May 26, 2009 |
When Barkley L. Hendricks began to paint portraits in Philadelphia around 1969, one would have been hard-pressed to find many black faces over the prior five centuries of Western art. "Lawdy Mama," the first work encountered in Hendricks' survey exhibition at the Santa Monica Museum of Art acknowledges as much.
February 12, 1989
Your reporter (Tracy) Wilkinson wrote an article about the criminal arraignment of a Santa Monica developer, Abby Sher, in connection with events surrounding her Edgemar museum-restaurant complex on Main Street. (Times, Jan. 15.) On Jan. 29, you printed a letter from the museum director, Thomas Rhoads. Rhoads' letter attempted to "correct some factual errors" in the Wilkinson article, regarding the relationship between this developer, Edgemar and the museum. Rhoads went to some length to draw a distinction between Sher's business dealings and the operations of the museum, objecting to Wilkinson's use of the term "private museum," and commenting that "in fact, the museum is a separate entity from Edgemar."
July 29, 2001 |
In the lofty main gallery of the Santa Monica Museum of Art, Liga Pang is overseeing the construction of her room-sized installation using bamboo, part of a "New Work" show. While that may suggest a thicket of tall and solid poles, the raw materials of her opus are the twiggy tips of Japanese bamboo, thousands and thousands of them, painstakingly tied together to create a delicate web that hints at the dual essence of bamboo, flexible but strong, simple yet versatile.
May 4, 2013 |
Theater director Peter Sellars, a UCLA professor of world arts and cultures, will be honored by the Santa Monica Museum of Art at its 25th-anniversary Precognito Gala on May 9. Why are you based in Los Angeles instead of New York, which has a larger arts community? For me, Los Angeles has always been the future and New York has always been the past. New York is the old power structure, and frankly, what's way more interesting is what's taking form in the 21st century in L.A. The future of America is happening right here.
November 28, 2002 |
WHAT happens when you take a museum, a mall, an artist, an idea and 200 kids and put them together? The first installation from the Santa Monica Museum's "Wall Works" program, a 19-foot mural whose components are surprisingly varied, an imaginative collage of shapes and images, from frogs to turtles, lizards, fish and serpents. The mural, on display at the Santa Monica Place Mall just outside the third floor of Robinsons-May, is a collaboration of the museum, Santa Monica Place, L.A.
November 30, 1994 |
A new show at the Santa Monica Museum of Art is called "The Layered Look: Towards an Aesthetic of Accumulation Among Six Los Angeles Artists." In addition to being too long, that title sounds a little odd for an art exhibition. It evokes the world of fashion and the shameless self-aggrandizement that surrounds it. Potential viewers may rest assured the handle is ironic to the point of hostility. This exhibition is about desperation. The French call it desespoir , which literally means "without hope."
November 14, 2002 |
Jeremy Blake's digital art is painting made animate, color and pattern transformed from stagnant image into slow, liquid, meditative motion. Working initially with ink and gouache drawings (and at times sketching directly onto the computer), Blake manipulates his work into dreamlike DVD animations.
September 10, 2008 |
There are giants of the art world, and then there are true giants of the art world. Martin Kersels -- sculptor, videographer and performance artist -- stands 6 feet 6 and weighs more than 350 pounds. To say that he is a big man would be a gargantuan understatement. Usually, an artist's physical size bears little if any relationship to his work, but that's not true in Kersels' case. His art is often about scale -- his own girth but, more important, the idea of largeness and how that affects a person's movement through space.
September 21, 2011
At least 25 major museums around Southern California will be offering free admission on Oct. 2 as part of Pacific Standard Time, the initiative led by the Getty focusing on the history of art in the region from 1945 to 1980. Museums offering free admission on Oct. 2 include the Los Angeles County Museum of Art, the Museum of Contemporary Art, the Hammer Museum, the Museum of Contemporary Art San Diego, the Natural History Museum of Los Angeles County and the Santa Monica Museum of Art. Pacific Standard Time comprises more than 60 participating cultural groups throughout Southern California.