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Satori Shakoor

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July 8, 1992 | ZAN DUBIN, TIMES STAFF WRITER
Mary-Linn Hughes was all set to create a personal installation about intimacy and the like when something happened to topple her well-laid plans: A riot. "I had to do something (in response), you know?" said Hughes, a Huntington Beach artist who scrapped her first idea, opting instead for a swiftly assembled work addressing Los Angeles' recent violence. It's titled "They" and is on view through July 18 at Beyond Baroque in Venice.
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ENTERTAINMENT
July 8, 1992 | ZAN DUBIN, TIMES STAFF WRITER
Mary-Linn Hughes was all set to create a personal installation about intimacy and the like when something happened to topple her well-laid plans: A riot. "I had to do something (in response), you know?" said Hughes, a Huntington Beach artist who scrapped her first idea, opting instead for a swiftly assembled work addressing Los Angeles' recent violence. It's titled "They" and is on view through July 18 at Beyond Baroque in Venice.
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ENTERTAINMENT
December 21, 1992 | ROBERT KOEHLER, SPECIAL TO THE TIMES
What is it about fathers that tends to make interesting performers reach deeper? For example, Sandra Tsing Loh's monologue, "My Father's Chinese Wives" (the first half of "Hot Spots and Flare-Ups," which ended Saturday as part of Highway's "Fire in the Treasure House" performance series).
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