November 16, 2012 |
If you have seen Paul Thomas Anderson's “The Master,” you might reasonably assume that very little was left to chance. From its precise cinematography to striking score, the writer-director's drama about a troubled drifter (Joaquin Phoenix) and a charismatic leader of a new movement (Philip Seymour Hoffman) feels as well-planned as a military operation. But in this excerpt from the Envelope Screening Series this week, Anderson explains that his two lead actors brought far more to their performances than he ever imagined, and that the film's production team frequently improvised.
October 17, 2013 |
One of the most artfully composed scenes in Steve McQueen's new historical drama "12 Years a Slave" is also one of the most harrowing. (Warning: Minor plot details follow.) At the Envelope Screening Series , the British director and his cinematographer, Sean Bobbitt, discussed how they approached a pivotal scene in which Solomon Northup, a free black man kidnapped in the North and sold into slavery in the South, is punished by near-hanging after fighting back against an overseer.
January 6, 2011
MOVIES Cinephiles and boozehounds will unite at the "Naked Gun" and "Airplane" Drink Along, the latest installment of the Downtown Independent's sudsy screening series. The comedic double feature will toast the late actor Leslie Nielsen, and rooftop beer pong will continue "till late. " The first drink is on the house. Downtown Independent, 251 S. Main St., L.A. 7 p.m. Sat. (8 p.m. show time). $10 in advance, $12 at the door. (213) 617-1033. http://www.downtownindependent.com
December 21, 2012 |
There are many things that can draw a filmmaker to a project. It could be a great script or the chance to work with a talented actor. In the case of Ang Lee and "Life of Pi," it was fear. In this clip from the Envelope Directors Roundtable moderated by the Times' John Horn, Lee and five fellow top directors -- Tom Hooper ("Les Miserables"), Ben Affleck ("Argo"), Sacha Gervasi ("Hitchcock"), David O. Russell ("Silver Linings Playbook") and Kathryn Bigelow ("Zero Dark Thirty") -- discuss how the challenges of their work inspire and drive them.
January 25, 2000
KCSN-FM's (88.5) hourlong "Let's Do Lunch" program, hosted by Rene Engel, is being broadcast live each day this week from the Museum of Television & Radio in Beverly Hills. The museum is offering free admission to those who wish to watch the live show, which airs on KCSN weekdays at noon. Red Buttons will be today's guest. Other scheduled guests will be Jan Murray (Wednesday), Shelley Berman (Thursday) and Stan Freberg (Friday).
June 11, 2008 |
The Academy of Motion Picture Arts and Science's Academy Foundation's Institutional Grants Program announced Tuesday that it has awarded $500,000 to 58 film-related nonprofit organizations in the U.S. and Canada. Among the local organizations receiving money for programs are the California Institute of Arts, Loyola Marymount University, USC's Master of Professional Writing Program and School of Cinematic Art, UCLA's Film and Television Program and Workplace Hollywood. Local institutional grants were awarded for the job training program at Hollywood Cinema Production Resources, the screening series at UCLA Film and Television archive, the Access LA Seminar Series and Screenwriting Lab at Outfest.
July 7, 1994
Members of the "Damn Yankees" cast including Tab Hunter, Gwen Verdon and Jean Stapleton will appear at the Academy of Motion Pictures Arts and Sciences on July 15 prior to a screening of the film at 7:30 p.m. The event scheduled at the Samuel Goldwyn Theater, 8949 Wilshire Blvd., is part of the academy's ongoing "Standard Screening Series." The film's original trailer and footage of the original stage version will be shown with a three-strip Technicolor print of "Damn Yankees."
December 17, 2012 |
This year's Black List, a ranking of hot screenplays that have not yet finished principal photography, honors scripts about the NFL draft, the early life of Dr. Seuss, and a 40-year search for three siblings taken from an Australian beach. The list is compiled by former production executive Franklin Leonard, who said more than 290 film executives contributed their 10 favorite scripts of the year. To be eligible for inclusion in the list, the scripts had to receive at least six mentions from inside the Hollywood development community.