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January 1, 1990 | LEE MAY, TIMES STAFF WRITER
In this elegant old city of graceful mansions in muted tones, Bud Hall's House of Many Colors stands out like rap music at a Debussy concert. You can almost hear the hot pink, lavender and blue paint that covers Hall's nine-room Victorian home on Whitefield Square in the city's historic district. And his 9-foot tall windows look even louder, 10 of them covered with paintings of women dressed in colors of the rainbow.
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NEWS
January 23, 1997 | ELEANOR RANDOLPH, TIMES STAFF WRITER
In the past three years, Savannah's formerly peaceful Bonaventure Cemetery has become a bustling necropolis. During the daylight hours when its massive iron gates are open to the public, tour buses lumber along the dusty pathways, past its ivy-covered crypts and terraced garden graves. Throughout the 600 acres that were once a thriving antebellum plantation, clusters of disposable cameras now flash at antiquated headstones and perpetually mourning stone angels.
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NEWS
January 23, 1997 | ELEANOR RANDOLPH, TIMES STAFF WRITER
In the past three years, Savannah's formerly peaceful Bonaventure Cemetery has become a bustling necropolis. During the daylight hours when its massive iron gates are open to the public, tour buses lumber along the dusty pathways, past its ivy-covered crypts and terraced garden graves. Throughout the 600 acres that were once a thriving antebellum plantation, clusters of disposable cameras now flash at antiquated headstones and perpetually mourning stone angels.
NEWS
January 1, 1990 | LEE MAY, TIMES STAFF WRITER
In this elegant old city of graceful mansions in muted tones, Bud Hall's House of Many Colors stands out like rap music at a Debussy concert. You can almost hear the hot pink, lavender and blue paint that covers Hall's nine-room Victorian home on Whitefield Square in the city's historic district. And his 9-foot tall windows look even louder, 10 of them covered with paintings of women dressed in colors of the rainbow.
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