March 18, 2008 |
A British music scholar says he has identified a previously unknown portrait of Wolfgang Amadeus Mozart that could be worth millions. The 19-by-14-inch oil painting shows the profile of a man in a bright red jacket. Cliff Eisen, who teaches music at King's College London, said that it is only the fourth known authentic portrait of Mozart from his time, when the composer was at his professional height in Vienna. King's College said the portrait was probably painted by Joseph Hickel, who was a painter at Austria's imperial court.
February 28, 2013 |
For the last week or so, I've been dipping in and out of a long-forgotten piece of Southern California literature: Timothy G. Turner's short story collection “Turn Off the Sunshine: Tales of Los Angeles on the Wrong Side of the Tracks,” published by the Caxton Printers in Caldwell, Idaho, in 1942. If you've never heard of the author, book or publisher, you're not alone; a Google search reveals little except for various online booksellers offering digital copies for download.
January 5, 2008 |
W. Richard West Jr., the recently retired founding director of the National Museum of the American Indian, spent $48,500 in museum funds to commission a portrait of himself and selected a non-Indian artist to create it, the Washington Post reported on Friday. The portrait of West by New York painter Burton Silverman hangs in a fourth-floor lounge of the museum, which is part of the Smithsonian Institution and is dedicated to the arts and culture of American Indians. West has come under fire recently for travel expenditures.
June 3, 1989
I cried when Baker died. Once he made me laugh by playing "Taps" when he heard I was drafted. God bless and keep him. Yes, Mr. Feather, it's impossible to believe that any jazz people live normal lives. RAY BABCOCK Montebello
July 18, 2013 |
The fictional writer A.N. Dyer - Andrew to his family - is dying as David Gilbert's new novel "& Sons" opens. Dyer is a New York writer in the mold of J.D. Salinger: When he was in his 20s, he wrote a book about his New England prep school, a novel whose portrait of teenage angst and white privilege was a success rivaling that of "The Catcher in the Rye. " Dyer is "the quintessential New York writer. " And his gloomy presence is at the heart of "& Sons," whose most notable achievement is its portrait of that most respected and mysterious of artistic types: the great novelist.
March 26, 2005
I am compelled to respond to Christopher Knight's myopic and absurdly pretentious review of Salvador Dali ["Method to his Madness," March 19], in which the artist is called a "gifted but secondary figure" and generally dismissed as a charlatan whose talent far exceeds his depth. Knight attempts to measure Dali using a dubious sort of Postmodern/Poststructuralist critique in the vein of someone who has just completed his midterm paper on Derrida. The result is a nearsighted portrait that does grave injustice to the artist's work, vision and intellect.
CALIFORNIA | LOCAL
September 7, 2012 |
Poland-born, Australia-based animator Yoram Gross, the subject of the documentary "Blinky & Me," appears throughout the film, and yet the resulting portrait feels strikingly incomplete. Filmmaker Tomasz Magierski's admiration and respect for Gross are clear, as are the octogenarian's youthful spirit and resilience. But like "Life Is Strange," another recently released Holocaust-themed doc, this is more an illustrated talk than a cohesive nonfiction work. Magierski assumes a familiarity with Gross' productions, the most well-known of which is TV series "Blinky Bill," based on children's books about a mischievous koala.
March 28, 2012 |
SANFORD, Fla. - For many Americans, George Zimmerman has become the face of barbarous vigilante justice. For Olivia Bertalan, he was the face of compassion: a neighbor of consummate graciousness and low-key gallantry. About six months before Zimmerman shot and killed an unarmed black teenager in his town house complex, he was standing in Bertalan's doorway, asking what he could do to help her. A group of young men had just broken into Bertalan's town house as she and her infant cowered in a locked bedroom.
February 27, 2013 |
Miriam Katin's “Letting It Go” (Drawn & Quarterly: 160 pp., $24.95) is my kind of graphic memoir: loose, impressionistic, a portrait of the artist's inner life. Keyed by the decision of her adult son Ilan to take up permanent residence in Berlin, it is, in part, the story of her coming to terms, at long last, with her legacy as a survivor of the Holocaust. But without minimizing this part of the story, “Letting It Go” is much more than that - a meditation on love, on family, and an inquiry into art. Functioning in some sense as a sketchbook, Katin's story is delightfully open-ended, less a look back at a particular situation than a series of reflections from the trenches of her life as it is lived.
January 24, 2011 |
It’s hard to imagine that anyone could survive anything as brutal as a gunshot wound to the head. And yet about 10% of the time, such victims do live. But what happens next? What kinds of lives do – can – people go on to have? To get a sense of the possibilities, staff writer Melissa Healy interviewed four victims of such injuries and chronicled their lives since the event: Leonard Rugh, shot in 1969 while serving in Vietnam; Matthew Gross, shot on the observation deck of the Empire State Building in 1997; Jackie Nink Pflug, shot in Malta in 1985 during an airplane hijack; Danny Rodriguez, shot in 2009 during a run-in with a gang after a party.