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October 18, 1989 | DANIEL CERONE
The films are coming by way of Brazil, Morocco, Mexico and the United States. Some are arriving from France, Great Britain, Canada, Greece and Egypt. In the spirit of glasnost, there are cinematic works from the Soviet Union, Hungary, Czechoslovakia and Bulgaria.
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May 14, 1995 | KAREN STABINER, SPECIAL TO THE TIMES
Twenty-two years later, my dog-eared copy of Molly Haskell's "From Reverence to Rape" sits on the bookshelf with little hand-torn scraps of paper marking pages I wanted to go back to. All I have to do is glance at the first chapter, and I recall what an exhilarating experience it was to read Haskell's analysis of women in Hollywood, both on the screen and behind the scenes. There are scribbles in the margins of that book, because it almost demanded active participation from the reader.
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NEWS
May 14, 1995 | KAREN STABINER, SPECIAL TO THE TIMES
Twenty-two years later, my dog-eared copy of Molly Haskell's "From Reverence to Rape" sits on the bookshelf with little hand-torn scraps of paper marking pages I wanted to go back to. All I have to do is glance at the first chapter, and I recall what an exhilarating experience it was to read Haskell's analysis of women in Hollywood, both on the screen and behind the scenes. There are scribbles in the margins of that book, because it almost demanded active participation from the reader.
ENTERTAINMENT
October 18, 1989 | DANIEL CERONE
The films are coming by way of Brazil, Morocco, Mexico and the United States. Some are arriving from France, Great Britain, Canada, Greece and Egypt. In the spirit of glasnost, there are cinematic works from the Soviet Union, Hungary, Czechoslovakia and Bulgaria.
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