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Richard Neutra

NEWS
February 14, 2014 | By Lisa Boone
Following a five-year run in New York, the Architecture & Design Film Festival is branching out to Los Angeles, where it will host a five-day salute to art, architecture, design, fashion and urban planning next month. The Architecture & Design Film Festival , running March 12-16, will feature 30 recent feature-length and short films from around the world, including profiles of British fashion and textile designer Paul Smith, self-taught Japanese architect Tadao Ando and Italian graphic designers Massimo and Lella Vignelli.
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NEWS
July 30, 1992 | JOSEF WOODARD, SPECIAL TO THE TIMES
Postmodernism began in architecture in the '70s, when it was decreed once and for all that modernism--with its flat-topped, rectangular compositions, resistance to ornamentation and brainy "strategies"--had worn out its welcome. Now it seems that postmodernism is having its own travails. What goes around comes home again. The restraint and focus of the moderns suddenly begins to look appealing after a period of fashionable pluralism. Take the case of Richard Neutra, who died in 1970.
BUSINESS
October 26, 2008 | Diane Wedner, Wedner is a Times staff writer.
Richard Neutra, a pillar of 20th century Modernism, is known for his sleek, glass-sheathed designs that take advantage, to beautiful effect, of the surrounding natural landscape. The Kaufmann house in Palm Springs, commissioned by Pittsburgh department store magnate Edgar J. Kaufmann, was built in 1946 and is considered one of the Viennese-born architect's greatest works. Its sleek form, sliding panels and glass-and-stone aesthetic helped shape the postwar Modernism movement.
ENTERTAINMENT
April 9, 1992 | CHRISTOPHER KNIGHT, TIMES ART CRITIC
Here's an unusual way to celebrate the centennial of the birth of a creative genius: Get a wrecking ball and demolish one of his creations; then, open a joyful exhibition to praise him. Odd, yes. But, it's precisely the sequence of events at UCLA in its effort to mark the life of Richard Neutra (1892-1970), the Viennese-born, Los Angeles-based architect who ranks among the greatest International Style designers of the 20th Century.
CALIFORNIA | LOCAL
April 13, 1986 | LARRY GORDON, Times Staff Writer
Dione Neutra is used to the world knocking on her front door. Her home on the eastern shore of the Silver Lake reservoir is a landmark of modernist design, a shrine to the international set and to her late husband, architect Richard Neutra, whose remains are buried in the backyard.
REAL ESTATE
April 5, 1992 | DIANE KANNER and FRED CHRISS, SPECIAL TO THE TIMES; Kanner and Chriss are collaborating on a six-part public television series on Los Angeles architecture. and
Spanish-style architecture was as hot as a tamale in 1928 Los Angeles. With its red-tile roofs and arched windows, the style satisfied the romantic vision newcomers expected of Southern California homes. So imagine the shock of neighbors and critics alike when, in that same year, a stark steel-and-glass spaceship of a house went up virtually overnight in the Hollywood Hills.
REAL ESTATE
September 6, 1992 | EVELYN DE WOLFE, TIMES STAFF WRITER
Events honoring architect Richard J. Neutra's 100th birthday are continuing at USC's Watt Hall with four remaining symposiums on Wednesday and Sept. 14, 21 and 28, held concurrently with the "Neutra Architecture--The View from the Inside," exhibit at the university's Helen Lindhurst galleries.
REAL ESTATE
November 27, 2005 | Ruth Ryon, Times Staff Writer
European actress Anna Sten and her husband, Eugene Frenke, had a whim in 1934 to hire Richard Neutra, once a student of Frank Lloyd Wright, to design a home for them in Santa Monica Canyon. Neutra, who was on his way to becoming one of the most influential modern architects, was designing houses at the time in what is known as the International Style. The Sten-Frenke residence, with its hallmark flat roof and glass walls, exemplifies the style.
HOME & GARDEN
March 13, 2010 | Emily Young
It all started in 2005, when film producer Mark Gill moved in with screenwriter Hanna Weg and asked, "Honey, can I move the couch?" Little did they know this modest request would lead to a two-year makeover that transformed a nondescript clapboard-and-stucco box to a modern jewel. Weg bought the two-bedroom hillside house in Silver Lake 12 years ago, before she and Gill met and married. She was drawn to it because it felt like a treehouse in the sky, came with a pool and had a separate space below the living quarters that could serve as her office.
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