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ENTERTAINMENT
September 17, 1990 | JONATHAN GOLD
A low organ note shook the hall, the mouth of a 40-foot sphinx opened, and the four members of Kiss strode from it onto the stage of the Long Beach Arena on Friday as laser beams inscribed the sky. America loves nothing better these days than rock 'n' roll survivors, and conventional wisdom has it that Kiss' many, many years in the business have earned them a place as elder statesmen of rock, dean to the generations of lipsticked rockers who followed their lead.
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ENTERTAINMENT
April 21, 1990 | JONATHAN GOLD
Some long hair was tossed, a well-muscled lead singer named Spike found a way to remove his shirt midway through the first song, a whammy bar shrieked NNNGAOOOWWww- wee- wee-wee! But what the Orange County band Mind Over Four played at the club Hollywood Live on Thursday was far more dissonant than anything you'd expect from journeyman hard-rockers.
ENTERTAINMENT
November 30, 1987 | RICK SHERWOOD, Arts and entertainment reports from The Times, national and international news services and the nation's press
Some of L.A.'s Rock 'n' Roll Landmarks: 1--Whiskey a Go Go: Birthplace of the Doors and Buffalo Springfield and one-time home to Otis Redding, Them, Van Halen. 2--Beverly Hills Hotel: The original "Hotel California." 3--Hard Rock Cafe: Elvis' motorcycle and guitar are inside, a 1950s Cadillac outside. 4--Alta Cienega Motel: Where Jim Morrison lived much of his adult life. 5--A&M Records: Former Charlie Chaplin studio that became site of "We Are the World" recording by USA for Africa.
CALIFORNIA | LOCAL
May 14, 1989 | DON WALLER
FIREHOSE "fROMOHIO." SST . 1/2 Guitarist and singer Ed Crawford is, like this recording, a product of Ohio, and the San Pedro-based power trio's third LP finds them aiming for a straight-to-the-heartland message. They balance their familiar dice 'n' slice, genre-leapin' riffin' with more straightforward song structures, ranging from the edgy "What Gets Heard" and the jittery Latino funk of "In My Mind" to the road-dog rockers "Time With You" and "Some Things" to the anthemic "The Softest Hammer."
ENTERTAINMENT
July 20, 1986 | STEVE POND
"JOHN EDDIE." Columbia. Max Weinberg's drums pound, the songs build to big, emotional climaxes and the singer's got a lump in his throat as big as Asbury Park. In other words, here's Another Jersey Rocker with more than a superficial resemblance to you-know-who. Eddie's style is simpler and less ambitious: He alternates odes to lost love with chunky, sassy riff-rockers and writes more about youthful lust and heartbreak than the streets of his hometown.
ENTERTAINMENT
November 4, 1986 | RICHARD CROMELIN
When Iggy Pop (then Iggy Stooge) whirled out of Detroit in the late '60s dancing like James Brown and singing his cranked-up white suburban blues, he came on as a nightmare offspring of American culture, a vision of the heartland gone haywire. He hit the rock world like a fragment of anti-matter trailing a comet's tail of debris. His confrontational performances and crude intensity formed the foundations of heavy-metal, and he embodied the attitude that would later crystallize as punk.
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