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Ryan Gosling

ENTERTAINMENT
May 22, 2013 | By Steven Zeitchik
CANNES -- The Ryan Gosling-Nicolas Refn collaboration “Only God Forgives” premieres to the media at the Cannes Film Festival on Wednesday morning before playing in a public gala Wednesday night. The movie, which reunites the star and director of the 2011 hit “Drive,” examines Julian (Gosling), an American boxing-gym operator and mid-level drug dealer in Bangkok who is thrust into a difficult spot when a brutal crime boss and dark angel of sorts (Vithaya Pansringarm) kills his brother.
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ENTERTAINMENT
December 26, 2010 | By Steven Zeitchik, Los Angeles Times
He's played a Jewish neo-Nazi, a crack-addict schoolteacher and a man who falls in love with an inflatable doll. But suggest to Ryan Gosling, an independent-film poster child for the better part of a decade, that he chooses roles for their complexity rather than their commercial appeal and he'll wave you aside. "When I make these movies, I don't think, 'I want to make a little indie movie and I want to stay in the indie world because I think it's cool,'" says the twinkle-eyed Canadian actor.
NEWS
January 5, 2011 | By Glenn Whipp, Special to the Los Angeles Times
Michelle Williams and Ryan Gosling have seen The Future. And it isn't pretty. After taking a month off to gain some weight, pick some fights and prepare to tear down the happy relationship they'd spent more than four years creating for "Blue Valentine," Gosling and Williams showed up for work at the Radisson in King of Prussia, Pa. They'd finished shooting their film couple's courtship, a loose, spontaneous experience full of song, dance and lovemaking,...
ENTERTAINMENT
July 28, 2011 | Steven Zeitchik
Steve Carell didn't mind the slapping. But the man-kissing was too much. During filming for his new movie "Crazy, Stupid, Love," a romantic dramedy about a father attempting to remake himself after his marriage hits the skids, Carell found himself on the receiving end of some surprise high jinks from costar Ryan Gosling. Like smacking. And smooching. When Gosling improvised a scene by administering a strike across the face, Carell didn't break. "All I wanted was for him to hit me harder and harder," the actor said.
ENTERTAINMENT
April 20, 2007 | Kevin Crust, Times Staff Writer
"Fracture" is the kind of movie that can get you really worked up if you take it too seriously and try to parse all the twists. Rather, the best way to enjoy it is to suspend your disbelief and soak up the actorly tete-a-tete that pits wily veteran Anthony Hopkins against young gun Ryan Gosling in the kind of courtroom potboiler that can be fun if you let it.
ENTERTAINMENT
May 17, 2002 | KEVIN THOMAS, TIMES STAFF WRITER
Henry Bean's "The Believer," an explosive portrait of a young Jew who becomes a neo-Nazi, is as ultimately unsatisfying as it is provocative. In the title role, Ryan Gosling is electrifying and terrifyingly convincing, but key people around him are so inadequately drawn as to be unpersuasive. Most detrimental of all has been Bean's decision not to probe the forces that shaped scary Danny Balint, which results in a film that tends to be all effect and no cause.
ENTERTAINMENT
February 13, 2007 | Susan King, Times Staff Writer
Not only is Martin Scorsese one of the most influential filmmakers of the last four decades, the iconoclastic director consistently delivers superior audio commentaries that offer rare insight into his life and the directing process. Unfortunately, there is no Scorsese audio commentary on the two-disc set of "The Departed" (Warner, $35).
ENTERTAINMENT
October 21, 2005 | Carina Chocano, Times Staff Writer
You sense you're in trouble when a movie resorts to selling itself with a description like "in the space between desire and fear, reality and illusion, life and death lies a whole other alternate world." Not that there's a better way to describe it. That "whole other" basically sums it up. With "Stay," Marc Forster ("Monster's Ball," "Finding Neverland") tries his hand at a psychological thriller and comes up with a perversely stylish tangle of loose ends unencumbered by logic.
ENTERTAINMENT
December 29, 2010 | By Betsy Sharkey, Los Angeles Times Film Critic
Derek Cianfrance's "Blue Valentine," starring Michelle Williams and Ryan Gosling, is a beginning and an ending, an intensely intimate rendering of love that limits itself to that first falling in and that last falling out. Without a middle, the writers ? Cianfrance, Joey Curtis and Cami Delavigne ? have still put in everything we need to know about a relationship that is fraying faster than either Cindy (Williams) or Dean (Gosling) grasps. It is painful and moving to watch as they lose hold of the few threads still connecting them, including 5-year-old daughter Frankie (a soulful young Faith Wladyka)
NEWS
January 6, 2011
Ricky Gervais is back for a second year to host the Globes and says he's going to push the comedy a little further this time, that he'll just look around the room and spot someone to target. What might that mean for you? "Black Swan" director Darren Aronofsky: "There will be a lot of ballet jokes. Last night, Letterman made fun of the film. I think he said, 'If you don't want to celebrate Christmas, you can go see two Jewish girls make out.' " "Animal Kingdom" actress Jacki Weaver: "He's right up my alley, the British ironic humor.
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