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Scott Rudin

September 20, 2012 | Bloomberg News
IAC/InterActiveCorp Chairman Barry Diller, producer Scott Rudin and publishing executive Frances Coady are investing in a book venture that will try to challenge Inc.'s dominance in the industry. The project, called Brightline, is expected to release fiction and nonfiction titles by mid-2013, New York-based IAC said Wednesday. Brightline will make electronic books for mobile devices using software by Brooklyn-based Atavist, which will exchange minority equity interests with the venture.
March 5, 2013 | By John Horn
Jon Stewart is leaving “The Daily Show” - for three months - to direct a movie. The political satirist and media critic will take a hiatus from his Comedy Central talk show this summer to make his feature directing debut, adapting Maziar Bahari's book “Then They Came for Me: A Family's Story of Love, Captivity and Survival.” The book, co-written with Aimee Molloy, chronicles Bahari's attempt to cover Iran's presidential elections in...
December 18, 2013 | By David Ng
Brian Dennehy, who is currently in the Los Angeles production of "The Steward of Christendom" at the Mark Taper Forum, will reprise his recent Chicago performance in Eugene O'Neill's "The Iceman Cometh" for a six-week run at the Brooklyn Academy of Music in 2015. Scott Rudin is producing the revival production, which will run at BAM from Feb. 5, 2015 to March 15, 2015.  The production will also star Nathan Lane, who appeared alongside Dennehy in the Chicago production at the Goodman Theatre in 2012.
May 17, 2012 | By David Ng
The Broadway revival of Arthur Miller's "Death of a Salesman," starring Philip Seymour Hoffman and Andrew Garfield, has been a box-office hit, playing to near-capacity audiences since beginning performances at New York's Ethel Barrymore Theatre in February. So it should come as little surprise that the production will turn a profit. The show's producers - which include such powerhouses as Scott Rudin, Stuart Thompson and Jon B. Platt - announced Wednesday that "Salesman" will recoup its initial $3.1-million investment.
December 22, 1996 | Michelle Willens
Yes, that's the real Disney World you'll see for a couple of crucial scenes in "Marvin's Room." It's rather jolting at first to see Goofy et al in the midst of this movie about dying with dignity. In fact, it is the first time a Disney theme park has been used in a movie. But the filmmakers thought it was essential since the crux of the story takes place in Florida, and in the play on which the film is based, the family takes a needed break in the happiest of places.
To hear almost-16 Cher Horowitz tell it, "I actually have a way normal life." True, her mom died during "routine liposuction," but she now lives happily with her fierce litigator father ("He gets paid $500 an hour to fight with people") in great Beverly Hills style. "Isn't my house classic?" she enthuses. "Its columns date back to 1972."
January 3, 2003 | Mark Caro, Chicago Tribune
To Nicole Kidman, acting isn't a mere technical feat; it's the art of transformation. To hear her tell it, the change can be as dramatic as a caterpillar-into-butterfly metamorphosis. She'll be working and working to get under the skin of a character, such as author Virginia Woolf in her new film "The Hours," and suddenly -- click! -- she'll be there. "You can't delineate exactly when it happens," Kidman said.
It's Hollywood's Night of Nights, but no one's picking Cameron Drake for the best actor Oscar. With competition like Paul Newman in "Coot," Clint Eastwood in "Codger," Michael Douglas in "Primary Urges" and Steven Seagal in "Snowball in Hell," how could they? But Drake's performance in "To Serve and Protect" as a gay soldier betrayed by a copy of "Beaches" discovered in his locker proves the surprise winner.
August 25, 2003 | Gene Seymour, Newsday
"Marci X" purees all the public and political controversies swirling around hip-hop over the last decade and soft-serves the mixture in a drippy container. Despite the occasional topical reference to President Bush and Sen. Clinton, this movie is, like, so eight years ago, it isn't funny. Well, maybe sometimes it's funny. Screenwriter Paul Rudnick, better known to Premiere magazine readers as Libby Gelman-Waxner, always serves up a few zingers to keep you from drifting off.
December 29, 1996
I would like to correct an omission of how an obscure play found its way to a motion picture ("A Place for Everyone in 'Marvin's Room,' " by Michele Willens, Dec. 15). Early in 1990, prior to the vision and persistence of Jane Rosenthal and of Scott Rudin (who found the play on my desk at Paramount Pictures), I was the first studio executive who said "yes" to the challenging material. Bonnie Palef, the original producer, initially brought the play to me because she knew of my knowledge and experience with theatrical properties.
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