March 8, 2004 |
In 1999 and 2001, Ronald K. Brown choreographed suites for the Alvin Ailey American Dance Theater full of high moral purpose and a complex fusion of dance idioms. It was no surprise, then, to find such values dominating a four-part program by his own company at the Cerritos Center on Saturday. If anything, the eight dancers in Ronald K.
February 9, 2007 |
Ronald K. Brown's latest works for his 20-year-old company, Evidence, have the raw power, breakneck speed and immediate accessibility of American street dance. It's concert modernism for the Age of Krumping, and only if you take the trouble to look very, very closely can you see all the African, South American, Caribbean and jazz-dance influences that Brown so seamlessly amalgamates.
April 28, 2003 |
Something about the steely resolve and daredevil pliability of Philadanco dancers makes you wonder just how much high-gear dancing can occur before a blowout. In a four-part program on Friday night at the Irvine Barclay Theatre, a few dancers arched back with such vigor, or flung a leg high with such force, they nearly capsized. But that commitment to clarity and attack is what makes every work they do impressive on some level, even when it takes you on less of a journey than desired.
May 12, 2006 |
For its fourth season, the Dance at the Music Center series is expanding its reach to four of the five venues at the Music Center of Los Angeles County, booking companies at all the theaters except the Mark Taper Forum. Thus, for the first time, Walt Disney Concert Hall -- built for the Los Angeles Philharmonic -- will host a dance event when Shen Wei Dance Arts performs there June 22 to 24, 2007.
April 8, 2002 |
Adrenaline kicked into overdrive when the Dayton Contemporary Dance Company shredded the stage of the Irvine Barclay Theatre on Friday with brute power, dizzying energy and unlimited stamina in a program dedicated to Southern California's preeminent choreographer, Donald McKayle. The four works included a world premiere tribute to McKayle, "Mighty Fortress," set to Bach's Cantata No. 80 by company artistic director Kevin Ward.
January 15, 2001 |
Ballet companies may have their swan solos, but modern dance has an equally impressive bird variation--the lesser-known "Awassa Astrige/Ostrich" made by Asadata Dafora in 1932. Masterfully performed by G.D. Harris on Saturday night at the Luckman Theatre on the campus of Cal State L.A., it was one of the highlights of the first Southern California appearance by the Dayton Contemporary Dance Company.