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ENTERTAINMENT
May 14, 2012 | MARK SWED, MUSIC CRITIC
"La Boheme" is back. So too is Los Angeles Opera's enduring 1993 Herb Ross production. Of course, Puccini's endearing Bohemians are never ones to worry about wearing out their universal welcome. And Ross' warmly cinematic staging, which gets trotted out every few years, has long proved impervious to passing opera-production fashion, at least as an audience attraction. No, the Dorothy Chandler Pavilion wasn't full when the curtain went up Saturday night on Act 1. But the hall was full by the time the curtain went up on Act 2. Blame an accident on the Santa Monica Freeway that added an hour to the drive from the Westside.
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ENTERTAINMENT
September 23, 2012 | By Charles McNulty, Los Angeles Times Theater Critic
Emmanuel Demarcy-Mota's smart, sleek production of Eugene Ionesco's "Rhinoceros" at Royce Hall was a sight for sore eyes over the weekend. Not that this offering from Théâtre de la Ville-Paris convinced me that the play is entirely deserving of its status as an absurdist classic. This may be the playwright's most popular effort, but it's hardly his most theatrically effective. Yet the return of international theater to UCLA is undeniably an occasion for rejoicing. Formerly known as UCLA Live (which housed the suspended International Theatre Festival)
ENTERTAINMENT
January 2, 2012
"Carnage" production designer Dean Tavoularis also helped create the look of some of the classics of 1970s cinema. 'Carnage' He designed a comfortable but lived-in Brooklyn apartment for Roman Polanski's version of the dark stage comedy. 'The Godfather Part II' Tavoularis won an Oscar for his production design of Francis Ford Coppola's 1974 classic, creating Sicily and New York in the early 1900s and Cuba and Lake Tahoe in the late 1950s. 'Apocalypse Now' For Coppola's 1979 Vietnam War epic, Tavoularis designed sets that included a French plantation and Col. Kurtz's jungle command post.
ENTERTAINMENT
April 15, 2012 | By Charles McNulty, Los Angeles Times Theater Critic
NEW YORK - New Yorker drama critic John Lahr set off a social media firestorm in December with a blog comment that called for a moratorium on those "infernal all-black productions of Tennessee Williams plays unless we can have their equal in folly: all-white productions of August Wilson. " The theater community, as viewed from my portal on Facebook, found the comparison not just inept but inflammatory. Emily Mann, who happens to be directing the multiracial Broadway production of "A Streetcar Named Desire" starring Blair Underwood and Nicole Ari Parker that opens later this month at the Broadhurst Theatre, however, refused to take the bait when we spoke during a rehearsal break in March.
ENTERTAINMENT
October 22, 2001 | MICHAEL PHILLIPS, TIMES THEATER CRITIC
A writer in love with the evanescence of truth, Harold Pinter can succeed or fail on stage for reasons no larger than a flea. And it's not always complete success or utter failure. The difference between a solid Pinter production and a production with something extra, with a blackjack behind its back, cannot be detected by the naked eye. You only realize the difference if, on the way back to your car, in an exhilaratingly strange way, your head hurts.
ENTERTAINMENT
November 8, 2002 | David C. Nichols, Special to The Times
Conflicts far beyond those supplied by the text complicate "The Chase," the final presentation of Woodland Hills Community Theatre's 2002 season at the West Valley Playhouse in Canoga Park. Horton Foote's 1952 account of a disillusioned Texas sheriff and the escaped convict bent on destroying him here finds the author's burgeoning early voice inadvertently clashing with a wildly misguided approach.
OPINION
August 2, 2012
Colombia 's cocaine production fell by nearly 25% in 2011 from the previous year, and was down by more than 70% since 2001, according to the White House. A report released this week by the Office of National Drug Control Policy suggests that the Andean country once known as the largest producer of cocaine has scored a remarkable victory. That's great news, if indeed the latest estimates are accurate. But the report is at odds with a United Nations survey released last week that concluded that Colombia's cocaine production remains virtually unchanged, dropping by a mere 1% since 2010.
BUSINESS
March 10, 1992 | PHILIPP GOLLNER, TIMES STAFF WRITER
Shop Television Network Inc. in Burbank, once a distant third in the hotly competitive U.S. home shopping market, has filed for bankruptcy protection after one of its largest creditors won a court order to repossess most of the network's video production equipment. The filing under Chapter 11 of U.S. bankruptcy laws puts the court order and other litigation on hold while Shop Television works out a plan with its creditors to repay its debts. The company listed $10 million in assets and $4.
ENTERTAINMENT
May 19, 2008 | David Ng, Times Staff Writer
Adapt a classic novel for the stage and you're bound to come up with a few memorable moments of drama. It's like buying an artistic insurance policy -- no matter how badly your adaptation fails, the original novel is there to save you from total disaster. "My Antonia," currently at the Rubicon Theatre in Ventura, contains a handful of truly moving scenes about failed love, growing old and learning to live with regret. For that, we can thank Willa Cather, who wrote the novel of the same name in 1918.
ENTERTAINMENT
March 19, 2011 | By Charles McNulty, Los Angeles Times Theater Critic
Entering the Downtown Independent near Little Tokyo on Thursday for the National Theatre Live's broadcast of director Danny Boyle's stage production of "Frankenstein," I found it impossible to leave behind the unfolding series of catastrophes in Japan that has the world collectively holding its breath. The current crisis follows us everywhere. With the hard-to-fathom images of flattened towns, the protracted suspense over radiation levels and the frustration of not being able to do more than donate to relief organizations, it's no wonder there's a growing hunger for deeper reflection on this multipronged calamity, in which natural disasters have set off an unnatural one. Journalism bombards us with passing information; artists call our attention to enduring truths.
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