February 14, 2014 |
Following a five-year run in New York, the Architecture & Design Film Festival is branching out to Los Angeles, where it will host a five-day salute to art, architecture, design, fashion and urban planning next month. The Architecture & Design Film Festival , running March 12-16, will feature 30 recent feature-length and short films from around the world, including profiles of British fashion and textile designer Paul Smith, self-taught Japanese architect Tadao Ando and Italian graphic designers Massimo and Lella Vignelli.
August 1, 2010 |
Thomas S. Hines, a professor emeritus at UCLA, is the dean of architectural historians in Los Angeles, the author of major studies of the pioneering modernists Richard Neutra and Irving Gill. In "Architecture of the Sun: Los Angeles Modernism 1900-1970," he has produced a doorstop-sized magnum opus: a massive but terrifically detailed distillation of his thinking on the city where he has lived and taught, with only minor interruptions, since 1968. Unlike such younger historians as Sylvia Lavin, Hines' colleague at UCLA and the author of a 2005 book called "Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture," Hines is not interested in putting architecture on the couch or for that matter in charting the political or economic forces that inevitably shape the cityscape from the outside in, as Mike Davis and others have done.
April 9, 1992 |
Here's an unusual way to celebrate the centennial of the birth of a creative genius: Get a wrecking ball and demolish one of his creations; then, open a joyful exhibition to praise him. Odd, yes. But, it's precisely the sequence of events at UCLA in its effort to mark the life of Richard Neutra (1892-1970), the Viennese-born, Los Angeles-based architect who ranks among the greatest International Style designers of the 20th Century.
CALIFORNIA | LOCAL
February 15, 2014 |
In one of his earliest boyhood memories, Dion Neutra walked out the front door of his family's Silver Lake home and down to the water's edge. It was the early 1930s, and the wall around Silver Lake Reservoir was so low that he could fling a fishing line above it and into the water. But over the next eight decades, the architect - who trained under his father, Richard Neutra, a master of Modernism who lived and worked out of Silver Lake - watched as the water he loved began to change.
CALIFORNIA | LOCAL
April 13, 1986 |
Dione Neutra is used to the world knocking on her front door. Her home on the eastern shore of the Silver Lake reservoir is a landmark of modernist design, a shrine to the international set and to her late husband, architect Richard Neutra, whose remains are buried in the backyard.
April 5, 1992 |
Spanish-style architecture was as hot as a tamale in 1928 Los Angeles. With its red-tile roofs and arched windows, the style satisfied the romantic vision newcomers expected of Southern California homes. So imagine the shock of neighbors and critics alike when, in that same year, a stark steel-and-glass spaceship of a house went up virtually overnight in the Hollywood Hills.
September 6, 1992 |
Events honoring architect Richard J. Neutra's 100th birthday are continuing at USC's Watt Hall with four remaining symposiums on Wednesday and Sept. 14, 21 and 28, held concurrently with the "Neutra Architecture--The View from the Inside," exhibit at the university's Helen Lindhurst galleries.
November 27, 2005 |
European actress Anna Sten and her husband, Eugene Frenke, had a whim in 1934 to hire Richard Neutra, once a student of Frank Lloyd Wright, to design a home for them in Santa Monica Canyon. Neutra, who was on his way to becoming one of the most influential modern architects, was designing houses at the time in what is known as the International Style. The Sten-Frenke residence, with its hallmark flat roof and glass walls, exemplifies the style.
August 15, 2013 |
When Alan Pullman first drove by the Raphael Soriano house, a small Modernist gem in the Alamitos Heights section of Long Beach, he turned to his wife, Stephanie, and said: "That's my house, I'm going to live in that house. " The sleek white split-level had horizontal ribbons of metal casement windows that ran along upper and lower floors. Even with the ground-floor curtains closed, Alan Pullman, an architect, could tell the design carried the line of sight past the front windows, into the living room and through to the backyard.