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ENTERTAINMENT
June 6, 2012 | By Charles McNulty, Los Angeles Times Theater Critic
Mark Ravenhill, the English playwright best known for his play with the unprintable title (let's just call it "Shopping and Copulating"), isn't one for bromides and gooey sentiments. In "pool (no water)," now receiving its L.A. premiere at the Complex's Flight Theatre in a highly visceral Monkey Wrench Collective production, he exposes the darker side of the artistic underground. Suffice it to say, this isn't about the nobility of the creative calling. The premise of this work, first performed in 2006, is attention-grabbing: A visual artist (serenely played by Jessica Lamprinos)
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ENTERTAINMENT
May 14, 2012 | MARK SWED, MUSIC CRITIC
"La Boheme" is back. So too is Los Angeles Opera's enduring 1993 Herb Ross production. Of course, Puccini's endearing Bohemians are never ones to worry about wearing out their universal welcome. And Ross' warmly cinematic staging, which gets trotted out every few years, has long proved impervious to passing opera-production fashion, at least as an audience attraction. No, the Dorothy Chandler Pavilion wasn't full when the curtain went up Saturday night on Act 1. But the hall was full by the time the curtain went up on Act 2. Blame an accident on the Santa Monica Freeway that added an hour to the drive from the Westside.
BUSINESS
April 6, 2011 | By Don Lee and David Pierson, Los Angeles Times
About 40 miles west of the crippled Fukushima nuclear plant, another kind of crisis may be unfolding — this one striking at the heart of the world's multibillion-dollar market for smartphones, portable music players and other cutting-edge electronics. The powerful earthquake that rocked Japan last month knocked out a hillside factory owned by Shin-Etsu Chemical Co. Little known outside industry circles, Shin-Etsu is the world's biggest producer of advanced silicon wafers, a key material needed for the manufacturing of semiconductors.
ENTERTAINMENT
October 22, 2001 | MICHAEL PHILLIPS, TIMES THEATER CRITIC
A writer in love with the evanescence of truth, Harold Pinter can succeed or fail on stage for reasons no larger than a flea. And it's not always complete success or utter failure. The difference between a solid Pinter production and a production with something extra, with a blackjack behind its back, cannot be detected by the naked eye. You only realize the difference if, on the way back to your car, in an exhilaratingly strange way, your head hurts.
ENTERTAINMENT
November 8, 2002 | David C. Nichols, Special to The Times
Conflicts far beyond those supplied by the text complicate "The Chase," the final presentation of Woodland Hills Community Theatre's 2002 season at the West Valley Playhouse in Canoga Park. Horton Foote's 1952 account of a disillusioned Texas sheriff and the escaped convict bent on destroying him here finds the author's burgeoning early voice inadvertently clashing with a wildly misguided approach.
OPINION
August 2, 2012
Colombia 's cocaine production fell by nearly 25% in 2011 from the previous year, and was down by more than 70% since 2001, according to the White House. A report released this week by the Office of National Drug Control Policy suggests that the Andean country once known as the largest producer of cocaine has scored a remarkable victory. That's great news, if indeed the latest estimates are accurate. But the report is at odds with a United Nations survey released last week that concluded that Colombia's cocaine production remains virtually unchanged, dropping by a mere 1% since 2010.
BUSINESS
March 10, 1992 | PHILIPP GOLLNER, TIMES STAFF WRITER
Shop Television Network Inc. in Burbank, once a distant third in the hotly competitive U.S. home shopping market, has filed for bankruptcy protection after one of its largest creditors won a court order to repossess most of the network's video production equipment. The filing under Chapter 11 of U.S. bankruptcy laws puts the court order and other litigation on hold while Shop Television works out a plan with its creditors to repay its debts. The company listed $10 million in assets and $4.
ENTERTAINMENT
May 19, 2008 | David Ng, Times Staff Writer
Adapt a classic novel for the stage and you're bound to come up with a few memorable moments of drama. It's like buying an artistic insurance policy -- no matter how badly your adaptation fails, the original novel is there to save you from total disaster. "My Antonia," currently at the Rubicon Theatre in Ventura, contains a handful of truly moving scenes about failed love, growing old and learning to live with regret. For that, we can thank Willa Cather, who wrote the novel of the same name in 1918.
BUSINESS
July 11, 2011 | By Dawn C. Chmielewski, Los Angeles Times
Nine studio executives sat in a glass-enclosed conference room in Beverly Hills, discussing potential snowy locales for filming later this year. Utah was a viable option, advised the head of production. So, too, was upstate New York — in part because of tax credits. Over the course of the hourlong production meeting, the executives also received casting updates, discussed social media plans for one soon-to-debut series and mulled over a festival screening strategy for another project.
ENTERTAINMENT
March 10, 2013 | By Mark Swed, Los Angeles Times Music Critic
The composer Richard Wagner, born 200 years ago this spring, believed (with justification) that he represented the music of the future. Los Angeles likes to think (with justification?) that it represents the city of the future. The two should be made for each other, and in the short history of Los Angeles Opera, they have been. No company in America can match so interesting and original a string of Wagner productions over the past quarter-century as those at the Dorothy Chandler Pavilion, beginning with David Hockney's gorgeous designs for "Tristan und Isolde" in 1987.
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