilia. Last month, the Westwood resident opened "Eats: An American Obsession," an exhibition that celebrates food and eating in America. The exhibit, which continues through July 15 at Track Gallery in Santa Monica, is an extensive display of American collectibles and fine art.
January 19, 1990 |
High name-recognition value certainly accompanies the show of early graphic work by the late Andy Warhol, which opens Sunday at the Newport Harbor Art Museum. For an art that grew from advertising, it's only fitting. Still, Pop art of the 1960s remains among the most widely misunderstood artistic movements of the 20th Century. It certainly has enjoyed crowd-pleasing notoriety almost from the very start.
May 12, 1996 |
William Nelson Copley, the witty and irreverent painter and collector of surrealist art who once painted Betsy Ross stripping in front of her design of the American flag and titled it "O Say Can You Sew," has died. He was 77. Copley, who signed his work "Cply," died Tuesday at his home in Sugar Loaf Key, Fla., of complications from a stroke. He had retired to Florida about five years ago.
August 29, 1986 |
Joe Sam attempts to correct history books with his "The Black West Series," which makes the point that not every black American of the 19th Century could be found south of the Mason-Dixon line polishing Miss Scarlett's silver. Unbeknownst to the movie industry (which has done more than its share to foster misconceptions regarding world history), there were black cowpokes, rustlers, prospectors and rodeo stars.
May 20, 1988 |
Tim Ebner formerly made 2-by-2-foot house paint color chip panels fitted with Velcro backs for easy rearrangement into suit-the-decor, do-it-yourself grids. They were a conceptualist post-mortem on originality and painting as we traditionally define it. The same ideological current runs through his recent, pristinely elegant "paintings" made from vertical arrangements of brightly colored fiberglass bands. Each work is composed of separate stripes of glossy plastic.