February 8, 2002 |
A tale of intrigue and murder at an English country estate, a sprawling, action-filled adaptation of a beloved fantasy novel and an exploration into the dark world of mental illness were among the screenplays the Writers Guild of America nominated Thursday as the best of 2001, setting up one of the toughest races to handicap in this hotly contested Oscar season.
July 25, 2007 |
Angelina Jolie's lips look even fuller than usual. She's emerging naked from a pool of dank cave water, rivulets of gold streaming gently down her body. "Giiiif meee sonnnn," she coos, in an Old English accent. Her flaxen hair is braided down her back in a long tail that slowly undulates and slaps the dark pool around her. She continues to purr enticements about making babies as a virtual camera circles 360 degrees panning around her long limbs and waist.
February 26, 2003 |
In the somewhat rarified world of fan-geek worship, writer-director Don Coscarelli and actor Bruce Campbell are superstars. They became cult heroes more than 20 years ago, when Coscarelli wrote and directed "Phantasm" (1979) and Campbell starred in Sam "Spider-Man" Raimi's shoestring debut "The Evil Dead" (1982). Now in their mid-40s, they still enjoy untarnished credibility with a hard-core fan base that seems to get younger every year.
March 19, 2006 |
IS "Crash" the worst movie ever to win the Oscar for best picture? Probably not, though it definitely reeks. Academy members had a chance to make history by honoring "Brokeback Mountain," a trailblazing gay love story that also happened to be the best movie of 2005. Instead, they voted for arguably the worst of the five films nominated -- a ham-fisted expose of racial tensions in Los Angeles that pulled its punches by ending on an incongruous note of communion and redemption.
November 13, 2007 |
It began as a pagan poem told around shadowy campfires about a hero fighting the monster Grendel, the monster's mother and a dragon. Christendom's world of saints and sinners reinvented Beowulf as a soldier of God and branded Grendel one of Cain's evil kin. "Lord of the Rings" author and Old English scholar J.R.R. Tolkien reintroduced the story to the modern world in 1936 as an important work of literary art rather than an obscure artifact of Old English language.
January 23, 2005 |
There have always been directors who have been able to push personal movies through Hollywood. Typically, someone would make an interesting small movie that got some attention. The studios would then hire him -- or, in recent years, her. Often the studios were confused by the results. Orson Welles, who came from the theater and radio, made "Citizen Kane" for RKO, which didn't know what to do with it.
March 19, 1996 |
One is a former seminary student who said that when he first learned Mel Gibson was interested in his screenplay "Braveheart," he didn't tell his wife where he was meeting the actor for fear she would show up and gawk "like Lucy and Ethel." The other is a veteran British actress who became one of the year's most honored film writers after adapting the Jane Austen novel "Sense and Sensibility" into a screenplay.
October 10, 1995 |
While audience response to "Showgirls" may have fallen short of its studio's hopes, its opening-weekend box-office success likely will pave the way for more NC-17 films, industry watchers say. "I think that big studios are going to be much more open to it," said John Burnham, senior vice-president and co-head of the motion picture department at William Morris Agency. "Studios will be interested in anything that has that kind of ability to open so successfully. . . .
September 3, 2002 |
Roger Avary, the 37-year-old director of the upcoming film "The Rules of Attraction," has spent a lot of time in the editing room lately, thanks to the Motion Picture Assn. of America ratings board. Avary, best known as the co-writer of "Pulp Fiction," has submitted his film four times to the board. Each time it has come back rated NC-17--the kiss of death for a major release.
March 28, 1995 |
Weary perhaps of being reviled for the puniness of their nominations, the members of the Academy of Motion Picture Arts and Sciences did something Monday at the Shrine Auditorium they don't always do: They paid attention to who and what they voted for in the final round. The result was one of the more judicious divisions of Oscar spoils in recent memory. Resisting the urge to have one film (i.e.