June 30, 1990
"Batman" Thompson: Sorry, pal. As I'm sure a much more famous Jack (as in Nicholson) would agree, you read for the wrong role. You're the Joker. RICHARD S. BORDEN Moorpark
CALIFORNIA | LOCAL
February 2, 1997
Re "Still Peddling Filth for Profit," Jan. 19. What other outlets do you think "we" should boycott / ban because "they" (definitely not part of "we" or "us") also use ugly themes--"sexual mutilation of women, gang fights, cop killing, rape, race wars and street murder" to make a buck? Who else can be accused of "peddling filth for profit?" Movies? Nope. Television programs? Never. Newspaper articles? Uh-uh. Magazine features? Nah. Lots and lots of books? No. It's all gangsta rap's fault!
CALIFORNIA | LOCAL
February 17, 1995
How dismaying but perfectly in sync with the self-serving whining about the inequities in our judicial system to read attorney Richard Walton's comments regarding the outcome of the trial wherein his client, Dasean Cooper, was convicted and sentenced for murder (Feb. 4). Walton states that the real tragedy was the Cooper's rap career was just taking off. I beg to differ. The real tragedy is the violent and senseless loss of a human life. While I cannot comment on whether or not Cooper got a fair trial, presumably Walton was present during jury selection and bears some responsibility for the make-up of that jury.
June 24, 2000
Why does Robert Hilburn, a man who should know better, continue to glorify a recognized band of genuine thugs ("Arena Rap Has Arrived," June 17)? Day after day, we are assaulted by the barrage of news items heralding this crap as "artistry," and at the same time other reports of murder, robberies, assaults, weapons, threats, mistreatments of spouses, strong-arm tactics and worse. And, of course, the ever-present harangue from all of them concerning disrespect of authority and racial supremacies and hatred.
June 30, 1985 |
"Rap is about the gangs and the killings that went on until rap music and break-dancing helped end the violence. It brought people together." That's the view of Afrika Bambaataa, 26, one of the major forces in rap music's spread from the black and Latino gangs on the tough blocks of the southeast Bronx to international phenomenon Though he looked unconventional with his Zulu warrior hair style, Bambaataa spoke as politely as a mild-mannered Clark Kent during a recent interview here.
November 7, 1999
Thank you for glorifying a cultural criminal like Andre Young (a.k.a. Dr. Dre) and allowing him to spin his public persona with no less a writer than Robert Hilburn's help ("Does He Still Have the Rx?," Oct. 24). Young is merely trying to make himself more marketable in an age when gangsta rap is played out, and certainly wants to keep himself out of the line of fire of those rappers shooting each other these days (hence, his new label's name Aftermath, whereas he once recorded for Death Row Records)
July 19, 2010 |
Donald Glover had things to do. In his trailer on the set of the NBC sitcom "Community" last spring, the up-and-coming young comedian itemized his various pop cultural obligations. There was the screenplay for a movie he had pitched that still needed plenty of work. There was the TV pilot Glover was obligated to deliver (with, of course, a prominent role earmarked for himself) under his contract with NBC. Then there was his day job: performing as Troy, a former prom king and high school jock matriculated in classes at "Community's" titular community college.
CALIFORNIA | LOCAL
February 23, 2010 |
Los Angeles police are investigating a home invasion robbery at a Woodland Hills house used by a rap record label as a temporary residence for visiting recording artists, authorities said Monday. Officers went to the home in the 22100 block of Mulholland Drive about 1 a.m. Sunday after a report that two men and two women broke into the home during what was described as a "party or gathering." According to police, two suspects pulled out weapons and pistol-whipped some of the guests.
July 26, 1992
White America is so hypocritical! This is certainly true of "our" politicians who are using rap as an issue to capitalize on the fear of white people who are terrified of being the victims of the same kind of racial violence that has been perpetuated against African-Americans by whites since Day One. The record companies that promote rap artists are not at fault. The men who manage them are simply doing what "businessmen" in America have always done. They are making money by hook or by crook.