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Scott Rudin

March 5, 2013 | By John Horn
Jon Stewart is leaving “The Daily Show” - for three months - to direct a movie. The political satirist and media critic will take a hiatus from his Comedy Central talk show this summer to make his feature directing debut, adapting Maziar Bahari's book “Then They Came for Me: A Family's Story of Love, Captivity and Survival.” The book, co-written with Aimee Molloy, chronicles Bahari's attempt to cover Iran's presidential elections in...
September 20, 2012 | Bloomberg News
IAC/InterActiveCorp Chairman Barry Diller, producer Scott Rudin and publishing executive Frances Coady are investing in a book venture that will try to challenge Inc.'s dominance in the industry. The project, called Brightline, is expected to release fiction and nonfiction titles by mid-2013, New York-based IAC said Wednesday. Brightline will make electronic books for mobile devices using software by Brooklyn-based Atavist, which will exchange minority equity interests with the venture.
December 18, 2013 | By David Ng
Brian Dennehy, who is currently in the Los Angeles production of "The Steward of Christendom" at the Mark Taper Forum, will reprise his recent Chicago performance in Eugene O'Neill's "The Iceman Cometh" for a six-week run at the Brooklyn Academy of Music in 2015. Scott Rudin is producing the revival production, which will run at BAM from Feb. 5, 2015 to March 15, 2015.  The production will also star Nathan Lane, who appeared alongside Dennehy in the Chicago production at the Goodman Theatre in 2012.
May 17, 2012 | By David Ng
The Broadway revival of Arthur Miller's "Death of a Salesman," starring Philip Seymour Hoffman and Andrew Garfield, has been a box-office hit, playing to near-capacity audiences since beginning performances at New York's Ethel Barrymore Theatre in February. So it should come as little surprise that the production will turn a profit. The show's producers - which include such powerhouses as Scott Rudin, Stuart Thompson and Jon B. Platt - announced Wednesday that "Salesman" will recoup its initial $3.1-million investment.
The kinetically nutty "Addams Family Values" (citywide) starts out with a full bag of tricks and keeps lobbing them straight at the audience for all of its 93 minutes. It never lets up--director Barry Sonnenfeld and screenwriter Paul Rudnick turn its assaultiveness into a comic style. With something this scattershot and relatively plotless, it's inevitable that tedium would eventually set in, and it does, about halfway into the spree.
February 7, 2012 | By Randee Dawn, Special to the Los Angeles Times
"I'd like to thank …" Those four words should appear in 99.9% of all speeches given on Oscar night. But not every speech has to be a rote list of individual names following that opening. As many winners have proved over the years, the Oscar acceptance can be a genuine outpouring of joy, full of off-the-cuff personal moments, or a chance to get on a soapbox. Who can forget the indelible moments - for better or worse - created by Sally Field, Cuba Gooding Jr., Marlon Brando surrogate Sacheen Littlefeather or one-arm pushup king Jack Palance as they accepted their trophies?
January 9, 2013 | By David Ng
Fiona Shaw, the versatile Irish actress who brought a searing "Medea" to Broadway in 2002, is set to return to the New York stage in a role that ought to raise eyebrows -- Mary, the mother of Jesus. Shaw is re-teaming with director Deborah Warner for a new stage adaptation of novelist Colm Toibin's "The Testament of Mary. " The one-woman drama, scheduled to open April 22 on Broadway at the Walter Kerr Theatre, is being backed by uber-producer Scott Rudin. The play is to have a limited run in New York through June 16. "Mary" provides a speculative account of what happened to the virgin following the crucifixion of Jesus.
It's Hollywood's Night of Nights, but no one's picking Cameron Drake for the best actor Oscar. With competition like Paul Newman in "Coot," Clint Eastwood in "Codger," Michael Douglas in "Primary Urges" and Steven Seagal in "Snowball in Hell," how could they? But Drake's performance in "To Serve and Protect" as a gay soldier betrayed by a copy of "Beaches" discovered in his locker proves the surprise winner.
August 25, 2003 | Gene Seymour, Newsday
"Marci X" purees all the public and political controversies swirling around hip-hop over the last decade and soft-serves the mixture in a drippy container. Despite the occasional topical reference to President Bush and Sen. Clinton, this movie is, like, so eight years ago, it isn't funny. Well, maybe sometimes it's funny. Screenwriter Paul Rudnick, better known to Premiere magazine readers as Libby Gelman-Waxner, always serves up a few zingers to keep you from drifting off.
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