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Richard Neutra

September 5, 2004 | Ruth Ryon, Times Staff Writer
Houses designed by Modernist architect Richard Neutra aren't impossible to find. There are three others in the same Bel-Air neighborhood as this one, which is known as the Hammerman House for its first owners. There has not been another restored Neutra of this size on the market in at least five years, according to area realty agents. The sellers bought the 1954 house as a restoration project. It has changed hands only twice.
June 27, 2004 | Mark Rozzo, Mark Rozzo is a freelance writer based in Brooklyn, N.Y., and a regular contributor to The Times' Book Review.
Sitting at the dining-room table of his Silver Lake home, 2,300 miles from the hallowed battlefield where part of his father's legacy is under siege, Los Angeles architect Dion Neutra, still sprightly at 77, allows his voice to escalate in mild exasperation. "There should be a national will to save these buildings," he says. "It shouldn't have to be a one-man crusade." Silence--punctuated by birdsong--fills the home he helped build with his famous father, the late Richard Neutra, in 1950.
April 25, 2004 | Ruth Ryon, Times Staff Writer
The indoor-outdoor look so popular in Southern California has its roots in such houses as this one in Bel-Air designed by Modernist architect Richard Neutra. When this house was built in 1959 for Teledyne co-founder Henry Singleton, Neutra was using large expanses of practically seamless glass walls in his designs. The idea was to coexist with nature by blurring the line between the inside and outside.
December 30, 2002 | Edward Gunts, Baltimore Sun
The past year has not been especially kind to the memory of modern architect Richard Neutra, who died in 1970. One of his best-known residences, the 1962 Maslon House in Rancho Mirage, was torn down in March. The National Park Service threw its support behind a plan to demolish Neutra's 1961 Cyclorama Center at Gettysburg National Military Park. But at least one Neutra building is ending the year in better shape than it began. St. John's College in Annapolis has completed a $12.
March 31, 2002 | JONATHAN KIRSCH, Jonathan Kirsch, a contributing writer to the Book Review, is the author of, most recently, "The Woman Who Laughed at God: The Untold History of the Jewish People."
Route 66, so richly celebrated in story and song, is without a doubt the most famous highway in America. First commissioned in 1926, U.S. Highway 66 suddenly opened up the remote byways to travelers in search of a frontier experience. What they found, however, owed far more to P.T. Barnum and the Hollywood back lot than to the Old West.
Lari Pittman and Roy Dowell are not starving artists. They reject the role of poet and painter in "La Boheme," the penniless creative types who suffer alone in a filthy studio. Theirs is more the sensibility of, say, James McNeil Whistler, whose effete personal aesthetic permeated every aspect of his life and art. A highly refined sense of taste is evident in the pair's fine-tuned home, as well as in Pittman's surreal paintings and Dowell's abstractions.
Southern California edifices designed by Modernist architects Richard and son, Dion, Neutra are hot. Scenes from the movie "Anniversary Party" and parts of "L.A. Confidential" were filmed in Neutra-designed homes and the city of Los Angeles declared April 8 "Richard and Dion Neutra Day." Still, many of the buildings are in need of repair and some are even threatened with destruction.
June 27, 1999
So, Margo, you're not looking forward to moving back to Venice ("Home, Sweet [Safe, Sane and Sanitary] Home Away From Home," by Margo Kaufman, May 23). Well, as a longtime Venice resident, I was relieved to hear that. You probably don't fit in here anyway. Anyone who lives in Marina del Rey obviously prefers 1960s-style architecture and the recently divorced to the interesting streets and people of Venice. If you change your mind about Venice, call me and I'll be glad to drive you to a more compatible place, such as, say, Woodland Hills.
March 7, 1999
Richard Neutra tends to get all the credit for his architectural projects while his collaborators often go unmentioned ("Neutra, Big Man on Campus," by Cathy Curtis, So SoCal, Feb 7). I was his partner for the last 30 years of his life and participated in many of the projects for which he gets solo credit--including the auditorium pictured with Curtis' article. Also, his partner, Robert Alexander, who introduced him to that campus, should have been included in that photo caption. Readers interested in the current state of the Neutra practice can find some interesting materials displayed on our Web site at http://www.
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