July 12, 2013 |
What makes an L.A. house an L.A. house? That question -- a more slippery one than it might appear -- is the driving force behind “Technology and Environment: The Postwar House in Southern California,” an exhibition running through Friday at Cal Poly Pomona as part of the Getty's Pacific Standard Time Presents architecture series. The single-family house, of course, has always been more than just a building type for the architects, builders, promoters and mythmakers of Los Angeles.
HOME & GARDEN
November 29, 2010 |
The personal residence and studio of the late iconic photographer Julius Shulman has sold for $2.25 million in the Hollywood Hills. The Midcentury Modern steel-frame house, built in 1950 and designed by Raphael S. Soriano, is a Los Angeles historic landmark. The 3,382-square-foot house sits on a wooded flag-shaped lot of nearly an acre. Features include original fixtures, hardwood walls and built-in cabinetry. The studio includes a fireplace, bedroom and bathroom for a total of four bedrooms and three bathrooms on the property.
February 19, 1989
What misbegotten muse, I wondered could have driven Austrian architect Wolf Prix to come up with his unearthly junk pile pictured in the story "Dramatic Dwelling That Says 'I Love L.A.' " (by Leon Whiteson, Feb. 5). The answer came in the telling of how Prix shuts his eyes--"literally"--and begins scribbling out his phantasmagoric concoctions with the nerve-fraying blare of Jimi Hendrix and the Beatles filling his Vienna workplace.
October 15, 1989 |
Here is a list of the 24 Case Study Houses that were built and the architects who built them. Many of the architects who designed Case Study Houses are dead, including some of the more famous, such as Richard Neutra, Charles and Ray Eames, Eero Saarinen, Quincy Jones and Raphael Soriano. A dozen are still living, and several are still in practice, including Pierre Koenig in Brentwood and Ed Killingsworth in Long Beach.
CALIFORNIA | LOCAL
January 5, 1997
The glass and aluminum of architect Raphael Soriano's El Paradiso reflect yesterday's vision of tomorrow. As one of the Modernists who shaped the look of postwar Los Angeles, Soriano helped pioneer the use of metal and glass over wood and stucco in home construction. Now, Soriano's El Paradiso--built on Studio City's Dona Cecilia Drive in 1964--is about to be added to the city's list of historic and cultural monuments.
March 29, 2007
Re "Where Modernism hit a brick wall," Opinion, March 24 Nathan Glazer's article touches on a deep social and psychological rift mirrored in the split between Modernism and traditional styles in contemporary architecture. Modernism, and the culture it represents, offers excitement but precious little reassurance or sense of community. In fact, Modernism's decline from an ideology dedicated to making a more just and populist society -- becoming the frenzy of stylistic maneuvers we see in today's avant-garde designers -- underscores a failure to redefine the entire notion of community in contemporary culture.